The Regency Rogues Books in Order
Part ofAmalie Howard Books in OrderBrowse The Regency Rogues books in order by Amalie Howard, with short summaries, reading order, series background, and where to start.
Last updated: July 1, 2026
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The Regency Rogues books in publication order
3 books
The Beast of Beswick
by Amalie Howard
2019
Astrid Everleigh offers marriage to the scarred Duke of Beswick to save her sister from a dangerous match. What starts as a bold bargain becomes a fierce, funny romance between two people who are much harder to intimidate than expected.
The Rakehell of Roth
by Amalie Howard
2020
Winter Vance abandoned his young bride the moment duty was done. Three years later, Isobel is ready to stop waiting quietly and meet him on her own terms, turning a broken marriage into a sharp, seductive battle of wills.
The Wolf of Westmore
by Amalie Howard
2022
One chance meeting at a scandalous club binds Wulfric Bane and Jocelyn Capehart together before either knows how dangerous that is. Their families are enemies, but the memory of that night refuses to stay buried.
The Regency Rogues books in chronological order
Series background & context
The Regency Rogues is where Amalie Howard lets fairytale mood and Shakespearean mischief meet straight-up historical romance. The books are linked by tone more than plot, and each one takes a familiar romantic shape, then roughs it up with sharper banter, more heat, and characters who are rarely as polished as society expects.
The series starts with The Beast of Beswick, where scarred Duke Nathaniel Harte meets his match in Astrid Everleigh, a heroine bold enough to propose marriage for her own reasons. The Rakehell of Roth follows Winter and Isobel, a marriage already broken before the story really begins, then rebuilt through anger, seduction, and second chances. The Wolf of Westmore keeps the emotional temperature high with a family feud, one unforgettable night, and two people who know better than to get attached.
A big part of the appeal is that these books love proud, wounded people. Howard writes heroes who feel boxed in by injury, reputation, inheritance, or plain old bad decisions. She gives them heroines who refuse to coddle them. That clash makes the romance lively, because nobody is drifting gently toward love. They are usually arguing with it, bargaining with it, or trying very hard not to want it.
These books like a little bite with their swoon.
The settings help with that mood. There are dark estates, glittering London spaces, secret clubs, and country houses that feel almost storybook until somebody says something wickedly honest. For all the fairytale influence, the stakes are adult and grounded. Marriage has consequences, scandal has weight, and self-acceptance is often as important as the love story itself.
You can pick up any of these as a standalone, but reading in order lets you watch Howard refine the series' mix of tenderness, tension, and theatrical fun. If you like your historical romance a little dramatic and a little sharp around the edges, this is probably the shelf to reach for first.
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