Regency Books in Order
Part ofAnne Cleeland Books in OrderSee the Regency books by Anne Cleeland in order, with quick summaries, historical background, and tips on where to start with these adventures.
Last updated: June 9, 2026
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Publication Order
3 books
Daughter of the God-King
by Anne Cleeland
2013
Hattie Blackhouse goes to Egypt to find her missing Egyptologist parents and lands in the middle of imperial intrigue. British, French, and Egyptian players all believe she holds the key to a dangerous political secret.
Tainted Angel
by Anne Cleeland
2013
During the Napoleonic wars, spy Vidia Swanson charms secrets from powerful men for the Crown. When she is suspected of being a double agent, missing gold and divided loyalties turn her latest assignment into a fight for survival.
The Bengal Bridegift
by Anne Cleeland
2016
After her father's death in Calcutta, shy Juno Payne becomes the target of men hunting a rumored cache of diamonds. Her only hope may be an unlikely ally, a Barbary pirate who might be protector, thief, or both.
Series background & context
Anne Cleeland's Regency books are built more like adventure mysteries than drawing-room romances. The two books usually grouped under this banner, Tainted Angel and Daughter of the God-King, are set during the Napoleonic years, when money, information, and loyalty could matter as much as armies.
Each novel follows a different young woman who gets shoved into a political game she did not make. In Tainted Angel, Vidia Swanson works in the dangerous world of spies and suspected double agents, using charm to draw secrets from powerful men. In Daughter of the God-King, Hattie Blackhouse heads to Egypt after her parents disappear and soon realizes several factions think she holds the key to something much larger than a family mystery.
That wider stage matters.
These books use the Regency period as a live wire, not as wallpaper. England is at war with Napoleon, spies are everywhere, fortunes can vanish into shipping routes and forged papers, and a wrong word in the wrong room can carry real consequences. One story moves through London's world of informants and suspicion. The other opens outward into Egypt and the scramble over history, empire, and power.
The tone is quick and restless. There is romance, but it never arrives on its own. It comes tangled up with secret identities, missing treasure, political maneuvering, and the question of who can be trusted. Cleeland tends to pair capable but vulnerable heroines with men who may be rescuers, suspects, or both. That uncertainty is part of the appeal.
Expect strong plots and constant reversals. Vidia and Hattie are very different women, but both have to work out how much of the story around them is true, and how much has been staged for their benefit. These books are a good fit for readers who like historical fiction with more motion than manners, and who want mystery and suspense woven into the love story.
So while the label says Regency, the experience is closer to historical intrigue with a romantic pulse. If you want danger, hidden motives, and Napoleonic-era adventure that moves from London parlors to much rougher ground, this is the side of Anne Cleeland to try.
Edited by
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