Cynthia Riggs Books in Order
Explore Cynthia Riggs books in order, with Victoria Trumbull reading order, quick summaries, author background, and simple advice on where to start.
Last updated: July 8, 2026
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Publication Order
14 books
Deadly Nightshade
by Cynthia Riggs
2001
When a brutal killing shocks Martha's Vineyard, ninety-two-year-old Victoria Trumbull and her granddaughter Elizabeth are pulled into a tangle of harbor politics, wealthy visitors, and dangerous island secrets. The case introduces a sleuth who knows everyone, and misses very little.
The Cranefly Orchid Murders
by Cynthia Riggs
2002
Victoria goes searching for a rare orchid that could block a controversial land deal and finds a corpse instead. What follows is a sharp island mystery about development, greed, and the many people who want a beautiful stretch of Vineyard land.
The Cemetery Yew
by Cynthia Riggs
2003
An empty grave, a vanished coffin, and a string of strange deaths send Victoria into one of her knottiest cases. Old scandals, missing bodies, and smuggling whispers turn a winter burial problem into something far more dangerous.
Jack in the Pulpit
by Cynthia Riggs
2004
After several Vineyard residents die from poison, Victoria starts following the trail through church suppers, private secrets, and neighborhood goodwill. On an island where nobody locks a door, that openness suddenly looks a lot more risky.
The Paperwhite Narcissus
by Cynthia Riggs
2005
Fired after decades of writing the local social column, Victoria joins a rival paper just as a threatening obituary and a developer's death shake the island. The result is a sly mystery about gossip, grudges, and small-town news wars.
Indian Pipes
by Cynthia Riggs
2006
When a Martha's Vineyard native falls from a cliff, Victoria suspects murder and finds herself in the middle of land battles, inheritance claims, and casino politics. The case mixes tribal disputes, outside money, and a killer who thinks the island can be bought.
Shooting Star
by Cynthia Riggs
2007
Victoria's serious stage version of Frankenstein goes badly off script when a child actor disappears after dress rehearsal and murder follows. Theater politics, island gossip, and a missing boy make this one of the series' most theatrical cases.
Death and Honesty
by Cynthia Riggs
2009
A body in a tax assessor's home points Victoria toward embezzlement, blackmail, and the shadier side of island real estate. As more deaths follow, she has to untangle money, religion, and local politics before the killer gets farther ahead.
Touch-Me-Not
by Cynthia Riggs
2010
A group of knitters making a coral reef quilt for a climate project becomes the target of a menacing phone stalker. When fear turns to murder, Victoria must sort through frayed nerves, family tension, and a suspect who has vanished.
The Bee Balm Murders
by Cynthia Riggs
2011
A dead man turns up in a trench dug for a fiber-optic cable, and Victoria's newest boarder may know why. Investment schemes, double-dealing, and island ambition make this case bigger than it first appears.
Poison Ivy
by Cynthia Riggs
2012
On her first day teaching at struggling Ivy Green College, Victoria notices a foul smell that leads to buried bodies and academic chaos. As the scandal grows, she hunts a killer while the little college fights for its survival.
Bloodroot
by Cynthia Riggs
2016
A woman dies in a dentist's chair, then the clinic receptionist ends up floating in the harbor. With the police stretched thin, Victoria digs into wills, resentments, and a medical office full of people who know more than they say.
Trumpet of Death
by Cynthia Riggs
2017
Victoria's tenant thinks a poisonous mushroom might solve his girlfriend problem, but the dinner table consequences are not what he expects. While panic spreads, Victoria investigates a separate run of deaths that may be tied to someone much closer to home.
Widow's Wreath
by Cynthia Riggs
2018
Victoria agrees to host a wedding reception and gets far more than cake and lemonade. With money troubles, family scheming, and a corpse in her cellar, this late-series mystery turns a Vineyard celebration into a very public disaster.
Where should I start?
Start at the beginning: Deadly Nightshade → The Cranefly Orchid Murders → The Cemetery Yew
If you want classic Vineyard village mysteries: Jack in the Pulpit → The Paperwhite Narcissus → Indian Pipes
If you like community drama and clever hooks: Shooting Star → Death and Honesty → Touch-Me-Not
If you want later-series comfort reads: The Bee Balm Murders → Poison Ivy → Bloodroot → Trumpet of Death → Widow's Wreath
Author bio
Cynthia Riggs was born on June 15, 1931, on Martha's Vineyard, Massachusetts, and she grew up with the Island in her bones. She is a 13th-generation Islander, and much of her life has centered on West Tisbury and the old family homestead. Her mother, Dionis Coffin Riggs, was a poet. Her father, Sidney Noyes Riggs, was a principal, printmaker, and artist. Words, pictures, weather, and local history were all part of the furniture from the start.
She also grew up with a strong sense that a place is never just scenery. That helps explain why her fiction feels so tied to roads, coves, gardens, ferries, and the habits of year-round Vineyard life. Readers who come to her books for the mysteries usually stay for the Island itself.
Before she published a novel, Riggs had already packed in several lives. She studied geology at Antioch College, then worked in science and communications jobs, including time with the National Geographic Society. She spent much of her married life in Washington, D.C., taking on a long list of jobs and adventures. She spent time in Antarctica, later became the seventh woman to set foot on the South Pole, qualified for the 1948 Olympic fencing team, and crossed the Atlantic twice in a thirty-two-foot sailboat. She raised five children along the way.
She came to fiction late, and that turns out to have been one of her strengths.
After her mother's death, and after decades of work, travel, and family life, she enrolled in the MFA program at Vermont College in her late sixties. While studying there, she started writing the mystery novel that became Deadly Nightshade. That book introduced Victoria Trumbull, her sharp-eyed ninety-two-year-old poet and sleuth, and launched the series most readers know her for.
The books readers mention most often are Deadly Nightshade, The Cranefly Orchid Murders, Jack in the Pulpit, The Bee Balm Murders, and Poison Ivy. People tend to like the same things in them again and again: the dry humor, the plant-themed titles, the local politics, the old grudges, and the fact that Victoria solves crimes with memory, common sense, and deep knowledge of the people around her. These are cozy mysteries, but they are never cut off from money, land fights, class tension, or the push and pull between summer visitors and year-round residents.
Martha's Vineyard is never just a backdrop in her work.
Riggs has also written nonfiction connected to her own life and to the Island, including Victoria Trumbull's Martha's Vineyard, Howard and Cynthia: A Love Story, and her memoir Wait, Spring. In the memoir, she writes about travel, family, and finding love again late in life. Those books make it clear that the curiosity in the mysteries is her curiosity too. She notices people, asks practical questions, and cares about how communities actually function.
She has long lived in West Tisbury, Massachusetts, where she has run a bed-and-breakfast from her family home. She has also led writing groups and given summer talks on tourist boats. It suits her. After all the travel and side roads, she ended up writing the kind of books only someone who really knows a place could write.
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