Alice Feeney Books in Order
Explore all Alice Feeney books in order, with quick summaries, reading order help, and tips on where to start with her twisty psychological thrillers.
Last updated: June 7, 2026
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Publication Order
8 books
Sometimes I Lie
by Alice Feeney
2017
Amber Reynolds wakes in a hospital, locked inside her body, able to hear everything but unable to move or speak. As memories surface from the week before the crash and childhood diaries, she starts to suspect those closest to her.
I Know Who You Are
by Alice Feeney
2019
Actress Aimee Sinclair comes home to find her husband gone and their bank account emptied by someone who looks just like her. As police suspicion grows, long-buried secrets from her stolen childhood return, forcing Aimee to question her own memories.
His & Hers
by Alice Feeney
2020
When a woman is murdered in the village of Blackdown, news presenter Anna Andrews is sent to cover the story and her ex-husband, DCI Jack Harper, leads the case. Both knew the victim, both are hiding things, and both could be guilty.
Rock Paper Scissors
by Alice Feeney
2021
Screenwriter Adam and his wife Amelia head to a remote converted chapel in the Scottish Highlands to save their failing marriage. Snowed in and cut off, strange things keep happening, and a decade of secrets begins to surface with each anniversary memory.
Daisy Darker
by Alice Feeney
2022
Daisy Darker and her estranged family gather at her grandmother’s crumbling house on a tidal island for an 80th birthday on Halloween. When the tide traps them and relatives start dying one by one, Daisy must confront a lifetime of secrets.
Good Bad Girl
by Alice Feeney
2023
Twenty years after a baby is snatched from her stroller, a care home manager is murdered and three very different women are drawn together. Sharp-tongued Edith, her estranged daughter Clio, and carer Patience must untangle their shared past before anyone else dies.
Beautiful Ugly
by Alice Feeney
2025
Author Grady Green calls his wife as she drives home and hears her stop for someone in the road, then the line goes dead. A year after Abby’s car is found abandoned by a cliff, grief-stricken Grady retreats to a tiny Scottish island where a familiar face appears.
My Husband's Wife
by Alice Feeney
2026
Artist Eden Fox returns from a run to the seaside house she shares with her husband and finds her key no longer fits, a stranger inside, and a man insisting the other woman is his wife. Six months earlier, reclusive Birdy inherits the same house and uncovers a disturbing clinic that predicts people’s deaths.
Where should I start?
If you want her most mind-bending psychological thriller: Sometimes I Lie.
If you love tense marriage dramas in remote settings: Rock Paper Scissors → Beautiful Ugly.
If you enjoy locked-room family mysteries: Daisy Darker.
If you like multi-generational women’s stories with big twists: Good Bad Girl.
If you want to start with her most talked-about titles: His & Hers → My Husband’s Wife.
Author bio
Alice Feeney writes twisty psychological thrillers about memory, marriage, and the secrets people keep from themselves. A former BBC journalist, she has become a New York Times and Sunday Times bestselling author whose books are published in dozens of languages.
She grew up in Essex in the late 1970s and 80s, in a house where books were always within reach.
As a child she scribbled tiny homemade stories on folded scraps of paper in the back of her parents’ shop, long before she realised that writing could be a career. In her early twenties she joined the BBC under her journalist name, Alison Feeney-Hart, and over roughly fifteen years she worked as a reporter, news editor, and producer, including on the One O’Clock News. The busy newsroom became a second home and gave her a close-up view of how stories are shaped, edited, and broadcast to millions.
That job was demanding and fast, but she quietly kept a different goal. Around the time she turned thirty she began drafting Sometimes I Lie on her commute and during lunch breaks, later polishing it while taking a Faber Academy writing course, until the book sold at auction and finally allowed her to step away from the BBC to write full-time.
Sometimes I Lie introduced many of the hallmarks of her work: an unreliable narrator, shifting timelines, and a claustrophobic mystery that plays out as much in the mind as on the page. Amber Reynolds, trapped in a coma yet aware of everything around her, narrates a story that keeps circling back on itself as childhood diaries and recent memories begin to clash. The novel became an international bestseller and was optioned for television, helping to put Feeney firmly on the psychological thriller map.
Her second novel, I Know Who You Are, follows actress Aimee Sinclair as her husband disappears and a stolen childhood resurfaces, blurring truth and performance. With His & Hers, Feeney returned to the world of television news, pairing a presenter and her detective ex-husband on opposite sides of a village murder case; that book later inspired a limited-series adaptation that brought Anna and Jack’s duelling perspectives to the screen.
Rock Paper Scissors and Daisy Darker pushed her interest in isolated settings and complicated families. In one, a troubled couple travels to a converted chapel in the Scottish Highlands for an ill-fated anniversary trip; in the other, relatives gather on a tidal island for an 80th birthday that turns into a locked-room countdown as the storm and the tide close in.
Later books such as Good Bad Girl, Beautiful Ugly, and My Husband’s Wife widen her canvas even further. She writes about elderly women plotting escapes from care homes, writers haunted by missing spouses on remote islands, and strangers bound together by mysterious houses and unsettling medical promises. Across these stories she is less interested in tidy whodunits than in why seemingly ordinary people cross dangerous lines.
Again and again her novels return to the slipperiness of memory, the stories families tell to protect themselves, and the gap between who we are in public and in private.
Feeney now lives with her family in the Devon countryside, often writing in a garden shed that doubles as her office. Despite the dark turns in her plots, she still describes herself first as a reader, chasing pace, empathy, and the simple pleasure of a story that keeps you turning pages late into the night.
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