Terry McMillan Books in Order

If you want her iconic friendship stories: Waiting to Exhale → Getting to Happy
If you want to start from the beginning: Mama → Disappearing Acts
If you love big, messy family dramas: A Day Late and a Dollar Short → Who Asked You?
If you're in the mood for midlife reinvention and romance: How Stella Got Her Groove Back → The Interruption of Everything → I Almost Forgot About You → It's Not All Downhill from Here
If you prefer shorter or more reflective pieces: It's OK if You're Clueless → It Was the Way She Said It

Terry McMillan was born in Port Huron, Michigan, in 1951, the eldest of five children in a working-class family. As a teenager she took a job shelving books at the local library, where she discovered a world far beyond the school reading list and the Bible. That after-school job quietly turned her into a reader, and then into a writer.

After high school she moved to California, staying with relatives in Los Angeles and enrolling at a community college while working as a secretary. An African American literature course opened the door to writers she had never seen in her classrooms, and she began to write poems and short pieces of her own. She later transferred to the University of California, Berkeley, studied journalism, and found an important mentor in novelist Ishmael Reed, who encouraged her to keep going.

After college McMillan headed to New York City, juggling day jobs with late-night writing. She joined the Harlem Writers Guild, spent time at artists' colonies, and slowly shaped the manuscript that became her first novel, Mama. When traditional promotion fell short, she built her own audience by mailing thousands of letters about the book to bookstores, libraries, and college campuses.

Mama appeared in 1987 and won an American Book Award along with a new-voices fiction prize, bringing her wider attention for its tough, funny portrait of a Black mother holding her family together. She followed it with Disappearing Acts, a love story about two strivers in Brooklyn, and edited Breaking Ice, an ambitious anthology showcasing contemporary Black fiction writers. Those early books announced what would become her hallmark: sharp dialogue, messy family ties, and women who refuse to quit, even when they are exhausted.

Her breakthrough came in 1992 with Waiting to Exhale, the story of four friends in Phoenix leaning on one another through career shifts, divorce, and disastrous relationships. The novel spent months on bestseller lists, struck a nerve with Black women who rarely saw their everyday lives centered on the page, and was adapted into a hit film. A few years later How Stella Got Her Groove Back — inspired by a trip to Jamaica — followed a successful single mother who risks a new romance with a much younger man, and it, too, became a popular movie.

In the years since, McMillan has kept returning to the same deep wells: family, friendship, aging, and second chances. A Day Late and a Dollar Short brings a sprawling Las Vegas family to life through the voice of its strong-willed matriarch; The Interruption of Everything follows a woman in midlife who realizes she has spent decades caring for everyone but herself. With Getting to Happy she revisited the women of Waiting to Exhale in their fifties, and novels like Who Asked You?, I Almost Forgot About You, and It's Not All Downhill from Here explore grandmothers raising grandkids, reinvention after divorce, and the complicated joys of growing older. She has also written a compact advice book for new college students, It's OK if You're Clueless, and a career-spanning collection of stories, essays, and commentary, It Was the Way She Said It.

Across all of these books, readers come for her voice as much as her plots.

Her characters talk the way people actually talk at kitchen tables, beauty salons, and family cookouts, and the stories linger on the everyday details of work, bills, breakups, and small victories. Without softening hard subjects — infidelity, addiction, money troubles, grief — she gives her characters room to be funny, petty, generous, and stubborn in turn.

McMillan has one son and has spoken openly about the highs and lows of love, including a very public divorce that echoed some of the betrayals she writes about. She has taught writing, mentored younger authors, and continued to see her work adapted for film and television, including recent projects developed with a major cable network.

Now based in California, she keeps writing about Black women and families with the same mix of humor, frustration, and hope that drew readers to her early work.