Susanna Kaysen Books in Order
Explore Susanna Kaysen's books in order, with short summaries, background on her memoirs and novels, and clear advice on where to start reading.
Last updated: July 10, 2026
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Susanna Kaysen books in publication order
5 books
Asa, as I Knew Him
by Susanna Kaysen
1987
After an affair ends, Dinah Sachs tries to make sense of Asa Thayer by imagining the boy and young man he once was. It is an intimate, sly novel about memory, longing, and the stories people build around love.
Far Afield
by Susanna Kaysen
1990
Jonathan Brand, a graduate student in anthropology, heads to the Faroe Islands for fieldwork and quickly finds himself out of his depth. As local customs and a complicated romance pull him in, research turns into culture shock and personal confusion.
Girl, Interrupted
by Susanna Kaysen
1993
At eighteen, Susanna Kaysen is sent to McLean Hospital after a brief psychiatric evaluation. Her memoir turns ward life and vivid portraits of other patients into a searching look at sanity, diagnosis, and recovery.
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The Camera My Mother Gave Me
by Susanna Kaysen
2001
When sudden vaginal pain resists every diagnosis and remedy, Susanna Kaysen is pushed into a strange, frustrating medical odyssey. With dry humor and brutal honesty, she writes about pain, sex, friendship, and the limits of medicine.
Cambridge
by Susanna Kaysen
2014
In 1950s Cambridge, a sharp-eyed girl named Susanna keeps getting pulled away from the place that feels most like home. As her family moves through England, Italy, and Greece, she starts to see how class, family, and outsiderness shape her.
Where to start with Susanna Kaysen
If you want the book most readers know: Girl, Interrupted
If you want her memoirs first: Girl, Interrupted → The Camera My Mother Gave Me
If you want to start with fiction: Asa, as I Knew Him → Far Afield → Cambridge
If you want the childhood backstory first: Cambridge → Girl, Interrupted
Standalone Susanna Kaysen books
Author bio
Susanna Kaysen was born in Cambridge, Massachusetts, in 1948 and grew up in the academic, artistic world that would later feed so much of her writing. Her father was economist Carl Kaysen, and her mother was a pianist. Cambridge, with its mixture of ideas, pressure, and odd social codes, became one of her lifelong subjects.
As a teenager, Kaysen struggled badly enough that in 1967 she was admitted to McLean Hospital in Belmont, Massachusetts. She was 18, spent about a year and a half there, and was later diagnosed with borderline personality disorder. That experience became Girl, Interrupted, the memoir that made her widely known and later reached an even bigger audience through the 1999 film adaptation.
But memoir was not how she started.
Before Girl, Interrupted, she wrote fiction while working as a copy editor and proofreader. Her first novel, Asa, as I Knew Him, came out in 1987 and follows a woman trying to reconstruct a former lover through memory and imagination. Far Afield, published in 1990, sends a young anthropology graduate student to the Faroe Islands, where research, culture shock, and desire all get tangled together.
Those early books already show what Kaysen is good at. She likes outsiders, people who are observant but not fully at ease, and she has a sharp eye for the small social detail that tells you everything about a room. Readers often come to her for the candor, the dry humor, and the sense that she is noticing exactly what other people would rather leave unsaid.
Then Girl, Interrupted changed the scale of her audience.
The book is still where many readers begin. It is not just a story about illness, but a close look at how institutions talk about illness, especially in young women, and how shaky the line can be between care and control. Kaysen has said the idea came to her while she was working on a novel about an anthropologist. She realized that the hospital had also been a closed world, with its own language, hierarchy, and customs.
She returned to memoir with The Camera My Mother Gave Me, a frank, often funny account of living with sudden vaginal pain that medicine could not neatly explain. More than a medical story, it is a book about the body, intimacy, embarrassment, and the strange gap between what hurts and what doctors can name. Readers who connect with Kaysen tend to like how direct she is, even when the subject is awkward or frightening.
Her 2014 book Cambridge circles back to childhood. It is a novel drawn closely from her own early life, following a bright, difficult girl moving through 1950s Cambridge, England, Italy, and Greece while trying to figure out what home really means. Kaysen spent time away from Cambridge when she was young, and later spent a year in the Faroe Islands, and both distance and displacement run through her work.
Across her books, the same concerns keep returning: the mind and body, the instability of identity, the weight of family and class, and the feeling of standing slightly to one side of ordinary life. Kaysen has described herself as a slow writer, and the gaps between her books show that she works in her own time. She still lives in Cambridge, Massachusetts, which feels fitting for a writer who keeps coming back to questions of home, belonging, and how a place can shape a life.
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