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The Handmaid's Tale Books in Order

Part ofMargaret Atwood Books in Order

Explore The Handmaid's Tale series by Margaret Atwood, with books in order, quick summaries, series background on Gilead, and a clear place to start.

Last updated: June 7, 2026

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The Handmaid's Tale books in publication order

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2 books

1

The Handmaid's Tale

by Margaret Atwood

1986

In the theocratic Republic of Gilead, Offred is forced into servitude as a Handmaid, valued only for her fertility. Under constant surveillance, she clings to memories of her old life and tests the limits of quiet resistance.

Recommended by

3 people
2

The Testaments

by Margaret Atwood

2019

Set years after The Handmaid's Tale, this sequel uses multiple narrators, including Aunt Lydia and two young women shaped by Gilead in different ways. Secrets surface as cracks spread through the regime and its propaganda.

Recommended by

1 person
  • Jia Tolentino recommended this book

The Handmaid's Tale books in chronological order

  1. Book cover for "The Handmaid's Tale"

    The Handmaid's Tale

    by Margaret Atwood

    1986The Handmaid's Tale, Book 1
  2. Book cover for "The Testaments"

    The Testaments

    by Margaret Atwood

    2019The Handmaid's Tale, Book 2

Series background & context

The Handmaid's Tale books take place in the Republic of Gilead, a near-future theocracy that has replaced the United States after political violence and a fertility crisis. In this society, women are stripped of jobs, money, and legal identity, and the few who can still conceive are forced into a rigid caste system. Offred, a Handmaid assigned to a powerful household, survives by watching every word she speaks and by clinging to the memory of the life she had before.

The series is tense in an everyday way. It is about shopping trips, whispered conversations, and small routines that are never really small when the state is listening. Around Offred are Commanders, Wives, Aunts, and Guardians, all playing roles in a system built on control, secrecy, and fear. Even people who hate the rules still have to live inside them.

Gilead runs on fear, paperwork, and other people's eyes.

Part of what makes these books stick is how practical the oppression feels. Gilead controls bodies through law, religion, and scarcity. It also controls meaning, by renaming people, banning reading, and turning ordinary phrases into slogans. The result is a world where desire, grief, friendship, and even humor become risky.

Nothing is as stable as it sounds.

The Testaments returns to this world about fifteen years later and shifts the angle. Instead of one trapped point of view, it uses multiple voices, including Aunt Lydia and two young women whose lives have been shaped by Gilead in very different ways. The story widens from one household to the machinery of the regime itself, showing how power is maintained, how information moves, and where cracks can form.

Across the books, the big questions stay personal. What do you do when your choices are narrowed to survival? How do people justify what they are part of, or what they look away from? And what does resistance look like when it has to be quiet?

If you want the clearest path, read The Handmaid's Tale first, then The Testaments. There's also a graphic novel adaptation of the original novel, which follows the same core story in illustrated form, and the story has inspired screen adaptations that have introduced Gilead to an even wider audience.

The world is brutal, but the storytelling stays on the human scale, one relationship and one risk at a time. Atwood keeps the focus on what people tell themselves in order to get through the day.

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