Crime and Punishment Summary

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Here you will find a Crime and Punishment summary (Fyodor Dostoevsky's book).
We begin with a summary of the entire book, and then you can read each individual chapter's summary by visiting the links on the "Chapters" section.

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Last Updated: Monday 1 Jan, 2024

Crime and Punishment Summary Overview

Rodion Romanovich Raskolnikov, an impoverished and sickly former student, resides in a dilapidated apartment in St. Petersburg. Contemplating a dreadful act, he visits an elderly pawnbroker, Alyona Ivanovna, to pawn a watch and plot his crime. At a local tavern, he meets Marmeladov, a man who has abandoned his job for a drinking spree, and learns about Marmeladov's ill wife and daughter Sonya, forced into prostitution due to their destitute situation. The following day, after receiving news of his sister's impending marriage and the family's movement to St. Petersburg, Raskolnikov overhears talk of the pawnbroker's death being beneficial for society, and learns she'll be alone the next evening. Raskolnikov formulates a plan, and ends up murdering the pawnbroker and her sister. Raskolnikov enters a state of paranoia the day after committing the murders, carefully checking his clothes for blood traces and burying the stolen goods. Despite his growing suspicions, a visit to the police station reveals he's not yet a suspect, but his odd behaviour soon sparks their interest. Disturbing dreams plague him, further worsening his mental state, and he almost confesses his crimes several times, but stops short at the last minute. During this time, he encounters various characters like his sister's fiancé Luzhin, his friend Razumikhin, and Svidrigailov, a former employer of his sister who harbors a creepy attraction towards her. As the story progresses, the guilt-ridden Raskolnikov experiences a series of confrontations and conflicts, increasingly haunted by his crime and its implications. His actions and erratic behaviour raise suspicions, and he eventually confesses his murder to Sonya Marmeladov, who implores him to surrender to the authorities. This period is marked by further turbulence, with Katerina Ivanovna's death, Svidrigailov's suicide, and Raskolnikov's eventual confession to the police. The narrative concludes with Raskolnikov in a Siberian prison, reflecting on his deeds and his journey towards redemption, guided by the unwavering support of Sonya.

part 1 chapter 1

A young man steps out of his rented room in St. Petersburg on a sweltering summer day. He's anxious about running into his landlord— he's behind on rent and dreads the confrontation. "He had fallen into a state of nervous depression akin to hypochondria," so he shuns interaction with others. As he exits the building, he's contemplating a severe, yet vague, action. He doubts his capacity to carry it out— if he can't even face his landlord, the thought of executing the act is overwhelming. The narrator introduces the young man— our protagonist— as a tall, handsome figure with "dark auburn hair and fine dark eyes.” Despite wearing tattered garb, he arrogantly disregards the judgement of his impoverished neighbors— drunkards, prostitutes, and tradesmen. Immersed in his thoughts, he contemplates his terrible plan, alternating between consideration and rejection. The narrator reveals that in the past month, he's been gradually more committed to the idea, even if it disturbs him. He's now in a "rehearsal" phase of the act. He reaches the apartment of Alyona Ivanovna, a pawnbroker, where he attentively studies the environment and residents. He introduces himself as a student named Raskolnikov, whom she met a month ago. The pawnbroker is a rude, ill-dressed elderly woman with "eyes sparkling with malice.” Raskolnikov notices that the apartment is spotlessly clean despite its aged, distasteful decor— thanks to the efforts of Alyona’s younger sister, Lizaveta. Alyona treats Raskolnikov poorly, reminds him of his outstanding debt, and offers a meager amount for a watch he presents. Reluctantly, he accepts the money. He's there not only for the money but also for a crime he's considering. He notes Alyona's money and pawned items are stashed in a chest in a back room and her keys in her right pocket. He mentions he'll return with another item to pawn and inquires Lizaveta's usual whereabouts. After leaving, he's revolted by his plan, abandons it, and craves a drink. He walks into a tavern for the first time, and after a beer, he feels relieved and once again dismisses his plan.

part 1 chapter 2

Raskolnikov, in a tavern, encounters a disheveled drunken man who appears to be a former government official. Despite his rough exterior and the mockery from the crowd, the man retains a sense of dignity. He introduces himself as Marmeladov and shares his life story. Marmeladov married a noble woman, Katerina Ivanovna, after her first disastrous marriage yielded three kids and cut her off from her family's wealth. Katerina married Marmeladov out of desperation, who has a daughter named Sonya. She has turned to prostitution to keep the family afloat. Marmeladov recently acquired a civil service job, causing Katerina to hope for better days. However, he lost it due to his drinking problem and hasn't been home for five days out of fear. His narrative swings between self-blame and trying to rationalize his actions. Marmeladov decides to go home and takes Raskolnikov with him. Their home is a place of sorrow. Katerina, despite being under thirty, is unwell and stressed. She furiously confronts Marmeladov when he returns. Neighbors join the chaos, mocking the family's misfortune, and the landlord demands they leave. Raskolnikov gives them some money on his way out, but instantly regrets his decision. He looks down upon the Marmeladovs, particularly for pushing Sonya into prostitution.

part 1 chapter 3

Awakened by the servant Nastasya, Raskolnikov receives morning refreshments and a letter from his mom, Pulcheria Alexandrovna. Nastasya reveals the landlord's eviction intentions due to unpaid rent. Pulcheria's letter details his sister Dunya's experiences as a maid. Attempting to financially aid Raskolnikov, Dunya faced inappropriate behavior from her boss, Svidrigailov, tarnishing her town standing. Now, she's engaged to Pyotr Petrovich Luzhin, a man who sees her poverty as an opportunity to play the hero. Pulcheria Alexandrovna mentions their initial doubts about the match, yet Dunya consented after deep thought. Both are hopeful that Dunya's future spouse can aid Raskolnikov's professional ambitions. The trio is soon to arrive in St. Petersburg. Tearfully, Raskolnikov completes the letter and takes a walk, muttering to himself as though inebriated.

part 1 chapter 4

As Raskolnikov strolls, he resolves to prevent Dunya's marriage—seeing it as her self-sacrifice for his benefit. He develops a deep loathing for Luzhin, viewing him as miserly and rude. His thoughts are interrupted by an elderly man harassing a drunken young woman. Outraged, Raskolnikov steps in. A cop arrives and he briefly explains the situation, handing over some money for a taxi ride home for the girl. As the girl departs with the officer and the older man, Raskolnikov becomes irritated over his perceived money waste, suspecting the cop will let the man have the girl once he's out of sight. He then realizes he's been heading towards the residence of his university best mate, Razumikhin, whom he hasn't seen for months and who's known to be friendly and sociable.

part 1 chapter 5

Raskolnikov decides to avoid his good friend Razumikhin until he has completed his dreadful deed, if he ever does. He dozes off in a grassy patch after consuming some brandy. He dreams about a horrifying event from his past where he saw a group of villagers brutally killing an old mare, taking pleasure in their act of cruelty. In this dream, a little boy, disgusted by the act, cradles the head of the dead horse in his arms before his father takes him away. Waking up from this nightmare, Raskolnikov is deeply horrified by his own planned crime and once again abandons the idea. However, while passing through a public market, Haymarket, on a whim, he accidentally overhears Lizaveta, the pawnbroker’s sister, mention that she won't be home the following day at seven. Raskolnikov is hit by the realization that such an opportunity will not come again. He rushes home, feeling panicked and fearing that "all liberty of action and free-will were gone."

part 1 chapter 6

The story delves into Raskolnikov's past, tracing his initial thoughts about ending Alyona Ivanovna’s life. His disdain for her was established at their first encounter. His resolve was fueled by overhearing a student and an officer at a bar discuss her demise. The student labeled her a detrimental parasite and suggested her wealth would better serve the poor if she were dead. This conversation mirrored Raskolnikov's views, convincing him that killing the old pawnbroker was his fate. Fast forward to the present, Raskolnikov awakens after a day-long slumber. He notices the time is six in the evening and rapidly prepares to carry out his plan. He readies a counterfeit "pledge" for Alyona and modifies his coat to securely hold the ax he plans to utilize in the murder. The discovery of an ax in the caretaker's shed further solidifies his determination. He arrives at Alyona's apartment, his resolve to follow through with the murder stronger than ever. At half past seven, he coolly rings Alyona's doorbell, and the door from inside is unlocked.

part 1 chapter 7

Raskolnikov, appearing unwell, is allowed in by the elderly woman. He distracts her with a counterfeit cigarette case, which has an intricate knot. As she busies herself with it, he grabs the ax. He strikes Alyona multiple times, killing her and leaving her body bloodied on the floor. He seizes her keys and, resisting the temptation to abandon the plan, heads to the next room. He snatches a purse from her neck, though only discovers minor trinkets in the room. Suddenly, Lizaveta arrives and freezes in shock at the sight of her slain sister. Raskolnikov dispatches her with one ax blow and notices the door has been open throughout. In panic and desperation, he cleans the blood from his hands and the ax before securing the door. Two unfamiliar men arrive and insist on entering. They briefly depart, giving Raskolnikov a chance to hide in an unoccupied flat where painters were working and escape through the main exit when safe. Feeling feverish, he takes a roundabout way home, returns the ax to its original place, and retreats to his room.

part 2 chapter 1

After a disturbed sleep, Raskolnikov frantically checks his attire for any signs of blood. He stumbles upon the stolen pawned items in his pocket and attempts to conceal them. He fears he's losing his ability to reason, saying to himself, “Can this be the punishment already beginning? Indeed it is.” Nastasya and the porter barge into his room around midday, delivering a police summons. Although concerned, Raskolnikov believes the summons isn't connected to the murders. He heads to the police station and learns his landlady has accused him of debt. He's in a state of semi-delirium and becomes confrontational. After hearing a detective, Ilya Petrovich, discussing the pawnbroker and her sister's murder, Raskolnikov faints. Upon regaining consciousness, the detective questions his whereabouts the previous day. Leaving the police station, Raskolnikov is deeply rattled, suspecting that the police might be onto him regarding the murders.

part 2 chapter 2

After retrieving the stolen items from his hiding spot, Raskolnikov heads out for a stroll. He contemplates throwing the items into the river but decides to hide them under a large rock in a courtyard instead. He broods over his reasons for the crime during his walk, and impulsively goes to see his friend Razumikhin. The ever-caring Razumikhin is concerned about Raskolnikov's state of health and suggests he take up translation work. However, Raskolnikov rejects the offer and storms out. He spends his day aimlessly wandering the streets before heading home and collapsing into a heavy sleep. He dreams about the investigating officer assaulting his landlady and believes it to be real, only to be corrected by Nastasya, his housemaid who brings him food the following day. She assures him that the unsettling scene was only a figment of his imagination.

part 2 chapter 3

Raskolnikov begins to hallucinate and weakens considerably. Upon awakening one day, he finds Nastasya, his landlady, Razumikhin, and a stranger beside him. The stranger hands him thirty-five rubles from Pulcheria Alexandrovna. Raskolnikov realizes he's been semi-conscious for four days, and has been cared for by Razumikhin, Nastasya, and the landlady. In his absence, he has also been visited by Zossimov, a physician, and Zamyotov, an investigator. Razumikhin has pacified Raskolnikov’s debtors, notably his landlady. He worries deeply for Raskolnikov and gifts him new attire, which Raskolnikov finds bothersome. At this moment, Zossimov walks in.

part 2 chapter 4

Zossimov, a meticulous and stylish individual, agrees to join Razumikhin's planned gathering that evening where Zamyotov, among others, will also attend. Zossimov, Razumikhin, and Nastasya engage in a discussion surrounding the homicide of the pawnbroker and her sibling. Razumikhin is in the midst of trying to absolve a painter who was operating in the empty flat next to the pawnbroker’s and currently stands accused of the killings. The painter was found with earrings that the deceased pawnbroker had in her possession, leading to suspicion. However, Razumikhin puts forth the theory that the earrings could have been discarded by the actual killer while exiting the building, only to be picked up by the painter. Upon concluding this speculation, an unfamiliar face emerges in the entranceway.

part 2 chapter 5

Dunya's fiancé, Luzhin, presents himself to Raskolnikov with a self-important manner. His feigned interest in modern ideas to impress Raskolnikov and Razumikhin doesn't work, however, earning him nothing but cold treatment. The discussion returns to the murders as Luzhin leaves, with Razumikhin stating the crime must be the work of a novice, given that only small items, not the large sum of money in the apartment, were taken. Luzhin interrupts again, only to be criticized by Razumikhin. Raskolnikov also joins in, accusing Luzhin of using his sister's vulnerability for his advantage. This accusation angers Luzhin, leading him to leave abruptly. Raskolnikov's harsh behavior surprises Razumikhin and Zossimov, and Raskolnikov, in a fit of rage, asks them and Nastasya to leave the room. As they leave, Zossimov notes to Razumikhin that Raskolnikov seems extremely agitated when the murders are mentioned.

part 2 chapter 6

With a sudden burst of determination, Raskolnikov dresses in the attire Razumikhin got for him and steps out. He begins questioning random passersby as he roams the streets. He makes a stop at a café, the Crystal Palace, where he indulges in tea and a newspaper. Here, he crosses paths with Zamyotov, the police inspector. Raskolnikov, despite visibly unwell, teases Zamyotov about the recent murders and crime, suggesting that he knows quite a bit about the subject. This leads to a bizarre exchange where Raskolnikov almost admits to the crime, arousing Zamyotov's doubts. However, he wraps up the conversation in a way that convinces Zamyotov he's only a bit odd. Raskolnikov makes a swift exit, bumping into Razumikhin on the staircase. Their meeting results in a confrontation where Razumikhin reprimands Raskolnikov for wandering alone, and then extends an invitation to his gathering. Raskolnikov rejects the offer and continues alone. A suicide attempt on a bridge he crosses leaves him repulsed. His aimless wandering leads him to Alyona Ivanovna's doorway. He rashly steps inside her flat, where he sees two men refurbishing it. He blurts out a question about the missing blood, leaving the men confused. His lack of response to their queries results in the porter evicting him. He continues his solitary walk and notices a gathering of people in the middle of the street.

part 2 chapter 7

Raskolnikov stumbles upon Marmeladov, injured and drunk, in the street after being run over by a horse carriage. He transports the dying man to his nearby residence. Marmeladov's wife, Katerina Ivanovna, frantically tries to nurse him while a doctor confirms he won't survive. Marmeladov asks for a priest's comfort, but Katerina rejects the priest’s advice to forgive and continues to berate her dying husband. Marmeladov breathes his last in the arms of his daughter, Sonya. Raskolnikov gives twenty rubles to the family and assures them of his support. As he leaves, Polenka, one of Katerina's daughters, chases after him to know his name for Sonya and her mother. He receives a hug from her and requests her to pray for him. Feeling redeemed, Raskolnikov visits his friend Razumikhin, who is somewhat drunk after a party. Razumikhin confides in him about Zossimov's suspicion of Raskolnikov's insanity, fueled by his odd conversation with Zamyotov. Raskolnikov's weakness is apparent as he struggles to stand. They both go to Raskolnikov's apartment and are stunned to see his mother, Pulcheria Alexandrovna, and sister, Dunya, worriedly waiting for him after being informed by Nastasya about his ill health. Raskolnikov faints upon entering, and Razumikhin takes on the responsibility of looking after him.

part 3 chapter 1

Raskolnikov's mother, Pulcheria Alexandrovna, and sister, Dunya, are deeply upset by his state. However, Raskolnikov, irritated by them, asks them to leave and insists on Dunya ending her engagement, which shocks them both. Razumikhin, a friend, pledges to forgo his own party to stay with Raskolnikov for the night. He engages with Pulcheria Alexandrovna and Dunya on the staircase, partially inebriated. He persuades them to let Raskolnikov be, promising to bring Zossimov, a doctor, to tend to him. Although initially alarmed by Razumikhin's fervor, they grow to trust him. It's also apparent that Razumikhin develops strong feelings for Dunya, praising her virtues and criticizing her fiancé, Luzhin. Following this, the two women head back to their place. The narrator remarks on Razumikhin's fondness for Dunya, attributing it to her beauty, strength, and grace, coupled with his own drunken state. After ensuring Raskolnikov is okay, Razumikhin visits the women, first alone, then with Zossimov. The doctor alleviates their worries but observes that Raskolnikov seems to be battling an obsession. Razumikhin, jealous and protective, takes offense when Zossimov casually compliments Dunya, trying instead to pair the doctor with Raskolnikov's landlady.

part 3 chapter 2

Razumikhin wakes up, regretting his daring declarations from last night and dismissing his feelings for Dunya as ridiculous. Despite this, he grooms himself meticulously before meeting Dunya and Pulcheria Alexandrovna, who are pleased to see him. He updates them on Raskolnikov's state, focusing on his self-absorption and harsh demeanor. Although he manages to remain composed throughout the exchange, his affection for Dunya inadvertently resurfaces. They present him with a troubling letter from Luzhin requesting not to encounter Raskolnikov anymore. The note also divulges Raskolnikov's act of giving away a substantial part of the money they sent him to Marmeladov’s family. Razumikhin suggests that Pulcheria Alexandrovna should respect her daughter’s decision about the situation. Despite Luzhin's plea, Dunya believes Raskolnikov should see her future husband. Pulcheria Alexandrovna expresses her confidence in Razumikhin, much to his pleasure. The trio then proceeds to Raskolnikov’s quarters.

part 3 chapter 3

Zossimov tells Pulcheria Alexandrovna, Dunya, and Razumikhin that Raskolnikov is in better health. Raskolnikov behaves cheerfully and apologizes for his prior rudeness to Zossimov, Razumikhin and his mother, Pulcheria Alexandrovna. He expresses warmth towards his sister Dunya, which moves everyone. He admits to giving away the money his mother had sent him to the Marmeladov family, and his mother forgives him. However, the peaceful atmosphere is soon disrupted when Raskolnikov's mood changes. He insists that Dunya should not marry Luzhin, labeling the match as filthy and “sordid.” Dunya defends her decision, stating she is not to blame for anyone's death. This statement causes Raskolnikov to faint, but he recovers swiftly. Afterward, Dunya shares her strategy to test her fiancé's love by disobeying Luzhin's request for Raskolnikov to avoid their meeting. She believes Luzhin’s reaction will expose his real feelings for her. Raskolnikov consents to their plan and agrees to be present at the meeting.

part 3 chapter 4

Sonya, with shy demeanor, interrupts a chat between Raskolnikov, Pulcheria Alexandrovna, Dunya, and Razumikhin in Raskolnikov's room. She meekly invites Raskolnikov to Marmeladov's funeral and the subsequent remembrance meal, arranged by Katerina. Stunned by Raskolnikov's poverty, she leaves with Pulcheria Alexandrovna and Dunya. Raskolnikov informs Razumikhin about a costly watch he pawned with Alyona Ivanovna and expresses his desire to retrieve it. He discusses with Razumikhin about informing Porfiry Petrovich, the magistrate overseeing the case and Razumikhin's kin, about the loss. Razumikhin supports this idea and Raskolnikov consents to visiting the Marmeladovs the next day. As Sonya returns to her room, an odd middle-aged man (Svidrigailov) tails her and it's revealed he resides in the room next to hers. Later, Razumikhin and Raskolnikov make their way to Porfiry Petrovich's residence. On the route, Raskolnikov jests about Razumikhin's crush on Dunya, chuckling excessively to seem relaxed, while quietly pondering if Porfiry is aware of his visit to the crime scene and considers confessing.

part 3 chapter 5

Razumikhin feels awkward as Raskolnikov erupts in laughter upon entering Porfiry's house. Despite Raskolnikov's attempts to stay composed before Porfiry, his laughter feels forced and odd. His discomfort escalates with the presence of Zamyotov, and Razumikhin's comment about Raskolnikov's obvious agitation at the murder topic exacerbates the situation. Raskolnikov, imagining Porfiry's suspicion, nearly loses control when Porfiry notes his delay in claiming his items after the pawnbroker's murder. As Raskolnikov animatedly discusses his delirious wanderings from the previous night, he feels like Porfiry is toying with him. A conversation about crime ensues, during which Porfiry brings up Raskolnikov's previously published article, "On Crime". Unbeknownst to Raskolnikov, this article arguing that some men, being superior to others, have the right to commit murder, had been published two months prior. Raskolnikov elaborates on this argument under Porfiry's gentle prodding, leaving Razumikhin surprised at his friend's viewpoint. Just as Raskolnikov is set to leave, Porfiry questions him about whether he had noticed any painters in the building during his last visit to Alyona's, two days before the murder. Sensing a trap, as he recalls painters on the murder day but not two days prior, Raskolnikov responds with a firm no.

part 3 chapter 6

Razumikhin and Raskolnikov argue about the police potentially suspecting Raskolnikov for the murders. While Raskolnikov is convinced they do, Razumikhin suggests that the police wouldn't have openly discussed crime with him if so. However, Razumikhin soon concedes that he similarly senses suspicion from the police towards Raskolnikov. Both men dissect Porfiry Petrovich's interrogation style, debating if the last question was a trick. Raskolnikov insists it was, but believes he successfully dodged it. Upon reaching Raskolnikov's residence, the doorkeeper informs them of a man asking for Raskolnikov. He manages to catch up with the man who chillingly labels him a "murderer," but doesn't elaborate further. Back in his room, Raskolnikov broods over the stranger's words and Porfiry's possible doubts. He tries to reassure himself that the pawnbroker Alyona’s existence held no value. He further scrutinizes his rationale for the murder, questioning if he truly embodies the exceptional "superman" he'd described in his article. That night, he is plagued by a dreadful dream of attempting to kill the pawnbroker. But, she only responds with laughter instead of dying. Upon awakening, he discovers a stranger present in his room.

part 4 chapter 1

Svidrigailov seeks Raskolnikov's assistance in his pursuit of Dunya, but is swiftly denied. He maintains his feelings for Dunya are genuine and insists he wasn't implicated in his wife, Marfa Petrovna's death. He recounts his marriage story, emphasizing his wife's manipulative nature. He also states he's been haunted by Marfa's ghost. Raskolnikov starts to question Svidrigailov's sanity. Svidrigailov reveals his knowledge of Dunya's engagement to his relative, Luzhin, and offers help to end it. He asserts his infatuation with Dunya is a thing of the past, but her marriage to Luzhin is unacceptable to him. He plans to offer her ten thousand rubles as an apology before he either marries again or sets off on a trip. However, Raskolnikov is certain Dunya will decline his offer. Lastly, Svidrigailov divulges Marfa's will, which leaves Dunya three thousand rubles. He takes his leave, encountering Razumikhin on his way out.

part 4 chapter 2

Razumikhin and Raskolnikov go to a dining spot. Razumikhin shares his conversation with Porfiry Petrovich and Zamyotov, who think Raskolnikov is the murderer, a notion Razumikhin deems ridiculous. Raskolnikov silently contemplates his friend's reaction upon learning he is the true culprit. They join Luzhin, Dunya and Pulcheria Alexandrovna. Luzhin feels affronted by the two men, despite demanding their absence, and decides to make the women pay. He distresses them with the news of Svidrigailov's presence in St. Petersburg and paints a picture of his alleged crimes. Dunya dismisses these tales as unfounded rumors. Raskolnikov reveals his encounter with Svidrigailov and the inheritance left to Dunya by Marfa Petrovna, without disclosing Svidrigailov's intentions. Dunya challenges Luzhin regarding his irritation at her brother's presence, but Luzhin manages to upset everyone with his retort. A heated argument ensues between mother, son, and daughter against the future husband. Dunya demands Luzhin's departure, and he departs after hurling insults. His exit is marked by his resentment towards Raskolnikov, whom he blames for losing Dunya, and a deluded belief that he could still win Dunya over.

part 4 chapter 3

Once Luzhin leaves, everyone is elated, with Razumikhin being the most ecstatic. Raskolnikov, however, quickly grows uneasy. He shares with the group Svidrigailov's proposal to gift Dunya ten thousand rubles, an offer both ladies reject. Razumikhin commits to protect Dunya from Svidrigailov, with Dunya agreeing. He proposes they all go into the publishing business, encouraging Dunya and her mother to stay in St. Petersburg. Dunya is excited about this prospect and Raskolnikov agrees. However, Raskolnikov suddenly decides to leave, declaring his intention to isolate himself from the group for an extended period and insisting they should not attempt to find him. This leaves the group stunned. Razumikhin tries to follow him, but Raskolnikov sends him back, instructing him to stay with Pulcheria Alexandrovna and Dunya. As they exchange glances, Razumikhin comes to the realization that Raskolnikov is the murderer and goes back to the table.

part 4 chapter 4

Raskolnikov pays a visit to Sonya, who is both shocked and scared by his arrival. They have a conversation about Katerina Ivanovna, who Sonya passionately defends. She describes Katerina as benevolent, childlike, and extremely dignified, but she acknowledges that Katerina's hardships have made her somewhat unstable. Sonya is deeply worried about the possibility of Katerina's death leaving her kids vulnerable, but she holds onto the faith that God will look after the family. Sonya confesses that she had a close relationship with the murdered Lizaveta, from whom she received a cross and a copy of the Gospels. Raskolnikov requests Sonya to read the story of Lazarus to him. Despite her fear of the unstable Raskolnikov, she reads the story, shivering as she does so. The passage clearly resonates with her. Raskolnikov tells Sonya about his decision to separate from his family and invites her to leave with him, considering her as his spiritual companion. He views her as someone who has also broken moral laws and "destroyed a life — her very own," by her life as a prostitute. He hints that she will soon discover who Lizaveta's murderer is. While all this is happening, Svidrigailov is secretly listening to their conversation from an empty room nearby.

part 4 chapter 5

Raskolnikov visits Porfiry Petrovich at the police station the next day. As he waits, he contemplates his intense dislike for the magistrate. Upon meeting Porfiry in his office, Raskolnikov gives him a written request to reclaim his pawned items. During their prolonged chat, Raskolnikov feels cornered, and in his annoyance at Porfiry's mind games, he demands to be interrogated as previously agreed. Porfiry attempts to befriend Raskolnikov, engaging him with inconsequential chatter peppered with mysterious comments. In his discourse, he outlines his psychological tactics to catch the killer, throwing in remarks about the suspect's "youth" and "intelligence" that are clearly aimed at Raskolnikov. Raskolnikov maintains his silence during Porfiry's lengthy speech, although he is clearly tense. Eventually, he loses control and confronts Porfiry, accusing him of suspicion and challenging him to either accuse him openly or let him go. Porfiry strives to soothe him, but in doing so, he discloses that he is aware of Raskolnikov's recent visit to the crime scene. He tries to coax an admission from Raskolnikov about sending Razumikhin to find out about Porfiry's suspicions. Raskolnikov gets extremely agitated, but then an unexpected event occurs.

part 4 chapter 6

Out of the blue, Nikolai, a suspect in the homicide case, bursts into the room, admitting to the killings. Porfiry, although skeptical of Nikolai's story, doesn't disregard his admission. He bids Raskolnikov leave, but not before mentioning he'll need to question him more later. On his way home, Raskolnikov admits to himself that he almost confessed, saved only by Nikolai's sudden intrusion. He makes a decision to attend Marmeladov's memorial dinner. At that moment, the stranger who accused him of murder the day before shows up at his door. This stranger, a resident in the pawnbroker's building, discloses that he saw Raskolnikov at the murder scene and had heard him inquire about the blood. After claiming he knows nothing more, the man also expresses sympathy for Raskolnikov, having overheard his police station exchange with Porfiry. This revelation lifts Raskolnikov's spirits, giving him hope he might still evade capture.

part 5 chapter 1

Luzhin, sharing a room with the young Lebezyatnikov, grapples with the loss of his relationship with Dunya. His resentment towards Raskolnikov grows, as does his regret over the wasted expenses for his cancelled marital home. He ponders whether more gifts could have saved his engagement. Concurrently, he and Lebezyatnikov are set to attend Katerina Ivanovna's memorial dinner for Marmeladov in the same building. Despite initially viewing Lebezyatnikov as a guide through the rising political changes in Russia, Luzhin now sees him as a pretentious fool. Luzhin draws Sonya into his room, handing the shy girl a ten-ruble note.

part 5 chapter 2

The storyteller ponders on Katerina Ivanovna's decision to utilize more than half of Raskolnikov's donation on a commemorative feast, likely a byproduct of her vanity. The celebration is attended solely by Raskolnikov and the most disrespectful tenants. Katerina, who consistently boasts about her “noble, if not aristocratic,” lineage, berates her lower-class attendees. Her health deteriorates throughout the event, marked by bouts of blood-infused coughing. A quarrel ensues between her and the landlady, encouraged by the onlooking guests. Amid the chaos, Luzhin makes an appearance, prompting Katerina to rush towards him.

part 5 chapter 3

Luzhin rudely dismisses Katerina's pleas for his help against the landlady's harsh treatment. He targets Sonya next, accusing her of stealing a hundred-ruble note, which Sonya refutes. Katerina, outraged by the attack on her stepdaughter, lashes out at both Luzhin and the landlady. In an attempt to prove Sonya's innocence, she empties Sonya's pockets only to find the hundred-ruble note fall out, much to her shock. Nevertheless, Luzhin generously decides not to press charges. To Luzhin's surprise, Lebezyatnikov shows up and reveals that he saw Luzhin slip the note into Sonya's pocket earlier. Raskolnikov explains that Luzhin's intentions were probably to undermine him due to his association with Sonya. Luzhin, realizing his scheme has fallen apart, attempts to salvage his reputation by denying his wrongdoing and belittling Lebezyatnikov and Raskolnikov. Following Luzhin's exit, the argument between Katerina and the landlady carries on, culminating in the Marmeladovs being thrown out.

part 5 chapter 4

Raskolnikov meets Sonya and reveals to her that her family has been evicted. Despite this, he discourages her from going to their aid. He admits to her that he is the murderer, to which Sonya reacts with great compassion, pledging to stick by him. She is taken aback when he informs her that his crimes were not driven by destitution but ambition, stating, "I was ambitious to become another Napoleon; that was why I committed a murder.” He also discloses his feelings of isolation from others and his sense of superiority. Sonya warns him that his estrangement from God has led to his punishment. She then advises him to publicly admit his guilt to find solace from God. Initially, Raskolnikov is reluctant but soon agrees. Sonya assures him of her continued support during his imprisonment. She presents him a cross pendant similar to her own, claiming they will both carry their burdens. Just as their conversation concludes, Lebezyatnikov arrives, knocking on the door.

part 5 chapter 5

Lebezyatnikov informs Sonya about Katerina Ivanovna's apparent mental breakdown. Katerina has been evicted from the homes of the wealthy after demanding help and is now attempting to become an organ-grinder. She's been sending her kids to dance on the streets for money and plans to perform in front of the houses that rejected her to shame them publicly. She's heard exclaiming, “People shall see the children of a noble family beg in the public streets!” Sonya leaves to find Katerina and Raskolnikov retreats to his room. Dunya soon visits him, having learned about his troubles with the police from Razumikhin. She offers her support. Post her visit, Raskolnikov steps out and is caught up by Lebezyatnikov, who tells him that Katerina indeed has lost her mind and could be arrested. They find Katerina and her children on the street surrounded by a crowd. She appears deathly ill, yet full of manic energy, as she dances, sings, and mistreats her children. She's trying to gain the sympathy of the well-dressed strangers around her, emphasizing her children’s noble lineage. Despite Sonya's pleas to go home, Katerina resists, eventually coughing up blood after a run-in with a policeman. She is taken home, where she dies from her illness among a crowd that includes Sonya, Raskolnikov, Lebezyatnikov, the landlord and landlady, a policeman, and some strangers. She refuses a priest and has hallucinations before dying. A distraught Sonya throws herself onto Katerina's body. In the final moments, Svidrigailov shows up and tells Raskolnikov that he will use a part of the money he had promised Dunya to arrange for Katerina's funeral and for her kids' placement in an orphanage. He then shockingly reveals that he overheard Raskolnikov confessing his crimes to Sonya.

part 6 chapter 1

Raskolnikov's reality blurs into a feverish daze in the wake of Katerina Ivanovna's demise and his admission of guilt to Sonya. He aimlessly roams across town, often seen in taverns or near Sonya's residence. One day, his friend Razumikhin pays him a visit at his dwelling. He is there to confirm his suspicions about Raskolnikov's mental state, concluding he's not insane. Razumikhin shares his concerns about Pulcheria Alexandrovna, who's feeling devastated and deserted. He also expresses his frustration with Raskolnikov's self-centred actions that harm his family. Razumikhin alerts him about an alarming letter received by Dunya, and also reveals that Porfiry Petrovich probably sees Nikolai, the painter, as the murder suspect. On hearing about Dunya's previous visit, Razumikhin starts suspecting a "conspiracy" between brother and sister. Post Razumikhin's exit, Porfiry steps in.

part 6 chapter 2

Porfiry apologizes to Raskolnikov for trying to squeeze a confession out of him. He chalks up his suspicion to Raskolnikov's article, his faint at the police station, and his comments at the Crystal Palace. However, he discloses that he doesn't buy Nikolai's confession, as the painter appears naive and lacks knowledge of the crime's specifics. In Porfiry's view, Raskolnikov is the real killer. Despite Raskolnikov's denial, Porfiry insists on his guilt. He hasn't arrested Raskolnikov as he lacks sufficient evidence. Porfiry shows compassion for Raskolnikov, advising him to confess. Porfiry insists he has proof of Raskolnikov's guilt and suggests it would be best for him to come clean before the proof is revealed. If Raskolnikov confesses, Porfiry offers to speak favorably to the judge. He believes Raskolnikov's guilt will eventually push him to confess. Before parting ways, Porfiry asks Raskolnikov to leave a note revealing the stolen goods' location should he contemplate suicide. Shortly thereafter, Raskolnikov departs from his room.

part 6 chapter 3

Raskolnikov hunts for Svidrigailov and locates him at a café, where a singer is amusing him. Following a sequence of vague dialogues, an uneasy Raskolnikov threatens Svidrigailov, warning him not to use a "some recent discovery" about Raskolnikov to manipulate Dunya. Svidrigailov delights in watching Raskolnikov and starts discussing his own life. Raskolnikov, considering Svidrigailov a base and corrupt individual, attempts to depart, but Svidrigailov lures him to remain by bringing up Dunya.

part 6 chapter 4

Svidrigailov shares in detail, his affairs with Marfa Petrovna and his infatuation for Dunya, with Raskolnikov. As Svidrigailov gets progressively intoxicated, Raskolnikov voices his suspicion about Svidrigailov's ongoing interest in Dunya. To dismiss these concerns, Svidrigailov informs him about his recent engagement to a young, fifteen-year-old girl. He describes her as having an intriguing blend of innocence and wisdom. Raskolnikov is repulsed by this information and Svidrigailov's apparent delight in it, but Svidrigailov remains indifferent. He departs, seemingly entertained by Raskolnikov's disapproval. Raskolnikov, however, is still anxious and follows Svidrigailov fearing he could still pose a danger to Dunya, in spite of his engagement.

part 6 chapter 5

Svidrigailov, aware of Raskolnikov's trailing, bids him farewell once more. Raskolnikov ceases his pursuit when Svidrigailov hires a carriage to a far-flung part of town, oblivious to the fact that Svidrigailov alights after a short distance. Using his knowledge about her brother's secret, Svidrigailov successfully entices Dunya to his room, an information he dangled before her in Razumikhin's cryptic letter. Dunya is dumbfounded when Svidrigailov unveils that he eavesdropped on Raskolnikov admitting his murders of Alyona Ivanovna and Lizaveta. As Dunya grapples with her anger and confusion, Svidrigailov proposes a deal: her marriage to him in exchange of Raskolnikov's escape from retribution. Terrified, she races to the locked door. He warns her of potential rape and blackmails her with her brother's crime. Dunya retaliates by brandishing a revolver, accusing him of his late wife's murder. He challenges her to shoot, and she obliges, grazing his temple with two bullets. He attempts to hold her but, recognizing her disdain for him, lets her leave. Pocketing the revolver, Svidrigailov exits shortly after.

part 6 chapter 6

Svidrigailov roams the streets of St. Petersburg in the rain, eventually stopping at Sonya's place. He assures her that her siblings' needs will be met, presenting her with a hefty sum of three thousand rubles. He instructs her to use this money to accompany Raskolnikov to Siberia, while revealing his own plans to leave for America. Departing Sonya's, Svidrigailov visits his betrothed's family, informing them of his imminent departure and leaving them with a substantial gift of fifteen thousand rubles. Later at a hotel, Svidrigailov is plagued by feverish dreams. He envisions discovering a small, shivering girl in the hotel, whom he carefully places in bed and wraps in a blanket. However, she returns his care with a lewd, seductive look. Another dream has St. Petersburg being swallowed by a flood. He wakes up, still in a haze, just before dawn. With the morning light, he takes Dunya's revolver and steps outside. He comes across a soldier on watch duty and puts the revolver to his own head. Before pulling the trigger, he instructs the soldier to tell anyone who inquires after him that he has left for America.

part 6 chapter 7

Raskolnikov pays a visit to Pulcheria Alexandrovna, his mother. She speaks of his article, admitting that while she didn't fully grasp it, she found it impressive. Raskolnikov, however, shows a revulsion for his own work. Pulcheria, blinded by her love, sees her son as a future luminary, attributing his quirks to his intellect. Her joy at seeing him is mixed with tears. He startles her by questioning her unconditional love for him. He assures her of his love, but declares he must leave. Despite her tearful pleas, he departs, only to find Dunya, his sister, at his apartment upon his return. He admits to her that he considered ending his own life but lacked the willpower. He reveals his intention to confess his crime, which Dunya supports, believing it will serve as his redemption. Raskolnikov, however, grows defiant. He rationalizes his act as killing a mere "louse", and asserts that had he benefited from his crime, he'd feel no shame. Dunya is taken aback by his justification. Seeing her upset, it dawns on him the suffering he's inflicted on his family. They both exit, stealing a final glance at each other as they part ways.

part 6 chapter 8

Raskolnikov visits Sonya at her place. Sonya and Dunya had developed a strong bond during a recent interaction wherein Dunya discerned Raskolnikov's guilt related to the homicides. Raskolnikov informs Sonya that he's there to retrieve his cross, after which Sonya insists he prays before departing. Raskolnikov embarks on his journey towards the police station, filled with apprehension concerning the impending humiliation of owning up to his crimes. He diverts his path to the Haymarket, heeding Sonya's advice to proclaim his guilt at the crossroads. Absorbing every minute detail of the cityscape, he realizes this might be his final moments of freedom. Upon reaching the Haymarket, he kisses the ground, an act that provokes ridicule from the bystanders, causing him to lose his courage to confess in public. However, upon spotting Sonya trailing him, he regains his determination. Inside the police station, he casually converses with Ilya Petrovich, who apologizes for previously suspecting him. As Ilya offhandedly mentions Svidrigailov's suicide, Raskolnikov is taken aback and exits without making his confession. Outside, he finds Sonya waiting for him. This prompts him to turn back and confess his crimes to a flabbergasted Ilya.

epilogue chapter 1

Raskolnikov has been confined in a Siberian prison for nine months, following his confession at trial a year and a half after the murders. His admission detailed the killing of Lizaveta and the location of the looted items. The court found it hard to accept his ignorance of the exact amount of stolen money, attributing it to his transient insanity and “monomania”. His friends' testimonies validated his worsened mental state. Raskolnikov expressed genuine remorse but declined to defend his actions. His sentence was lenient because Porfiry Petrovich remained silent about his guilt, allowing him to voluntarily confess and save Nikolai from wrongful conviction. Raskolnikov’s past charitable actions and bravery during a fire were also presented in court by Razumikhin and his landlady. After five months from his confession, he was sentenced to an eight-year hard labor in Siberia. Sonya accompanied him, while his family remained in St. Petersburg. He left aware that his mother was nearing her end. Two months afterward, Razumikhin and Dunya tied the knot. They tried to conceal Raskolnikov’s incarceration and crime from his mother but she eventually discovered the truth and passed away. Sonya serves as a bridge between Raskolnikov and his family, easing his prison life by gaining the prison authorities' favor. Raskolnikov falls critically sick and spends some time in the prison hospital.

epilogue chapter 2

Raskolnikov adapts well to the harshness of jail life, yet his self-esteem is significantly bruised. He insists that his actions were not sinful, but merely a mistake, and attributes his confession to frailty instead of envisioning a fresh start. His fellow inmates do not take a liking to him, unlike Sonya, who they idolize. During an illness, Raskolnikov dreams of a rampant virus driving people to insanity and conflict under the delusion of being the singular bearers of truth. Throughout his incarceration, Sonya regularly visits, positioning herself where she can be seen from his cell window. On one occasion, they manage to spend a brief moment together outside, holding hands. Unlike previous instances, Raskolnikov no longer feels repulsed but breaks down, embracing Sonya. They acknowledge their love for each other and commit to endure the rest of his seven-year sentence. That night, Raskolnikov revels in the joy of love, thinking of Sonya. He retrieves a copy of the New Testament that she gifted him, and feels a strong connection with her. The story concludes with the suggestion that his redemption will be the focus of another narrative.