Evans Novel of the West Books in Order
Part ofLivia J Washburn Books in OrderBrowse the Evans Novel of the West books by Livia J Washburn in order, with western background, short summaries, and where to start.
Last updated: July 12, 2026
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Evans Novel of the West books in publication order
2 books
Epitaph
by Livia J Washburn
1987
Teenage sharpshooter Hank Littleton watches fake Confederate soldiers murder his grandfather and steal a cache of gold. With only his rifle and his nerve, he heads south after them into harsh and dangerous country.
Riders of the Monte
by Livia J Washburn
1998
During Emperor Maximilian’s rule in Mexico, a Texan running with bandits begins to question the life he has chosen. After a massacre, he turns toward rescue, revenge, and one last dangerous ride.
Evans Novel of the West books in chronological order
Series background & context
This page gathers Washburn’s western novels that appeared in the Evans line, and the important thing to know is that these are not one continuous saga. They are connected more by mood, setting, and genre than by a single cast. Think of the shelf as a run of standalone or lightly linked western adventures, each taking a hard look at lawmen, outcasts, revenge, and survival in the borderlands.
That gives the page a different feel from something like Lucas Hallam or Wind River. You are not following one ongoing mystery arc. You are following Washburn’s take on the classic western paperback. Young sharpshooters, falsely accused men, Texas Rangers, hunted outlaws, and border country violence all have room here.
The settings do a lot of the heavy lifting.
Texas shows up often, as do rough trails, remote towns, and the unstable spaces near Mexico where loyalties can turn quickly. Books such as Epitaph, Ghost River, Bandera Pass, Riders of the Monte, and Red River Ruse all tap into that tradition while giving the characters enough emotional drive to keep them from feeling like stock figures.
These are good books for readers who like westerns in a straightforward, no-fuss mode. The plots move. The danger is close. Justice is usually personal. And even when the stories stand alone, they still feel like they belong on the same shelf.
So if you want Washburn as L. J. Washburn, writing westerns with dust, gun smoke, and strong momentum, the Evans page is where to look.
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