The Sainte-Hermine Cycle Books in Order
Part ofAlexandre Dumas Books in OrderTrack the Sainte-Hermine cycle by Alexandre Dumas in order, with summaries of each Napoleonic adventure, series background, and suggestions on how to follow Hector de Sainte-Hermine.
Last updated: December 17, 2025
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Publication Order
3 books
The Last Cavalier
by Alexandre Dumas
1870
Lost for over a century, this sprawling tale follows Hector de Sainte‑Hermine, a dispossessed noble forced into service under Napoleon. Sea voyages, exotic adventures, and major battles carry him from desperation toward a hard‑won, uncertain honour.
The Whites and the Blues
by Alexandre Dumas
1867
Set during the revolutionary wars, this novel contrasts royalist 'whites' and republican 'blues' in brutal field battles and Paris intrigues. Young officers, journalists, and conspirators discover that ideals are costly when regimes keep changing.
The Companions of Jehu
by Alexandre Dumas
1857
Young aristocrats turned highwaymen secretly rob government couriers to fund royalist plots during Napoleon’s rise. Dumas contrasts their chivalrous code with the ruthlessness of the new regime, mixing coach hold‑ups, swordfights, and doomed love.
Series background & context
The Sainte‑Hermine cycle follows France from the last years of the Revolution into the rise and fall of Napoleon, seen through the eyes of royalists, republicans, and soldiers who do not quite fit either camp. The books link three major novels: The Companions of Jehu, The Whites and the Blues, and the posthumously published The Last Cavalier.
In The Companions of Jehu Dumas introduces a band of young royalist gentlemen who rob government coaches and couriers, using the money to fund plots against the revolutionary government. Their leader hides behind a mask of politeness and daring, while the new First Consul, Bonaparte, tightens his grip on power. Duels on country roads, ambushes in forests, and secret meetings in provincial salons give the book the feel of a romantic outlaw tale set against very real political stakes.
The Whites and the Blues widens the frame. Here Dumas shows brutal fighting between royalist 'whites' and republican 'blues' in the Vendée and elsewhere, alongside salons in Paris where former revolutionaries and would‑be aristocrats circle each other warily. Young officers, journalists, and conspirators have to choose between ideals of liberty and the temptation of order under Napoleon, knowing that either choice can cost them their lives.
The Last Cavalier (also known as The Knight of Sainte-Hermine) brings the saga to the age of empire. Hector de Sainte‑Hermine, stripped of his title and nursing old family wrongs, is drawn into plots against Napoleon, then into reluctant service in the navy and army. Sea battles, tiger hunts, duels in Italy, and the great clash at Trafalgar carry him across the world, while news from Paris forces him to decide whether vengeance or duty will define him.
Throughout the cycle Dumas weaves in real figures such as Fouché, Talleyrand, and Napoleon himself, but the focus stays on people trying to live honourably in a world that keeps changing the rules. Friendships form across enemy lines, missions go wrong for reasons no one foresaw, and victory often feels as bitter as defeat.
Readers who enjoy military history mixed with romance, secret societies, and the constant question of what loyalty means in revolutionary times will find the Sainte‑Hermine books a sprawling, old‑fashioned pleasure.
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