James Howard Kunstler Books in Order
Explore James Howard Kunstler's books in order, with quick summaries, series guides, and easy suggestions for where to start reading.
Last updated: July 3, 2026
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Publication Order
33 books
The Wampanaki Tales
by James Howard Kunstler
1979
Leon Blumberg and his bunkmates head from New York City to a boys' summer camp in the New Hampshire woods. Their early 1960s adventures mix pranks, petty rebellion, and the half-wild freedom of being away from home.
A Clown in the Moonlight
by James Howard Kunstler
1981
Richie Schuster arrives at a small Vermont arts college hoping for the good life of teaching, marriage, and New England charm. Instead he watches his personal and professional world come apart in messy, comic fashion.
The Life of Byron Jaynes
by James Howard Kunstler
1983
A former music writer living in rural New Hampshire discovers that Byron Jaynes, a rock legend believed dead for years, is alive in hiding nearby. Their friendship opens into a story of fame, collapse, and the wreckage of the 1960s.
An Embarrassment of Riches
by James Howard Kunstler
1985
In this picaresque historical comedy, Thomas Jefferson sends Samuel Walker and his botanist uncle south to look for a live giant ground sloth. Instead they find pirates, kidnappings, and one absurd American adventure after another.
Blood Solstice
by James Howard Kunstler
1986
Albany reporter Grover Graff starts digging into a sinister religious cult after a young woman vanishes. The deeper he goes, the more the case connects to violence, obsession, and danger close to home.
The Halloween Ball
by James Howard Kunstler
1987
Four men on the edge of thirty drift through ambition, failure, money trouble, and old disappointments in an upstate New York town. A wild Halloween party forces their buried fears and fantasies into the open.
The Hunt
by James Howard Kunstler
1988
What starts as a camping trip and a half-serious Bigfoot hunt turns darker as two uneasy friends move deeper into the California woods. Old tensions, strange signs, and growing fear make the wilderness feel very close indeed.
Thunder Island
by James Howard Kunstler
1988
In the summer of 1967, seventeen-year-old Andy Newmark takes a job at a shabby beach club on Long Island. Sex, rock music, family trouble, and the shadow of the Vietnam draft push him toward adulthood.
Annie Oakley
by James Howard Kunstler
1993
Annie Oakley rises from hard beginnings to become the star sharpshooter of Buffalo Bill's Wild West Show. The story keeps its focus on her nerve, skill, and showmanship.
Johnny Appleseed
by James Howard Kunstler
1993
This gentle retelling follows Johnny Appleseed through the Ohio Valley as he plants orchards, helps strangers, and leaves goodwill behind him. It leans into the kindness and folklore around the American legend.
The Geography of Nowhere
by James Howard Kunstler
1993
Kunstler's breakout nonfiction book is a fierce history of suburban sprawl and the man-made landscape of modern America. He argues that ugly, car-dominated places have social costs far beyond appearance.
Davy Crockett
by James Howard Kunstler
1995
This lively retelling follows Davy Crockett from frontier boyhood to folk-hero fame. It presents the backwoods hunter and fighter as a larger-than-life American legend for younger readers.
Home from Nowhere
by James Howard Kunstler
1996
After diagnosing sprawl in The Geography of Nowhere, Kunstler turns to remedies. He argues for walkable towns, civic beauty, and a return to places designed for human life instead of traffic flow.
The City in Mind
by James Howard Kunstler
2001
Part travelogue and part argument, this book looks at major cities and asks what makes them beautiful, livable, or miserable. Kunstler uses those portraits to think hard about what has gone wrong in urban America.
Maggie Darling
by James Howard Kunstler
2003
Maggie Darling has built a polished empire around taste, domestic glamour, and perfect presentation. When her marriage cracks and her world starts tilting toward farce, she has to find out what remains beneath the brand.
The Long Emergency
by James Howard Kunstler
2003
Kunstler makes the case that cheap oil built modern life, and that its decline will bring a long era of disruption. He connects energy stress to food, transport, economics, politics, and the shape of everyday American life.
Glimpses of My Friend the King
by James Howard Kunstler
2004
This short collection uses a series of Christian stories to reflect on Jesus Christ through grief, spiritual struggle, healing, and moments of grace. It is written as an inviting, faith-centered meditation rather than a theological argument.
World Made by Hand
by James Howard Kunstler
2007
After oil depletion, disease, and social breakdown, Union Grove, New York, is left to fend for itself. Narrator Robert Earle watches the town improvise a new way of living as rival factions test its fragile peace.
A Christmas Orphan
by James Howard Kunstler
2010
After overhearing a parental argument, eleven-year-old Jeff Greenaway becomes convinced he is an orphan. Just before Christmas, he runs away from Manhattan in search of a kinder life that may exist only in his imagination.
Big Slide
by James Howard Kunstler
2010
This three-act play traps three generations of one family at an Adirondack great camp while a national political breakdown unfolds beyond the trees. With power out and order fraying, old grievances become a survival problem.
The Witch of Hebron
by James Howard Kunstler
2010
Life in Union Grove is still precarious after the great unraveling. Scarcity, roaming violence, and a rising strain of religious fervor threaten the uneasy balance the town has managed to build.
Aladdin and the Magic Lamp
by James Howard Kunstler
2012
This retelling follows Aladdin from tricked street boy to master of a lamp with a powerful genie inside. Magic brings wealth and love, but it also draws back the dangerous sorcerer who wants the lamp for himself.
Manhattan Gothic
by James Howard Kunstler
2012
Obsessed with a late-night horror host, young Jeff sneaks out of his Manhattan apartment and heads for a television studio. What he finds is less supernatural than show business, but no less weird.
Too Much Magic
by James Howard Kunstler
2012
Kunstler argues that modern America puts too much faith in technological fixes and not enough in reality. He takes aim at wishful thinking about energy, economics, politics, and the idea that ingenuity alone will save us.
The Flight of Mehetabel
by James Howard Kunstler
2013
Jeff Greenaway and his friend Bobby mean well, which is how Bobby's cat ends up attached to a homemade parachute above Central Park. The result is a city chase that is equal parts slapstick, panic, and wonder.
A History of the Future
by James Howard Kunstler
2014
On a stormy Christmas Eve, Robert Earle's son Daniel returns to Union Grove after years of wandering through a broken America. His stories of what the country has become arrive just as the town is pulled into a murder case.
The Rise, Fall, and Redemption of Mooski Toffski Offski
by James Howard Kunstler
2014
Jeff Greenaway thinks his rich classmate Lee Talbot has broken Wendy Waldbaum's heart, so he stages a bit of revenge in a museum. The fallout is funny at first, until Jeff learns how badly he misread the whole situation.
The Harrows of Spring
by James Howard Kunstler
2016
Union Grove has survived collapse, but peace is still fragile. As a strange camp of young wanderers appears outside town and old local tensions sharpen, Robert Earle and Brother Jobe face a new kind of threat.
A Safe and Happy Place
by James Howard Kunstler
2017
In 1967, pregnant NYU student Erica Pooh Bollinger wants out of a city and a country that both feel unsteady. She heads to a Vermont commune, hoping for refuge, and finds adulthood arriving faster than she planned.
The Fall of the Ancients: A Tale of Fortitude and Triumph
by James Howard Kunstler
2018
Jeff Greenaway is shipped off to a New Hampshire boarding school where a bully gang called the Ancients seems to run the place. To survive, he has to match their cruelty with brains, nerve, and a little comedy.
The Law of the Jungle: A Tale of Loss and Woe
by James Howard Kunstler
2018
Sent to Camp Timahoe in Vermont for the summer of 1963, Jeff Greenaway expects the usual camp misery and mischief. Then the counselors begin disappearing, and the boys are left to invent their own rough, funny version of order.
Living in the Long Emergency
by James Howard Kunstler
2020
Kunstler revisits the warnings of The Long Emergency and asks what he got right, what changed, and what still looks shaky. He mixes big-picture crisis thinking with portraits of people already building more local, resilient lives.
Look, I'm Gone
by James Howard Kunstler
2025
Days after JFK's assassination, twelve-year-old Jeff Greenaway returns from boarding school to Manhattan for Thanksgiving. Restless and newly under the spell of Holden Caulfield, he wanders the city into romance, danger, and a search for meaning.
Where should I start?
For his big ideas about American places: The Geography of Nowhere → Home from Nowhere → The City in Mind
For his energy and collapse argument: The Long Emergency → Too Much Magic → Living in the Long Emergency
For post-collapse fiction: World Made by Hand → The Witch of Hebron → A History of the Future → The Harrows of Spring
For lighter coming-of-age stories: A Christmas Orphan → The Flight of Mehetabel → Look, I'm Gone
Author bio
James Howard Kunstler was born in New York City in 1948. His family spent a few years in the Long Island suburbs before moving back to the city, and that split, between urban life and suburban expansion, would later shape much of his writing. He grew up in New York, absorbed its neighborhoods and contradictions, and carried that sharp sense of place into both his fiction and nonfiction.
He graduated from the State University of New York at Brockport and started out in journalism. Before long he was working as a reporter and feature writer for newspapers, and later as a staff writer at Rolling Stone. That stretch gave him a reporter's eye for detail, a taste for American characters, and a habit of looking past official stories to see how people actually live.
Then he changed lanes.
In 1975 he left magazine work to write books full time. His early career was mostly fiction, including novels such as The Wampanaki Tales, The Life of Byron Jaynes, and Maggie Darling. Even in those books, you can see the things that kept pulling at him, small towns, uneasy social comedy, American restlessness, and the gap between the stories people tell about themselves and the lives they really lead.
His best known nonfiction book is The Geography of Nowhere, a blunt, funny, and often irritated look at suburban sprawl and the ways postwar America rebuilt itself around cars, parking lots, strip development, and places nobody especially loves. He followed it with Home from Nowhere, which turns from diagnosis toward repair, and The City in Mind, a book of city portraits and arguments about what makes urban places work, or fail. Readers who come to Kunstler for ideas usually come for that combination of close observation, impatience with cant, and plain talk.
He has always been interested in the places people have to use every day.
That interest carried into The Long Emergency, where he argued that cheap energy, especially oil, had shaped modern American life so completely that any serious disruption would change everything from food systems to housing patterns. He returned to those themes in Too Much Magic and later in Living in the Long Emergency. If you prefer fiction, the same concerns run through his World Made by Hand novels, which imagine an upstate New York community trying to rebuild daily life after national breakdown. Readers who like those books tend to respond to their practical texture, gardens, barter, faith, weather, grief, and the stubborn business of keeping a town going.
He also created the Jeff Greenaway stories, a lighter but still sharp set of coming-of-age adventures set in early 1960s New York, including A Christmas Orphan, The Flight of Mehetabel, and Look, I'm Gone. They show another side of him, funny, nostalgic, mischievous, and very alert to the way childhood can feel both comic and high stakes at once.
Kunstler lives in Washington County in upstate New York. From there he has continued to write books, essays, and commentary, and he has also pursued painting. Across the different phases of his career, one thing stays steady, he is drawn to the American landscape, to the way communities rise or hollow out, and to the question of how people might live more honestly in the places they call home.
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