SOCO Roger Conniston Books in Order
Part ofAndrew Barrett Books in OrderSee the SOCO Roger Conniston books by Andrew Barrett in order, with short summaries, trilogy background, and where to start reading this forensic crime series.
Last updated: July 3, 2026
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SOCO Roger Conniston books in publication order
3 books
A Long Time Dead
by Andrew Barrett
2011
When a woman is found murdered, Scenes of Crime Officer Roger Conniston is already chasing trouble of his own. Then he is arrested for the killing, and proving the evidence was planted becomes a fight from behind bars.
No More Tears
by Andrew Barrett
2011
Roger Conniston has lost faith in the law and goes after the people who ruined his life. The final Roger Conniston book turns into a hard, angry chase through greed, betrayal, and revenge.
Stealing Elgar
by Andrew Barrett
2011
Newly promoted Roger Conniston faces Hades, an ex-bare-knuckle fighter planning a huge robbery with explosives, guns, and no room for mistakes. To stop him, Roger may have to step outside the police machine altogether.
SOCO Roger Conniston books in chronological order
Series background & context
The Roger Conniston books are Andrew Barrett's earlier forensic trilogy, and they already contain a lot of what later readers will recognise in his work. Roger is a Scenes of Crime Officer in West Yorkshire, but he is not written as a neat, dependable rule-follower. He is clever, watchful, morally awkward in places, and very capable of making life harder for himself.
He is useful in a crisis, not always safe in one.
The series opens with A Long Time Dead, and that first book tells you the shape of Roger's world straight away. He is caught between a murder inquiry and his own interest in an arms dealer, then finds himself arrested for the very killing he should be helping solve. From the start, the trilogy is interested in a question that sits right under the forensic detail: what happens when evidence is bent, planted, misread, or used by the wrong people for the wrong reasons?
That forensic thread runs through all three books, but the trilogy is never only about procedure. Roger is a man under pressure from several directions at once. His work, his pride, his private life, and his need to stay one step ahead of people who may be better connected than he is, all push against each other. The result is a series that feels tense not because the crimes are clever puzzles, though some are, but because Roger is always in danger of being crushed between the official version of events and the truth he can sense underneath.
In Stealing Elgar, the scale widens. Roger has more status and more to lose, while a violent criminal called Hades prepares a huge robbery backed by guns, planning, and the sort of nerve that makes everyone around him dangerous. The book pulls Roger deeper into corrupt loyalties, family ties, and the uncomfortable reality that the people meant to stop a crime are not always much cleaner than the people trying to commit it.
Then No More Tears hardens everything. Loss changes Roger, and the series leans fully into revenge, grief, greed, and the cost of abandoning faith in the law. By that point the books are asking less whether Roger can solve the problem and more what solving it will turn him into. That is what gives the trilogy its bite.
The Yorkshire setting matters a lot here. These are not polished, drawing-room mysteries. They are gritty crime novels full of police rooms, estates, pubs, back roads, and urban corners that feel worked in rather than dressed up. There are corrupt officers, career criminals, violent crews, and a constant sense that every choice leaves a mark.
Read the trilogy in order. Roger's mistakes, losses, and small wins land much harder when you watch them stack up from one book to the next.
Edited by
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