Charles Paris Books in Order
Part ofSimon Brett Books in OrderExplore Simon Brett's Charles Paris books in order, with short summaries and background on an actor's backstage mysteries and complicated personal life.
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Charles Paris books in publication order
20 books
Cast in Order of Disappearance
by Simon Brett
1975
Actor Charles Paris investigates the deaths of theatrical tycoon Marius Steen and blackmailer Bill Sweet. Adopting disguises, including that of a Scotland Yard detective, draws him into a world of compromising photographs, show-business secrets, and increasingly dangerous performances.
So Much Blood
by Simon Brett
1976
Charles Paris takes his one-man show to the Edinburgh Festival and becomes entangled in a murder investigation. A fading pop star’s death, a bomb scare, and theatrical rivalries complicate a week already filled with performances, drink, and romantic distractions.
Star Trap
by Simon Brett
1977
Charles Paris joins a musical whose rehearsals are disrupted by a pianist’s shooting and an actor’s suspicious fall. Investigating the backstage mishaps leads him toward the show’s difficult star, raising an awkward question: why sabotage a production built around himself?
An Amateur Corpse
by Simon Brett
1978
Charles Paris becomes involved with an amateur theatre company when his friend Hugo’s wife is murdered. With Hugo accused of the crime, Charles investigates rivalries and backstage relationships, hoping to uncover the truth behind a carefully constructed alibi.
A Comedian Dies
by Simon Brett
1979
On a seaside holiday with his estranged wife, Charles Paris watches a rising comedian collapse after taking hold of his guitar and microphone. The apparently electrifying accident gives the actor a fresh mystery among the entertainers and their competing interests.
Dead Side Of The Mike
by Simon Brett
1980
After recording a BBC radio drama, Charles Paris learns that studio manager Andrea Gower has been found dead in an editing suite. A second death undermines the apparent suicide and leads him into a dangerous investigation of institutional secrets and scandal.
Situation Tragedy
by Simon Brett
1981
A minor role in a sitcom promises Charles Paris steady work, until disturbing accidents and deaths disrupt the production. The cast’s peculiar behavior draws the actor into another investigation, as his television comedy becomes a much darker drama.
Murder Unprompted
by Simon Brett
1982
Charles Paris is demoted to understudy when a television star takes over a new play. The replacement is shot on opening night, leaving Charles to investigate the resentful cast and clear a fellow actor who had openly refused to accept the change.
Murder in the Title
by Simon Brett
1983
Charles Paris reaches a professional low playing a corpse in an unsuccessful provincial thriller. Nearly becoming a real victim is worse: mounting backstage accidents suggest sabotage, and he must find the person turning the theatre company’s troubles into murder.
Not Dead, Only Resting
by Simon Brett
1984
Taking work as a house painter, unemployed actor Charles Paris discovers the mutilated body of a fashionable restaurant’s chef. The victim’s missing partner seems the obvious suspect, but Charles finds enough enemies and inconsistencies to launch his own investigation.
DeadGiveaway
by Simon Brett
1985
Charles Paris appears on a television quiz show, hoping for publicity after months without work. When the host dies after drinking poisoned gin, Charles investigates the studio’s rivalries and hidden grievances to help clear a young assistant accused of murder.
What Bloody Man is That?
by Simon Brett
1987
Charles Paris returns to Shakespeare in a troubled provincial production of Macbeth, juggling numerous parts and a difficult cast. After a disastrous rehearsal, he finds an unpopular actor dead inside the locked theatre and must investigate a very real theatrical curse.
A Series of Murders
by Simon Brett
1989
Charles Paris finds steady work as a policeman in a television detective series. Discovering an actress dead in the prop room disrupts the production, and further supposed accidents convince him to investigate the real crimes unfolding behind the fictional ones.
Corporate Bodies
by Simon Brett
1991
Charles Paris plays a forklift driver in a company’s promotional video, only for a secretary to be found crushed by the machine. Suspicion falls on Charles, forcing him to examine the corporation’s secrets and determine whether the apparent accident was murder.
A Reconstructed Corpse
by Simon Brett
1993
Charles Paris portrays missing property developer Martin Earnshaw in a television crime reconstruction. When body parts begin turning up, his role expands, and he starts questioning the program’s sensational coverage and the motives of those closest to the missing man.
Sicken and So Die
by Simon Brett
1996
Playing Sir Toby Belch and living with Frances again, Charles Paris finally feels his fortunes improving. Then illness removes the director of Twelfth Night, an experimental replacement takes charge, and further poisoning incidents suggest someone is targeting the company.
Dead Room Farce
by Simon Brett
1997
Charles Paris combines a touring farce with audiobook work at a recording studio. When producer Mark Lear is found dead in a locked room after threatening a revealing book about the BBC, Charles investigates whether old grievances have become murderous.
A Decent Interval
by Simon Brett
2013
Charles Paris lands two small roles in a Hamlet production led by television talent-show stars. After a rehearsal injury and an opening-night death, the actor investigates whether backstage tensions have escalated into a connected series of attacks.
The Cinderella Killer
by Simon Brett
2014
Acting in an Eastbourne pantomime, Charles Paris befriends its troubled American sitcom star and gets drawn into his complicated affairs. Finding a murdered cast member beneath the pier brings press attention, chaotic rehearsals, and suspicion directed at Charles.
A Deadly Habit
by Simon Brett
2018
Charles Paris wins a role as a monk in a West End play but drinks himself into another personal disaster. Waking to find a body at the theatre, he compounds his difficulties by lying to the police.
Series background & context
Charles Paris is an actor whose career has left him with more experience than prestige. He takes the work he can find, whether it involves a modest theatre production, a broadcast, or another job that falls short of stardom. He also has a talent for encountering murder. Simon Brett uses that combination to bring detective stories into the working world of performers, where ambition and disappointment are rarely far apart.
Charles can be perceptive about other people's motives while being much less sensible about his own life.
His drinking, affairs, and uncertain relationship with his estranged wife Frances give the series a continuing personal thread. These problems don't disappear just because he has a case to solve. Instead, they sit beside the investigation, creating a detective who has useful knowledge and persistence without becoming a model of professional or domestic success. The humor often comes from the gap between what Charles understands and what he actually does.
Cast in Order of Disappearance introduces him in a case involving threatening photographs and the people connected to a woman he knows. The next book, So Much Blood, takes him to the Edinburgh Festival, where his own performance is one small part of a crowded entertainment scene. That change of workplace demonstrates the series' flexibility. Charles's profession gives him access to different groups of people, and each job provides a new set of rivalries, relationships, and opportunities for somebody to hide a motive.
The entertainment setting matters because work is personal in ways that can become dangerous. A casting decision can bruise an ego, a weak production can expose resentment, and success can make people defensive about their status. Brett had worked as a radio and television producer before becoming a full-time writer, and the series draws on that experience. The backstage details make the investigations feel connected to an actual working community, rather than a succession of unrelated rooms containing bodies. Later cases keep that connection while reflecting changes in show business. In A Decent Interval, Charles appears in a production of Hamlet whose leading roles have gone to television talent-show figures. In The Cinderella Killer, a Christmas pantomime brings an American sitcom star into an unfamiliar theatrical tradition. Each situation lets professional tensions and private difficulties develop alongside a traditional mystery, with Charles moving between performer, observer, and investigator.
The tone is a cozy mystery with a dry, sometimes sharp view of human weakness.
Publication order begins with Charles's earliest cases and gives the clearest introduction to his recurring relationships. Individual books also offer different slices of entertainment life, so the setting can be part of choosing one. The lasting attraction is the same: a flawed actor gets drawn into a puzzle and proves better at understanding it than at keeping his own affairs in order.
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