Unspeakable Things Books in Order
Part ofBV Larson Books in OrderSee the Unspeakable Things books by BV Larson in order, with quick summaries, series background, and a clear place to start.
Last updated: July 1, 2026
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Unspeakable Things books in publication order
2 books
Technomancer
by BV Larson
2012
Quentin Draith wakes in a private sanatorium with no memory, a dead friend, and the police looking his way. Chasing the truth leads him into impossible crimes and a hidden world he may already belong to.
The Bone Triangle
by BV Larson
2013
A missing woman draws Quentin Draith into one of Las Vegas's darkest corners, where disappearances and strange violence pile up fast. The case soon looks less like a crime and more like an invasion.
Unspeakable Things books in chronological order
Series background & context
Unspeakable Things is Larson in urban fantasy mode, but it keeps some of the same habits that make his science fiction easy to recognize. The books move quickly, start with a sharp puzzle, and keep widening the explanation until ordinary reality no longer looks especially ordinary. The setting is modern Las Vegas, which turns out to be a good fit for a story about hidden systems, strange power, and things most people would rather explain away.
The lead is Quentin Draith.
When the series opens, Quentin wakes up in a private sanatorium with no memory of who he is or how he got there. That would be enough trouble on its own, but he soon learns that he is tied to impossible crimes, unusual powers, and a hidden world he apparently knew far better than he does now. He is an investigator, a blogger, and a man who keeps finding out that the supernatural explanation is the practical explanation.
That detective angle is the series' strongest feature. Technomancer mixes amnesia, murder, strange objects, and the fear that Quentin may be a suspect as much as a solver. The Bone Triangle keeps the Las Vegas setting but pushes deeper into disappearances, local dark spots, and a case that becomes weirder the longer Quentin chases it. The mysteries do not stay small. They keep opening into larger patterns involving powers, creatures, and forces that do not fit neatly into one box.
The tone sits somewhere between noir investigation and pulpy supernatural thriller. Quentin is not strolling through a cozy magical city. He is getting hit, chased, doubted, and pushed into situations where the rules keep changing. That gives the books a nice restless energy. The city matters too. Larson uses the bright surface of Las Vegas well, especially when he lets the story slip away from the Strip and into corners of the city where the glamour looks thinner and the danger feels older.
These books are weirder than they first look.
If you want Larson without fleets and legions, but still want a story that runs on momentum and escalating stakes, Unspeakable Things is a good detour. It is urban fantasy with a mystery backbone, a modern setting, and just enough science-fiction strangeness around the edges to keep the world feeling unstable in a fun way.
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