Rees and Khan Books in Order
Part ofSimon Toyne Books in OrderBrowse the Rees and Khan thrillers by Simon Toyne in order, with quick summaries, series background, reading order, and where to start.
Last updated: July 2, 2026
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Rees and Khan books in publication order
3 books
Dark Objects
by Simon Toyne
2022
A woman is murdered inside her London mansion, and the strangest clue is a forensics book written by Dr Laughton Rees. Drawn into a live case she never wanted, Laughton faces a killer who seems to be staging the crime just for her.
Blood Traces
by Simon Toyne
2023
Maddie Friar vanishes, and her sister knows she is not the first woman swallowed by the woods around Cinderfield. As Dr Laughton Rees digs into old disappearances and local folklore, the case grows darker, stranger, and far more dangerous.
Dead Water
by Simon Toyne
2025
A headless body on the Thames is only the start of a case that puts Dr Laughton Rees squarely in the killer's sights. As the bodies mount, she and DCI Tannahill Khan race to stop a murderer turning the river into a warning.
Rees and Khan books in chronological order
Series background & context
The Rees and Khan books are built as a two-hander. One half is Dr Laughton Rees, a forensic criminologist who reads scenes, symbols, and behavior with unnerving precision. The other is DCI Tannahill Khan, a working detective who has to turn theory into arrests before the next body drops. From Dark Objects onward, the series gets its charge from the way those two minds meet, clash, and slowly learn how much they need each other.
Neither of them makes life easy for the other.
The opening novel, Dark Objects, sets the template well. A wealthy woman is murdered in London, the scene has been wiped clean, and one of the few clues is a book written by Rees herself. That pulls her out of the safety of academic work and into a live investigation under intense public pressure. It is the kind of setup Toyne enjoys, a case that is clever on the surface but personal underneath.
The later books widen the range without losing the core partnership. Blood Traces takes the series into a landscape of missing women, local folklore, and secrets buried in a rural community that would rather look away. Dead Water brings the danger back to the city and the river, with a body that signals the killer knows exactly how to get under Rees's skin. The titles change, but the through line stays the same: every case pushes both characters into deeper moral and emotional water.
What makes the series work is that it never feels like pure puzzle-solving. Rees carries old trauma into every scene, which makes her both sharp and vulnerable. Khan has the institutional pressures of policing on his back, plus the practical burden of deciding when instinct is enough and when evidence will hold. Together they create a rhythm that is part procedural, part psychological thriller. One sees the shape of the crime. The other has to move through the mess it leaves behind.
The tone is dark without becoming bleak, and the settings do a lot of quiet work. London mansions, remote woods, forgotten corners of the Thames, old stories, media noise, and private grief all feed the atmosphere. If you want crime novels that balance forensic detail, character tension, and a real sense of menace, Rees and Khan is the series to pick up.
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