Good Neighbors Books in Order
Part ofHolly Black Books in OrderExplore the Good Neighbors books by Holly Black in order, with summaries, graphic-novel background, and a quick guide to Rue Silver's story.
Last updated: July 2, 2026
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Good Neighbors books in publication order
3 books
Kin
by Holly Black
2008
Rue Silver's ordinary life unravels after her mother disappears and faerie secrets begin surfacing all around her. The more Rue learns about her family, the less safe her neighborhood becomes.
Kith
by Holly Black
2009
Rue's world keeps sliding deeper into faerie chaos as family secrets, divided loyalties, and dangerous magic tighten around her. The middle book darkens the story without losing its emotional pull.
Kind
by Holly Black
2010
Rue's story reaches its breaking point as faerie power spreads through her town and every relationship feels strained. The finale brings the series' family wounds and supernatural danger crashing together.
Good Neighbors books in chronological order
Series background & context
Good Neighbors is Holly Black's faerie fiction in graphic novel form, and it keeps the same basic idea that makes so much of her work effective: the magical world is beautiful right up until it starts taking things from you. The series follows Rue Silver, who thinks her biggest problems are the normal ones, school, parents, friends, and the usual instability of being a teenager, until her mother disappears and the truth about her family begins to crack open.
Rue is not nearly as ordinary as she thought.
As the story unfolds, Rue learns that faerie blood, old bargains, and long-buried secrets are tied to her life in ways nobody bothered to explain. That makes the series feel both intimate and invasive. The danger is not coming from some far-off kingdom. It is pressing into her neighborhood, her friendships, and her own sense of self. Streets, houses, and familiar routines start to warp under magical pressure.
The graphic format changes the experience in a good way. Ted Naifeh's art gives the series a dreamier, more immediate edge, especially when the story moves from suburban realism into full faerie disturbance. Faces matter. Body language matters. The shifts in atmosphere can happen in a single panel. It suits a story that is always balancing teenage emotion against something older and stranger.
Rue is the kind of Holly Black protagonist who works best because she is frightened, angry, and stubborn all at once. She is trying to understand what has been done to her life while still protecting whatever parts of it can be saved. The books are interested in identity, family betrayal, and the way power can pull people apart, especially when it arrives mixed with longing.
Compared with something like Spiderwick, Good Neighbors is older, moodier, and more unsettling. Compared with The Folk of the Air, it is more local and personal, less about courts and more about what happens when the supernatural takes over a town one bad choice at a time. If you like Holly Black when she is at her most eerie and contemporary, this series sits in a very good spot.
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