Barbara Erskine Books in Order
Explore Barbara Erskine's books in order, with summaries, reading tips and where-to-start guidance for her time-slip historical ghost stories and novels.
Last updated: December 20, 2025
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Publication Order
21 books
The Story Spinner
by Barbara Erskine
2024
In 382 AD, Welsh princess Elen is married to Roman general Macsen, a political union that becomes a fierce, risky love. Centuries later, writer Cadi lives beside Elen’s meadow and hears ghostly marching, battling developers and hostile neighbours so the lost story can finally be told.
The Dream Weavers
by Barbara Erskine
2021
Offa’s Dyke, 775 AD: rebellious princess Eadburh risks war when her true love is torn from her. In a cottage near the Dyke today, spiritual healer Bea begins to dream Eadburh’s story, drawing herself and a troubled historian into a dangerous Saxon feud.
The Ghost Tree
by Barbara Erskine
2018
Returning to Edinburgh after her estranged father’s death, Ruth discovers her ancestor Thomas Erskine’s 18th-century letters and diary hidden in his house. As she reads, Thomas’s remarkable rise – and the deadly enemy he made – bleed into Ruth’s life, putting her own survival at stake.
Sleeper’s Castle
by Barbara Erskine
2016
Grieving and under threat from her late partner’s unstable ex-wife, Miranda “Andy” Dysart escapes to Sleeper’s Castle near Hay-on-Wye. Her dreams carry her into the life of Catrin, a seer entangled in Owain Glyndŵr’s uprising, until violence from both past and present closes in.
The Darkest Hour
by Barbara Erskine
2014
In the summer of 1940, young artist Evie Lucas obsessively sketches a charismatic fighter pilot before he flies into the Battle of Britain. Decades later, widowed art historian Lucy is asked to research Evie’s work and uncovers secrets some families will do anything to conceal.
River of Destiny
by Barbara Erskine
2012
Hoping for a fresh start, Zoe and her husband Ken move into a converted barn beside the River Deben in Suffolk. As bones are unearthed and ghostly figures rise from the mist, past tragedies from Anglo-Saxon and Victorian times threaten to repeat themselves.
Time’s Legacy
by Barbara Erskine
2010
Newly ordained priest Abi Rutherford clashes with her charismatic but rigid vicar when she sees disturbing visions in a Cambridgeshire church. Sent to Glastonbury, she inherits a strange crystal and begins reliving a two-thousand-year-old story of Druids, Romans and a healer hunted as a heretic.
The Warrior's Princess
by Barbara Erskine
2008
After a brutal attack, teacher Jess retreats to her sister’s cottage in the Welsh borders and hears the cries of an unseen child. Researching a local Roman-era battle, she uncovers the fate of princess Eigon – and stirs up both ancient and very modern dangers.
Daughters of Fire
by Barbara Erskine
2006
In Roman Britain, Cartimandua must balance love, vengeance and tribal politics as she rules the Brigantes under growing Roman pressure. Centuries later, historian Viv Lloyd Rees is consumed by visions of the queen and a cursed brooch whose power endangers everyone around her.
Sands Of Time
by Barbara Erskine
2003
This collection of uncanny stories includes two sequels to the novel Whispers in the Sand, in which Anna and Louisa again confront the legacy of ancient Egypt. Other tales explore haunted love affairs, unnerving children and sudden slips through time, all edged with quiet menace.
Hiding from the Light
by Barbara Erskine
2002
Drawn back to the Essex village of her childhood, Emma Dickson buys Liza’s old cottage, once linked to 17th-century witch trials led by Matthew Hopkins. As Halloween nears, Emma and the local rector find themselves caught in forces rooted in that history, where jealousy, fear and alleged witchcraft never truly died.
Whispers in the Sand
by Barbara Erskine
2000
Newly divorced Anna Fox retraces her great-great-grandmother Louisa’s Nile cruise, taking along Louisa’s diary and an antique Egyptian scent bottle. On the river, rival suitors circle and an ancient feud reawakens, leaving Anna and her fellow travellers exposed to a growing supernatural threat.
On the Edge of Darkness
by Barbara Erskine
1998
As a teenager near a standing stone in the Scottish Highlands, Adam Craig falls in love with the mysterious Brid, who pulls him back into the sixth century and Druid magic. Decades later, her obsessive curse still stalks his family until his granddaughter intervenes.
Distant Voices
by Barbara Erskine
1997
In this second story collection, Barbara Erskine ranges from contemporary streets to smuggling coasts and haunted houses. Biographers, vicars’ daughters and lonely children all hear distant voices that reveal buried secrets, mixing quiet heartbreak with shivery, supernatural twists.
House of Echoes
by Barbara Erskine
1996
Adopted at birth, Joss Grant unexpectedly inherits Belheddon Hall, a crumbling manor on the Essex coast, and moves in with her husband and young sons. Local whispers of a curse soon prove terrifyingly real as the house’s violent past reaches for her family.
Midnight Is a Lonely Place
by Barbara Erskine
1994
After a breakup, biographer Kate Kennedy retreats to an isolated cottage on the wild Essex coast to work in peace. When a nearby Roman grave is disturbed, vengeful spirits awaken, turning Kate’s refuge into the centre of a centuries-old struggle for justice.
Milestones
by Barbara Erskine
1992
Milestones showcases Barbara Erskine’s shorter romantic fiction, following characters through love, loss and the difficult decisions that define them. The stories linger on the small turning points that become the milestones of a lifetime.
Child of the Phoenix
by Barbara Erskine
1992
Born in 1218, Princess Eleyne is raised by a fiercely Welsh nurse who teaches her the old gods and lends her the gift of second sight. Swept into dynastic marriages across England, Scotland and Wales, Eleyne’s dangerous visions shadow every alliance and love affair.
Encounters
by Barbara Erskine
1990
This early collection gathers more than forty short stories in which chance meetings, ghostly visitations and sudden flashes of memory change people’s lives. From romantic twists to eerie time-slips, each tale offers a quick, intimate glimpse into Barbara Erskine’s supernatural imagination.
Kingdom of Shadows
by Barbara Erskine
1988
Clare Royland appears to have everything, yet her childless marriage and vivid dreams leave her increasingly obsessed with her ancestress, Isobel, Countess of Buchan. At Duncairn Castle, Scotland’s war with England – and Isobel’s defiance – begin to echo through Clare’s own threatened life.
Lady of Hay
by Barbara Erskine
1986
Investigating past-life regression for a magazine feature, journalist Jo Clifford is hypnotised and finds herself living as Matilda de Braose, a 13th‑century noblewoman caught in King John’s ruthless politics. As Jo’s visions deepen, danger in both centuries draws fatally close.
Where should I start?
If you want her classic time-slip ghost story: Lady of Hay → Kingdom of Shadows → House of Echoes
If you love big medieval epics: Child of the Phoenix → Daughters of Fire → The Warrior's Princess
If you prefer modern hauntings with strong settings: Whispers in the Sand → Hiding from the Light → The Ghost Tree
If you want to sample her recent work: Sleeper’s Castle → The Dream Weavers → The Story Spinner
Author bio
Barbara Erskine was born in Nottingham in 1944 and grew up in a family where stories and history were part of everyday life. Her father, Nigel Rose, flew Spitfires in the Battle of Britain, and relatives told tales that ran from the East Midlands to India and the Welsh borders. Those overlapping histories – personal and political, local and far‑flung – shaped the way she later thought about the past.
At the University of Edinburgh she studied medieval Scottish history, digging into chronicles and charters while also writing for student magazines. After graduating she worked as a researcher and editor for publishers specialising in art and history, learning how to turn raw material into clear narrative. Alongside that day job she wrote short fiction, selling stories to newspapers and women’s magazines and even trying her hand at short historical romances.
Those early pieces became the backbone of her first collections, including Encounters, Distant Voices and Sands Of Time. The stories are brief but varied – contemporary, historical, ghostly, sometimes quietly funny – and many of them hinge on a single moment when the everyday brushes against something otherworldly. They were also her apprenticeship in building atmosphere and a strong sense of place in just a few pages.
Her breakthrough novel, Lady of Hay, appeared in 1986 after years of research and rewriting. It follows journalist Jo Clifford, who undergoes hypnosis for an article and finds herself reliving the life of Matilda de Braose, a 12th‑century noblewoman trapped in King John’s ruthless court. The book’s mix of reincarnation, political intrigue and the Welsh border landscape struck a chord with readers, and it has stayed in print ever since.
Many of the novels that followed explore similar borders between times and loyalties. Kingdom of Shadows links a modern heiress with Isobel, Countess of Buchan, during Scotland’s fight for independence. Child of the Phoenix traces the fictional Princess Eleyne through marriages and wars that tie England, Scotland and Wales together. Later books such as Daughters of Fire and The Warrior’s Princess return to the lives of Celtic queens facing Roman conquest.
Erskine’s settings do a lot of the storytelling. Essex marshes, the Nile, Glastonbury, the Suffolk coast and the hills around Offa’s Dyke – seen in novels like Midnight Is a Lonely Place, Whispers in the Sand, Time’s Legacy and Sleeper’s Castle – are places where old violence and old love bleed into the present.
Her protagonists are often people trying to rebuild a life – vicars, historians, artists, healers – who find their plans derailed by echoes of the past. In The Darkest Hour she moves into the 20th century, linking a wartime artist and a modern researcher through secrets from the Battle of Britain. The Ghost Tree draws on her ancestor Thomas Erskine, Lord Chancellor in the late 18th century, to show how family history can both inspire and unsettle.
Erskine now divides her time between North Essex and Hay‑on‑Wye, close to the landscapes that fuel so much of her fiction. She still walks ruined castles, churchyards and border hills, looking for traces of older stories beneath the surface of the modern world. Writing, she has joked, is not a job you retire from, and her continuing run of large, time‑slip novels suggests she means it.
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