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May Sarton Books in Order

Explore May Sarton books in order, with short summaries, reading paths, and an introduction to her novels, journals, memoirs, and poetry.

Last updated: July 14, 2026

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May Sarton books in publication order

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54 books

Encounter in April

by May Sarton

1937

Sarton's first poetry collection introduces a young writer already drawn to love, nature, spiritual searching, and emotional independence. These early poems show the beginnings of themes she returned to for decades.

Inner Landscape

by May Sarton

1939

This early poetry collection turns inward, tracing private feeling through images of landscape, relationships, and art. Sarton's poems look for a language equal to solitude, desire, and change.

The Bridge of Years

by May Sarton

1946

Across the years between two world wars, the Belgian Duchesne family tries to preserve its home, work, and ideals. Paul and Melanie face private strains as fascism and war press ever closer.

Shadow of a Man

by May Sarton

1950

After his mother dies, Francis Bradford must reconsider the stepfather he has long resented. A summer in Paris brings grief, family history, and a difficult chance to grow into love.

A Shower Of Summer Days

by May Sarton

1952

The return of Violet Dene Gordon and her husband to a long-empty Irish estate unsettles a quiet village. Family visitors, old memories, and new desires turn one summer into a test of belonging.

Faithful Are The Wounds

by May Sarton

1955

When English professor Edward Cavan takes his own life, his friends and colleagues confront his uncompromising ideals. Set amid Harvard and Cambridge, the novel examines fear, loyalty, and political pressure.

The Birth of a Grandfather

by May Sarton

1957

Sprig and Frances Wyeth face a restless season of marriage, family conflict, and change in Maine. As a new generation arrives, Sprig must decide whether he can become more present as husband, father, and friend.

The Fur Person

by May Sarton

1957

A hungry stray cat sets out to find a home and slowly becomes a true companion to the people who take him in. This warm animal story follows his many names, adventures, and changing trust.

The Small Room

by May Sarton

1961

Lucy Winter begins her first teaching job at a New England women's college and finds campus life far from simple. Rivalries, loneliness, and the fragile bond between teachers and students shape the year.

Joanna and Ulysses

by May Sarton

1963

This gentle tale follows Joanna and Ulysses through a small world shaped by companionship, imagination, and discovery. It is a brief, warmly observed story with the feel of a modern fable.

Mrs. Stevens Hears the Mermaids Singing

by May Sarton

1965

During an interview at her country home, poet Hilary Stevens looks back on the loves and losses that formed her life. The novel considers artistic work, aging, and a woman's right to speak plainly about desire.

Miss Pickthorn and Mr. Hare

by May Sarton

1966

A guarded woman and an unexpected visitor meet in a strange, enclosed world of gardens and fears. Sarton's fable turns their uneasy connection into a story about loneliness, trust, and change.

As Does New Hampshire, And Other Poems

by May Sarton

1967

Poems rooted in New Hampshire's seasons and rural life sit alongside meditations on love, loss, and belonging. Sarton uses the outer landscape to explore the inward work of making a life.

Plant Dreaming Deep

by May Sarton

1968

Sarton recounts buying and restoring an old New Hampshire house while learning how to live and work alone. Her journal blends home-making, gardening, writing, friendship, and the realities of solitude.

The Poet and the Donkey

by May Sarton

1969

A poet's life is disrupted and enriched by an unlikely donkey companion. This light, illustrated tale finds humor and tenderness in the daily adjustments that make friendship possible.

A Grain of Mustard Seed

by May Sarton

1970

In these poems, Sarton considers faith, endurance, love, and the small beginnings from which change can grow. The collection pairs close attention to the natural world with personal reflection.

Kinds of Love

by May Sarton

1970

Several people struggle to understand the claims of love, friendship, marriage, and independence. In Sarton's character-driven novel, private longings and old loyalties make every choice feel complicated.

A Durable Fire

by May Sarton

1972

This poetry collection returns to the sustaining forces in life: affection, work, memory, and the natural world. Sarton's poems face difficulty without losing sight of warmth, humor, and persistence.

As We Are Now

by May Sarton

1973

Elderly Caro Spencer is placed in a nursing home against her wishes and records what happens in a secret journal. Her sharp voice exposes cruelty, neglect, memory, and the fierce need to remain oneself.

Journal of a Solitude

by May Sarton

1973

Over the course of a year, Sarton records the comforts and costs of a life lived alone. Writing, nature, friendship, depression, and the need for connection all enter this candid personal journal.

Collected poems (1930-1973)

by May Sarton

1974

A wide-ranging collection of Sarton's poetry from more than four decades. It lets readers follow her recurring interests in love, solitude, art, aging, nature, and the demands of an inward life.

Punch's Secret

by May Sarton

1974

A young child and a much-loved dog share a small secret that changes the rhythm of everyday life. This illustrated story treats a child's feelings and an animal's presence with warmth and care.

A Walk through the Woods

by May Sarton

1976

A walk in the woods becomes an invitation to notice animals, plants, weather, and the small surprises of a natural place. This illustrated children's book makes careful looking feel like an adventure.

A World of Light

by May Sarton

1976

This collection of portraits remembers the people who nourished Sarton's life and work. Artists, friends, family members, and mentors appear in affectionate, searching sketches shaped by memory and gratitude.

Crucial Conversations

by May Sarton

1976

After twenty-seven years of marriage, Poppy Whitelaw tells her husband that she wants to leave. Their family and friends are pulled into a series of painful conversations about marriage, identity, and freedom.

The House by the Sea

by May Sarton

1977

After moving to the Maine coast, Sarton keeps a journal of work, visitors, weather, and life beside the sea. It is a clear-eyed account of creating a home while remaining answerable to solitude.

A Reckoning

by May Sarton

1978

Facing a terminal illness, Laura Spelman takes stock of the relationships that have mattered most. Her memories lead her back to family wounds, a difficult daughter, and a formative love with another woman.

Selected Poems of May Sarton

by May Sarton

1978

This selected volume offers an accessible route into Sarton's poetry. The poems range across her career and return to love, friendship, loneliness, the seasons, and the daily practice of paying attention.

Halfway to Silence: New Poems

by May Sarton

1980

These poems dwell in the space between speech and silence, where memory, love, anger, and age can be examined. Sarton writes with directness about emotional weather and the natural world.

Recovering

by May Sarton

1980

During a hard year marked by illness, surgery, depression, and loss, Sarton keeps track of what helps her endure. Friends, work, gardens, and ordinary routines become part of a slow recovery.

Sarton Selected: An Anthology of the Journals, Novels, and Poetry of May Sarton

by May Sarton

1980

An anthology of excerpts from Sarton's journals, novels, and poems provides a broad introduction to her work. It is a useful starting point for readers who want to sample her different forms.

Anger

by May Sarton

1982

A long marriage is tested by two people with very different ways of handling anger and love. Sarton follows the small arguments and deeper hurts that can either harden a couple or force honesty.

At Seventy

by May Sarton

1984

In her seventieth year, Sarton writes about aging, health, work, friendship, and the rhythms of her Maine home. The journal makes room for both irritation and delight in the business of staying alive.

Letters from Maine

by May Sarton

1984

Written from the Maine coast, these poems notice sea, weather, gardens, friends, and passing time. The collection finds meaning in local detail while continuing Sarton's long conversation with solitude.

The Magnificent Spinster

by May Sarton

1985

After the death of her beloved teacher Jane Reid, Cam remembers the woman who shaped her youth. Letters and memory help Cam imagine Jane's full, independent life beyond the role of mentor.

May Sarton

by May Sarton

1986

A self-portrait in words, photographs, and poems, this volume offers a direct introduction to Sarton's life and concerns. She reflects on love, solitude, creativity, pain, and the work of making art.

After the Stroke

by May Sarton

1988

After a stroke interrupts her independence and writing life, Sarton keeps a candid journal of rehabilitation. She writes about fear, frustration, friendship, and the hard-won pleasure of returning to ordinary days.

I Knew A Phoenix

by May Sarton

1988

Sarton looks back on her Belgian roots, Cambridge youth, early ambitions, and the people who guided her toward writing. These autobiographical sketches trace the making of a poet and novelist.

The Silence Now: New and Uncollected Early Poems

by May Sarton

1988

New and previously uncollected early poems reveal another view of Sarton's beginnings as a poet. The volume follows her early concerns with feeling, place, artistic purpose, and the search for connection.

The Education of Harriet Hatfield

by May Sarton

1989

Harriet Hatfield opens a women's bookstore near Boston and quickly becomes the target of anonymous threats. Her new life brings friendship and purpose, but also a harsh education in prejudice and courage.

The Single Hound

by May Sarton

1991

A young writer enters the orbit of a gifted older poet and faces the risks of art, attachment, and self-discovery. Sarton's first novel follows sensitive people trying to live truthfully.

Collected Poems, 1930-1993

by May Sarton

1992

This career-spanning collection gathers Sarton's poems from 1930 through 1993. It traces a lifetime of writing about love, home, art, aging, nature, grief, and the pleasures of ordinary attention.

Endgame

by May Sarton

1992

In her seventy-ninth year, Sarton reflects on aging, illness, memory, and the practical demands of daily life. Recorded partly after her stroke, this journal remains alert to friendship, work, and nature.

Encore

by May Sarton

1993

Sarton's journal of her eightieth year returns to friends, letters, memories, books, and the pleasures that remain. It is a thoughtful record of old age lived with curiosity and stubborn independence.

May Sarton Among the Usual Days

by May Sarton

1993

This portrait gathers unpublished poems, letters, journal pages, and photographs to illuminate Sarton's daily life and work. It offers a fuller view of the writer behind her published books.

Coming into Eighty: Poems

by May Sarton

1994

Written in later life, these poems meet old age with candor, gratitude, impatience, and humor. Sarton considers illness, memory, friends, and the continuing gift of the world outside her window.

From May Sarton's Well

by May Sarton

1994

A selection of Sarton's writings brings together work from across her career. The volume offers readers a compact way to encounter her poems, reflections, and enduring questions about love, work, and solitude.

May Sarton

by May Sarton

1994

This volume introduces May Sarton's life and writing through biographical context and discussion of her work. It is useful for readers looking to place her novels, poems, and journals in a wider career.

At Eighty-Two

by May Sarton

1995

Published after Sarton's death, this final journal follows her eighty-second year through illness, visits, memories, and writing. It preserves her attention to daily life while she faces growing physical limits.

Writings on Writing

by May Sarton

1995

This collection gathers Sarton's thoughts on the writer's life, creative discipline, and the often private labor behind finished work. It offers practical and personal reflections from a writer who worked across forms.

A Private Mythology: Poems

by May Sarton

1996

Sarton builds a personal mythology from memory, love, landscapes, and artistic life. These poems explore the stories people tell themselves in order to endure loneliness, change, and loss.

May Sarton

by May Sarton

1997

A biographical study of May Sarton explores the life behind her poems, novels, and journals. It follows the personal relationships, places, and creative struggles that shaped her long writing career.

Dear Juliette

by May Sarton

1999

These letters to Juliette Huxley reveal Sarton's early adulthood through friendship, travel, literary ambition, and love. The correspondence offers an intimate view of the writer before many of her major books.

As Does New Hampshire (2024)

by May Sarton

2024

This edition returns readers to Sarton's New Hampshire poems, shaped by woods, weather, local life, and the changing seasons. Her close observation of place opens onto questions of love and belonging.

Where to start with May Sarton

For an honest, intimate journal: Plant Dreaming DeepJournal of a SolitudeThe House by the Sea.
For a powerful novel about old age: As We Are NowA Reckoning.
For fiction about women, art, and love: Mrs. Stevens Hears the Mermaids SingingThe Magnificent SpinsterThe Education of Harriet Hatfield.
For poetry and a broad introduction: Selected Poems of May SartonSarton Selected: An Anthology of the Journals, Novels, and Poetry of May Sarton.

May Sarton collections, short stories, and related book types

Picture Books

  1. Book cover for "A Walk through the Woods"

    A Walk through the Woods

    by May Sarton

    1976

Non-Fiction Books

  1. Book cover for "Plant Dreaming Deep"

    Plant Dreaming Deep

    by May Sarton

    1968
  2. Book cover for "Journal of a Solitude"

    Journal of a Solitude

    by May Sarton

    1973
  3. Book cover for "A World of Light"

    A World of Light

    by May Sarton

    1976Portraits And Celebrations
  4. Book cover for "The House by the Sea"

    The House by the Sea

    by May Sarton

    1977A Journal
  5. Book cover for "Recovering"

    Recovering

    by May Sarton

    1980A Journal
  6. Book cover for "At Seventy"

    At Seventy

    by May Sarton

    1984
  7. Book cover for "May Sarton"

    May Sarton

    by May Sarton

    1986A Self-Portrait
  8. Book cover for "I Knew A Phoenix"

    I Knew A Phoenix

    by May Sarton

    1988Sketches for an Autobiography
  9. Book cover for "After the Stroke"

    After the Stroke

    by May Sarton

    1988
  10. Book cover for "Endgame"

    Endgame

    by May Sarton

    1992A Journal of the Seventy-Ninth Year
  11. Book cover for "Encore"

    Encore

    by May Sarton

    1993A Journal of the Eightieth Year
  12. Book cover for "May Sarton Among the Usual Days"

    May Sarton Among the Usual Days

    by May Sarton

    1993A Portrait
  13. Book cover for "From May Sarton's Well"

    From May Sarton's Well

    by May Sarton

    1994Writings of May Sarton
  14. Book cover for "May Sarton"

    May Sarton

    by May Sarton

    1994Excerpts from a Life
  15. Book cover for "At Eighty-Two"

    At Eighty-Two

    by May Sarton

    1995
  16. Book cover for "Writings on Writing"

    Writings on Writing

    by May Sarton

    1995
  17. Book cover for "May Sarton"

    May Sarton

    by May Sarton

    1997Selected Letters, 1916-1954
  18. Book cover for "Dear Juliette"

    Dear Juliette

    by May Sarton

    1999Letters of May Sarton to Juliette Huxley

Collections

  1. Book cover for "Encounter in April"

    Encounter in April

    by May Sarton

    1937
  2. Book cover for "Inner Landscape"

    Inner Landscape

    by May Sarton

    1939
  3. Book cover for "As Does New Hampshire, And Other Poems"

    As Does New Hampshire, And Other Poems

    by May Sarton

    1967
  4. Book cover for "A Grain of Mustard Seed"

    A Grain of Mustard Seed

    by May Sarton

    1970
  5. Book cover for "A Durable Fire"

    A Durable Fire

    by May Sarton

    1972
  6. Book cover for "Collected poems (1930-1973)"

    Collected poems (1930-1973)

    by May Sarton

    1974
  7. Book cover for "Selected Poems of May Sarton"

    Selected Poems of May Sarton

    by May Sarton

    1978
  8. Book cover for "Sarton Selected: An Anthology of the Journals, Novels, and Poetry of May Sarton"

    Sarton Selected: An Anthology of the Journals, Novels, and Poetry of May Sarton

    by May Sarton

    1980
  9. Book cover for "Halfway to Silence: New Poems"

    Halfway to Silence: New Poems

    by May Sarton

    1980
  10. Book cover for "Letters from Maine"

    Letters from Maine

    by May Sarton

    1984
  11. Book cover for "The Silence Now: New and Uncollected Early Poems"

    The Silence Now: New and Uncollected Early Poems

    by May Sarton

    1988
  12. Book cover for "Collected Poems, 1930-1993"

    Collected Poems, 1930-1993

    by May Sarton

    1992
  13. Book cover for "Coming into Eighty: Poems"

    Coming into Eighty: Poems

    by May Sarton

    1994
  14. Book cover for "A Private Mythology: Poems"

    A Private Mythology: Poems

    by May Sarton

    1996
  15. Book cover for "As Does New Hampshire (2024)"

    As Does New Hampshire (2024)

    by May Sarton

    2024

Standalone May Sarton books

  1. Book cover for "The Bridge of Years"

    The Bridge of Years

    by May Sarton

    1946
  2. Book cover for "Shadow of a Man"

    Shadow of a Man

    by May Sarton

    1950
  3. Book cover for "A Shower Of Summer Days"

    A Shower Of Summer Days

    by May Sarton

    1952
  4. Book cover for "Faithful Are The Wounds"

    Faithful Are The Wounds

    by May Sarton

    1955
  5. Book cover for "The Birth of a Grandfather"

    The Birth of a Grandfather

    by May Sarton

    1957
  6. Book cover for "The Fur Person"

    The Fur Person

    by May Sarton

    1957
  7. Book cover for "The Small Room"

    The Small Room

    by May Sarton

    1961
  8. Book cover for "Joanna and Ulysses"

    Joanna and Ulysses

    by May Sarton

    1963
  9. Book cover for "Mrs. Stevens Hears the Mermaids Singing"

    Mrs. Stevens Hears the Mermaids Singing

    by May Sarton

    1965
  10. Book cover for "Miss Pickthorn and Mr. Hare"

    Miss Pickthorn and Mr. Hare

    by May Sarton

    1966
  11. Book cover for "The Poet and the Donkey"

    The Poet and the Donkey

    by May Sarton

    1969
  12. Book cover for "Kinds of Love"

    Kinds of Love

    by May Sarton

    1970
  13. Book cover for "As We Are Now"

    As We Are Now

    by May Sarton

    1973
  14. Book cover for "Punch's Secret"

    Punch's Secret

    by May Sarton

    1974
  15. Book cover for "Crucial Conversations"

    Crucial Conversations

    by May Sarton

    1976
  16. Book cover for "A Reckoning"

    A Reckoning

    by May Sarton

    1978
  17. Book cover for "Anger"

    Anger

    by May Sarton

    1982
  18. Book cover for "The Magnificent Spinster"

    The Magnificent Spinster

    by May Sarton

    1985
  19. Book cover for "The Education of Harriet Hatfield"

    The Education of Harriet Hatfield

    by May Sarton

    1989
  20. Book cover for "The Single Hound"

    The Single Hound

    by May Sarton

    1991

Author bio

May Sarton was born Eleanore Marie Sarton on May 3, 1912, in Wondelgem, Belgium, now part of Ghent. Her father, George Sarton, was a historian of science, and her mother, Mabel Elwes Sarton, was an artist. When war reached Belgium, the family fled Europe and eventually settled in Cambridge, Massachusetts, where Sarton grew up.

She was an only child, and books, languages, gardens, and conversation all became part of her early world.

As a teenager, Sarton expected to become an actor. After seeing Eva Le Gallienne perform, she turned down a scholarship to Vassar and joined Le Gallienne's Civic Repertory Theatre in New York. The theater did not give her a lasting career, but she kept writing poems through it all. Her early sonnets were published when she was still very young.

When acting plans fell apart, writing became the work she stuck with. She spent time in Paris, met writers and artists who widened her sense of what a life in letters could be, and published her first novel, The Single Hound, in 1938. It is an early sign of the concerns that stayed with her: art, friendship, desire, independence, and the hard work of knowing oneself.

Sarton wrote in several forms, often moving from a novel to poems to a journal. Her fiction includes The Bridge of Years, about a Belgian family facing the approach of war; Faithful Are the Wounds, set among academics shaken by a colleague's death; and Mrs. Stevens Hears the Mermaids Singing, in which an older poet looks back on love and the making of a life. Her novels tend to give people room to talk, hesitate, misread one another, and begin again.

Her journals brought many readers closest to her daily life. In Plant Dreaming Deep, she writes about making a home in rural New Hampshire. Journal of a Solitude faces the mixed gifts of being alone, including the freedom to work and the pain of isolation. Later books such as The House by the Sea, Recovering, and After the Stroke record friendships, gardens, illness, aging, money worries, writing days, and the changing weather of the Maine coast.

She didn't pretend that a quiet life was always peaceful.

Sarton lived for many years in Nelson, New Hampshire, then moved to York, Maine in 1973. The landscapes around those homes, especially the gardens, woods, sea, and seasons, became steady presences in her work. She also wrote openly, though not simply, about love between women at a time when such lives were rarely treated with ordinary human seriousness in fiction.

By the end of her life, Sarton had published more than fifty books across poetry, novels, journals, memoirs, and children's literature. She kept working through illness and old age, sometimes dictating material when writing by hand became difficult after a stroke. She died in York, Maine, on July 16, 1995, leaving behind books that keep returning to the same practical, difficult question: how can a person make room for both solitude and connection?

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