Birthright (Simon Hawke) Books in Order
Part ofSimon Hawke Books in OrderThis page shows the Birthright books by Simon Hawke in order, with summaries, series background, and practical help on where to start.
Last updated: July 10, 2026
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Birthright (Simon Hawke) books in publication order
2 books
The Iron Throne
by Simon Hawke
1995
In Cerilia, rival rulers, old grudges, and the question of who should control the empire all push the continent toward war. Hawke mixes court intrigue, battlefield pressure, and fantasy politics on a large canvas.
War
by Simon Hawke
1996
Cerilia's human and elven realms are trapped between old hatred and the need to survive a larger threat. Hawke turns the Birthright setting into a political fantasy about empty thrones, shifting loyalties, and war that refuses to stay simple.
Birthright (Simon Hawke) books in chronological order
Series background & context
Hawke's Birthright novels take place in Cerilia, a fantasy continent shaped by old divine catastrophe, bloodline power, and the wreckage of empire. The distant history matters here. Gods died at Deismaar, their power spilled into mortal bloodlines, and the rulers who inherited that force built kingdoms that never fully escaped the violence of their origins. By the time these books begin, the old empire is gone, but everyone still measures themselves against its remains.
That is why the throne in The Iron Throne matters so much. It is not just a seat. It is a claim to order, legitimacy, and the right to pull a fractured world back together, or tear it apart trying. Human nobles, rival realms, old enemies, and opportunists all want a place in that fight. Meanwhile the elves, who were there before the humans built anything, have long memories and very good reasons not to trust the people expanding into their lands.
So this is political fantasy first.
The two Hawke entries, The Iron Throne and War, lean into that mix of dynastic struggle and broader cultural pressure. Battles matter, but so do alliances, inheritance, resentment, and the question of what power does to the people born close to it. Hawke does not treat the fantasy setting like wallpaper. Cerilia works because the politics come out of the world's history rather than being dropped on top of it.
There is also a useful tension between scale and intimacy. You get armies, succession crises, and racial conflict, but the books still come back to personal choices, wounded pride, divided loyalty, and the sort of bad decision that can trigger a war no one can later control. That gives the series more bite than a simple quest fantasy.
If you like your fantasy with crowns, grudges, and fragile coalitions, Birthright is Hawke working in a more openly epic mode. Start with The Iron Throne and continue into War.
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