Georgian (Susan Holloway Scott) Books in Order
Part ofSusan Holloway Scott Books in OrderExplore the Georgian novels by Susan Holloway Scott in order, with short summaries, period background, and tips on the best place to start.
Last updated: July 6, 2026
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Georgian (Susan Holloway Scott) books in publication order
2 books
The Very Comely Countess
by Miranda Jarrett
2001
William Manderville needs a convincing pretend mistress for a dangerous trip tied to Admiralty business. He finds Harriet Treene, an Irish orange seller with grit to spare, and their false arrangement turns into real feeling.
The Very Daring Duchess
by Miranda Jarrett
2001
As Napoleon's army closes in on Naples, artist Francesca Robin needs passage on an English ship and a husband to secure it. Captain Edward Ramsden offers both, and their convenient marriage quickly becomes anything but simple.
Georgian (Susan Holloway Scott) books in chronological order
Series background & context
The Georgian books are a looser grouping than the big family sagas, but they share a clear mood and setting. These romances are rooted in the later eighteenth century, when war, travel, and public reputation could turn a private decision into a crisis almost overnight.
The Very Daring Duchess sets the tone well. Francesca Robin is an artist in Naples who needs escape as the French threat closes in, and a sudden marriage to Captain Lord Edward Ramsden turns necessity into a much more complicated emotional bargain. The book mixes travel, class unease, and a swift change in status with a heroine who refuses to be pushed quietly aside.
The Very Comely Countess stays in the same broad world while shifting toward intrigue and performance. William Manderville needs a practical woman to pose as his mistress on a journey tied to Admiralty business, and Harriet Treene, an Irish orange seller, is drawn into a role that exposes every fault line of class and respectability. The fun comes from watching both characters test the limits of the part they are supposed to be playing.
These books like to throw common sense straight into trouble.
That is really what links them. Not one shared household or one fixed cast, but a pattern of pressure. Men with titles or duties find themselves undone by women who are clever, independent, or clearly outside the tidy social order. Public life keeps intruding on private feeling, whether through war, gossip, espionage, or simple snobbery.
The Georgian setting gives these stories a broader canvas than a ballroom-only romance. Ports, ships, foreign cities, official business, and the aftershocks of European conflict all matter. At the same time, the emotional stakes stay close. The characters are not trying to save the world. They are trying to protect themselves, choose wisely, and hold on to love without being swallowed by rank or scandal.
If you enjoy Georgian romance with movement, a little edge, and heroines who are not content to decorate the room, this grouping is worth exploring. The books are connected more by feel than by strict plot, which makes them easy to pick up while still rewarding readers who want more of the same world.
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