Fifth Avenue Books in Order
Part ofChristopher Smith Books in OrderExplore the Fifth Avenue series by Christopher Smith in order, with book summaries, series background, and straightforward tips on where to start.
Last updated: July 8, 2026
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Publication Order
6 books
Fifth Avenue
by Christopher Smith
2010
Louis Ryan wants revenge for a murder committed decades earlier, and George Redman's wealthy family is in his sights. Once an assassin enters the picture, New York high society turns into a brutal battleground.
From Manhattan with Love
by Christopher Smith
2011
An outcast billionaire's daughter crosses paths with assassin Carmen Gragera just as love and a murder contract collide. The novella turns a chance connection into a dangerous tangle of desire, loyalty, and survival.
Running of the Bulls
by Christopher Smith
2011
A disgraced Wall Street titan is out of prison, and the people who exposed him start dying fast. P.I. Marty Spellman races through a maze of killers, lies, and shifting loyalties to stop the spree.
A Rush to Violence
by Christopher Smith
2012
Former assassin Camille Miller returns to old instincts when her billionaire father is brutally murdered. With greedy siblings, a curious daughter, and P.I. Marty Spellman in the mix, the hunt becomes a frantic family bloodbath.
From Manhattan with Revenge
by Christopher Smith
2012
After her lover is murdered, assassin Carmen Gragera goes after the syndicate responsible. Unexpected allies step in, but every new twist tightens the trap and turns her revenge mission into a fight for survival.
Park Avenue
by Christopher Smith
2013
A dead man's revenge order still hangs over George and Leana Redman, and others are ready to finish the job. As threads from earlier Fifth Avenue books crash together, Manhattan becomes a final hunting ground.
Series background & context
At the center of the Fifth Avenue books is an old revenge story with a very large budget. Fifth Avenue begins when Louis Ryan decides to destroy George Redman for a killing that happened decades earlier. George's wife, daughters, and close circle all become targets, which tells you a lot about how this series works. The problem is never just one grudge. It is the blast radius around it.
Nobody in this world stays safely on the sidelines.
New York matters here. Smith uses Manhattan wealth, especially the polished image around Fifth and Park Avenue, as more than backdrop. Money buys privacy, influence, access, and people willing to do ugly work. Beneath the designer clothes and expensive rooms, these books are about power, old guilt, and the way family damage keeps rolling forward. The tone is hard-edged and fast. These are thrillers with killers, cover-ups, shifting alliances, and people making bad decisions under pressure.
As the series moves on, the cast widens. Running of the Bulls brings private investigator Marty Spellman to the front as bodies pile up around a Wall Street revenge plot, and he becomes one of the steadier human anchors in the series. The hired killers Vincent Spocatti and Carmen Gragera also become key figures, which gives the books a different texture. They are dangerous, but they are not flat villains, and Smith likes letting loyalties bend in unexpected ways.
Revenge drives the plot, but family keeps it personal.
That is especially true in From Manhattan with Love and From Manhattan with Revenge, where Carmen's story adds grief, desire, and mistrust to all the gunfire. A Rush to Violence then folds in former assassin Camille Miller, her daughter Emma, and a fresh family murder, while still feeding the larger network of grudges that has been growing since book one. By the time you reach Park Avenue, the series feels like one long chain reaction. Old orders are still being carried out. Old targets are still exposed. And earlier characters keep crashing back into one another.
If you like thrillers that mix rich-people rot, professional killers, stubborn investigators, and messy family fallout, this series has a lot to work with. The books can stand on their own, but they read best in order because the emotional weight keeps building. What starts as one man's revenge turns into a broader story about who survives, who pays, and how hard it is to end a war once too many people profit from it.
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