The Bleaker Street Inquiry Agency Books in Order
Part ofJen Turano Books in OrderBrowse Jen Turano's inquiry-agency novels in order, with quick summaries, series background, and where-to-start help.
Last updated: July 3, 2026
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The Bleaker Street Inquiry Agency books in publication order
3 books
To Steal a Heart
by Jen Turano
2020
Former street thief Gabriella Goodhue is caught breaking into a safe while trying to clear a friend's name. The last person she wants to see is Nicholas Quinn, but their shared past and a dangerous case refuse to stay buried.
To Write a Wrong
by Jen Turano
2021
Mystery writer Daphne Beekman prefers solving problems from a safe distance, until Herman Henderson asks the agency to investigate attempts on his life. The case grows darker fast, and a secret threatens more than the mystery.
To Disguise the Truth
by Jen Turano
2022
When Arthur Livingston arrives looking for a missing heiress, Eunice Holbrooke realizes her carefully hidden past is catching up with her. She goes undercover to stay ahead of the truth, but danger keeps closing in.
The Bleaker Street Inquiry Agency books in chronological order
Series background & context
This inquiry-agency series leans harder into mystery than most of Jen Turano's other books, but it never gives up the romance or the humor that make her work feel like hers. The stories are set in New York and follow women with sharp instincts, complicated pasts, and very little interest in sitting safely on the sidelines while trouble unfolds around them.
The three books, To Steal a Heart, To Write a Wrong, and To Disguise the Truth, are linked by the agency itself as much as by shared characters. In To Steal a Heart, Gabriella Goodhue is pulled back toward her old life as a thief when she tries to clear an innocent friend. To Write a Wrong follows mystery writer Daphne Beekman, who would rather solve puzzles on paper than become one of the people in danger. To Disguise the Truth centers on Eunice Holbrooke, whose hidden identity and old murder case come crashing into the present. Each heroine arrives with her own baggage, and that gives the series a little more emotional weight.
The past is always close by in these books.
That is one reason the series feels slightly darker, or at least more suspenseful, than Turano's straight social comedies. Former street lives, missing heirs, repeated attempts on someone's life, and unsolved crimes are not just decoration here. They drive the action. The cases matter, and the danger is not confined to one dramatic scene before the final chapter. People wear disguises, keep secrets, follow bad leads, and make risky choices because they have something real to lose.
At the same time, these are still relationship-centered novels. Nicholas Quinn, Herman Henderson, and Arthur Livingston are not just puzzle pieces attached to the plot. They are tied to the heroines in personal ways, and the romances grow out of shared investigations, mistrust, and gradually earned loyalty. Turano is especially good at making affection show up sideways first, through bickering, worry, or the refusal to walk away from a hard case.
The late nineteenth-century New York setting gives the books a great backdrop. Boardinghouses, society parlors, city streets, and private offices all become places where different classes bump into each other. That matters because this series is full of people who have reinvented themselves, or are trying to. Respectability is useful, but it is never quite secure.
If you want Turano with a little more plot machinery, this is a strong place to go. Read the books in order if you can, because the agency connections deepen as the series goes on, and the shared world is part of the fun. These stories still deliver banter and heart, but they also give you cases to untangle and heroines who are perfectly willing to dig where polite society would rather not look.
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