Paulette Jiles Books in Order
This page collects all Paulette Jiles books in order, with quick summaries, series background, and guidance on the best place to start reading her work.
Last updated: January 13, 2026
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Publication Order
18 books
Chenneville
by Paulette Jiles
2023
Recovering from a devastating head wound, former soldier John Chenneville learns that a corrupt lawman has murdered his sister's family and rides west through the lawless borderlands of Reconstruction, pursuing a slow, relentless quest for justice that forces him to reckon with grief and vengeance.
Simon the Fiddler
by Paulette Jiles
2020
Near the end of the Civil War, itinerant musician Simon Boudlin is finally dragged into the Confederate army, then thrown back into civilian life with only his fiddle, a makeshift band, and an instant, impractical love for an Irish governess to guide him through ruined Texas.
News of the World
by Paulette Jiles
2016
In 1870 Texas, aging war veteran Captain Jefferson Kidd makes his living reading newspapers aloud in small towns until he agrees to escort ten year old Johanna, recently freed from Kiowa captivity, on a hazardous journey to relatives who feel like strangers.
Lighthouse Island
by Paulette Jiles
2013
In a distant future when the continent has become one sprawling, drought stricken city, orphan Nadia Stepan survives by constantly reinventing herself and clinging to stories of Lighthouse Island, a half real, half imagined refuge she is determined to reach.
The Color of Lightning
by Paulette Jiles
2009
After a Kiowa Comanche raid shatters his frontier settlement, freedman Britt Johnson sets out across post Civil War Texas to recover his captured family, while a well meaning Quaker Indian agent confronts his own limits in a landscape of clashing loyalties and brutal choices.
Stormy Weather
by Paulette Jiles
2007
In Depression era Texas, the Stoddard sisters and their mother retreat to a rundown family farm after their charming, reckless father dies, gambling on a wildcat oil well and a dangerous racehorse while dust storms, debts, and first loves test their resolve.
Enemy Women
by Paulette Jiles
2002
In Civil War era Missouri, eighteen year old Adair Colley sees her neutral family's farm destroyed, is jailed as an enemy sympathizer in a grim St. Louis prison, and must rely on her wits, stubborn hope, and a risky love to survive and find home again.
North Spirit
by Paulette Jiles
1995
North Spirit recounts seven demanding years Jiles spent in remote northern Ontario, helping create Indigenous radio stations and learning Cree and Ojibway star lore, as she navigates brutal winters, small daily crises, and the uneasy meeting of modern media and traditional life.
Flying Lesson
by Paulette Jiles
1995
Gathering poems from roughly a decade of work, Flying Lesson moves between the frozen interior of the Canadian north and the smoky bars of ragtime America, telling compact narrative scenes where music, weather, and memory quietly redirect people's lives.
Cousins
by Paulette Jiles
1992
This memoir follows Jiles and her partner on a looping road trip through the American South to meet long lost cousins, blending interviews, roadside mishaps, and sharp self reflection as she probes family myths, class, and the tug of home.
Song to the Rising Sun
by Paulette Jiles
1989
In this hybrid volume of poems and adapted radio scripts, Jiles returns to the talkative neighbors of her Missouri childhood and to Arctic landscapes, capturing family lore, northern weather, and the hum of community radio in incantatory, story driven lines.
The Jesse James Poems
by Paulette Jiles
1988
This sequence of poems revisits the legend of Frank and Jesse James through collage, ballad rhythms, and shifting narrators, mixing court records, frontier gossip, and imagined monologues to question how outlaw stories are told and retold.
Blackwater
by Paulette Jiles
1988
Blackwater brings together a wide selection of Jiles's work, including the Jesse James poems, earlier pieces from Waterloo Express and Celestial Navigation, and quirky short prose, offering a rich sampler of her fascination with violence, travel, and odd, intimate voices.
The Late Great Human Road Show
by Paulette Jiles
1986
Set in a post nuclear Toronto stripped of fresh food, fuel, and television, this darkly comic novel follows resourceful survivors as they trade stories, improvise entertainment, and stubbornly assemble meaning from the ruins of a familiar world.
Sitting in the Club Car Drinking Rum and Karma-Kola
by Paulette Jiles
1986
A broke young woman boards a transcontinental train to escape a mountain of unpaid bills and finds herself caught up in flirtations, small cons, and a half serious mystery in a witty parody of old pulp detective tales.
Celestial Navigation
by Paulette Jiles
1984
This award-winning poetry collection blends Missouri back roads, city apartments, and invented oracles, using bold metaphors and overlapping voices to explore how women remember, retell, and sometimes rewrite the stories that have shaped their lives.
The Golden Hawks
by Paulette Jiles
1978
In a new housing development on the edge of a Canadian city, a gang of kids called the Golden Hawks just want a clubhouse, scrambling through bedrooms, abandoned buildings, and odd jobs as they chase the stubborn dream of a place of their own.
Waterloo Express
by Paulette Jiles
1973
Jiles's debut collection gathers story-like poems that move from Africa and Mexico to Toronto, following travelers, workers, and lovers in quick, vivid scenes where everyday speech tilts suddenly into dreamlike, unsettling insight.
Where should I start?
If you want her best-known novel first: News of the World → Simon the Fiddler → Chenneville.
If you love Civil War and Reconstruction history: Enemy Women → The Color of Lightning → Chenneville.
If you prefer Depression-era family drama: Stormy Weather.
If you're curious about her poetry and memoirs: Waterloo Express → Celestial Navigation → North Spirit → Cousins.
If you like speculative or dystopian stories: The Late Great Human Road Show → Lighthouse Island.
Author bio
Paulette Jiles was an American poet, memoirist, and novelist whose work drifted between the Ozarks, the Canadian north, and the scrublands of Texas. Born April 4, 1943, in Salem, Missouri, she grew up in a family where money was tight but stories and art were close at hand. Her father sold insurance and her mother painted and taught community art classes, and at the University of Missouri Kansas City she majored in Romance languages, graduating in 1968 with the sense that the wider world was calling.
That impulse took her north.
In 1969 she moved to Toronto to work in public radio and soon began traveling even farther, helping set up low power FM stations in Cree and Ojibway communities in northern Ontario and Quebec. She learned enough Ojibwe to work on air and in meetings, and the languages, winter light, and long plane rides into remote settlements stayed with her for the rest of her life.
Through those years she was writing.
Her first poetry collection, Waterloo Express, appeared in 1973, full of trains, travelers, and quick, surprising metaphors. A later collection, Celestial Navigation, won several major Canadian poetry prizes and confirmed her reputation as a poet who could be both earthy and experimental in the same line.
Jiles never stayed in one lane for long. She wrote a comic, noir tinged train caper in Sitting in the Club Car Drinking Rum and Karma Kola, sent up the post nuclear city of Toronto in The Late Great Human Road Show, and returned to outlaw history in The Jesse James Poems and the mixed prose and poetry volume Blackwater. Other collections such as Song to the Rising Sun and Flying Lesson braided together radio scripts, family stories, and narrative poems that read like half remembered tall tales.
Her nonfiction turned the same sharp gaze on her own life. In North Spirit she recounted seven demanding years in remote northern Ontario, where she chopped frozen firewood, relied on neighbors, helped launch community radio, and listened to elders talk about constellations and star maps. Cousins followed a midlife trip through the American South with her husband, Jim Johnson, as they visited scattered relatives and tested family legends against what people actually remembered.
Many readers, though, met her first through her historical novels. Enemy Women, drawn from family stories and archival research, follows Adair Colley, a young Missouri woman swept into a brutal Civil War prison and forced to make her way home through a ravaged countryside. Later novels like Stormy Weather, The Color of Lightning, News of the World, Simon the Fiddler, and Chenneville moved the focus to Texas in different eras, tracing widowed women, freed families, itinerant musicians, and haunted veterans as they cross damaged landscapes in search of safety and some kind of justice.
After moving back to the United States in the early 1990s with Johnson, she settled in San Antonio and later on a small ranch near the town of Utopia, west of the city. She rode horses, played tin whistle in a local band, and kept a plainspoken blog where she wrote about writing, history, and the pleasures and irritations of modern life. She died on July 8, 2025, in San Antonio, at the age of eighty two. Across poetry, memoir, dystopian experiments, and frontier epics, her work keeps circling the same questions, how people endure upheaval, how stories travel between languages and generations, and how one determined person can change the fate of a family.
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