The Gilded Age Heiresses Books in Order
Part ofHarper St George Books in OrderExplore The Gilded Age Heiresses by Harper St. George in order, with short summaries, family context, reading order, and an easy guide to where to start.
Last updated: July 1, 2026
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The Gilded Age Heiresses books in publication order
4 books
The Devil and the Heiress
by Harper St George
2021
Violet Crenshaw runs from an arranged match hoping to chase freedom and a writing life, only to find rakish Earl Christian Halston on her trail. Their road north is full of temptation, bargains, and hard questions about trust.
The Heiress Gets a Duke
by Harper St George
2021
Independent steel heiress August Crenshaw refuses to let her sister be sacrificed to a titled fortune hunter. When debt-ridden Duke Evan Sterling shifts his attention to August, their clash over money, duty, and desire turns into something far messier.
The Lady Tempts an Heir
by Harper St George
2022
Max Crenshaw returns to London and teams up with widowed Lady Helena March in a fake engagement that solves both their problems. The arrangement grows dangerous as old feelings, passion, and Helena's hidden reasons for avoiding remarriage surface.
The Duchess Takes a Husband
by Harper St George
2023
Widowed American duchess Camille proposes a fake engagement to club owner Jacob Thorne, and asks him to help her discover pleasure. Their practical bargain soon turns risky when desire and real feeling get involved.
The Gilded Age Heiresses books in chronological order

The Heiress Gets a Duke
by Harper St George
2021The Gilded Age Heiresses, Book 1
The Devil and the Heiress
by Harper St George
2021The Gilded Age Heiresses, Book 2
The Lady Tempts an Heir
by Harper St George
2022The Gilded Age Heiresses, Book 3
The Duchess Takes a Husband
by Harper St George
2023The Gilded Age Heiresses, Book 4
Series background & context
The Gilded Age Heiresses series lives at the meeting point of American money and British rank. The Crenshaw family has made a fortune in steel, railroads, and industry, but in late nineteenth-century society that still does not guarantee real acceptance. Old names want fresh cash, new money wants social access, and marriage becomes the tool everyone is expected to use.
That is the engine of these books.
Starting with The Heiress Gets a Duke, the series follows women who are supposed to make tidy, useful matches and then stubbornly refuse to behave like decorative prizes. August Crenshaw would rather think about business than wedding plans. Violet Crenshaw wants freedom, not a carefully arranged future. Later books widen the circle to other women moving through the same social world, including heroines dealing with widowhood, reputation, and the growing pull of reform politics.
What makes the series work is that Harper St. George never treats the glamour as the whole story. Yes, there are glittering ballrooms, polished country houses, and all the visual pleasure that comes with rich people in beautiful clothes. But there is also the machinery behind it all, factories, estates short on money, class anxiety, and the reality that a woman's future can still be negotiated like a business deal. The contrast between opulence and pressure gives the romances extra bite.
The tone is sensual and emotionally direct, but these books also like a smart argument. The heroines tend to be practical, ambitious, or openly restless. The heroes often arrive with titles, charm, and assumptions that need to be challenged. That creates a lot of good friction, especially in stories built around marriage bargains, fake arrangements, and relationships that begin for strategic reasons before turning inconveniently real.
If you want historical romance with strong social texture, connected family drama, and women who keep pushing for more space than the era wants to give them, this is a very good place to start. The books connect through family ties and recurring faces, but each one centers on its own couple, so they are easy to enjoy one by one while still rewarding readers who follow the full arc.
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