Craig Stephen Copland Books in Order

A missing husband, then a missing wife, pull Holmes into a maze of deception, murder, and stolen securities. The case grows from domestic worry into a wide, dangerous conspiracy.

This Holmes adventure stretches beyond Baker Street to Ford's strange Brazilian dream project, where scandal and ambition go hand in hand. The setting gives the mystery a distinctive historical twist.

A short conservative critique of Thomas Piketty's Capital in the Twenty-First Century. Copland challenges the book's arguments about inequality and takes a firmly political stance.

This guidebook lays out campaign basics for conservative candidates and organizers in Canada. Fundraising, planning, messaging, and voter turnout are all part of the practical toolkit.

Another practical campaign manual, this time written for Republican candidates and supporters in the United States. It centers on strategy, fundraising, organization, and turnout.

This parody brings Holmes into contact with modern politics for a satirical romp. The fun comes from watching a Victorian detective measure himself against a very contemporary world.

Copland launches his Holmes series with a fresh case for Sherlock Holmes and Dr. Watson. It is a clear tribute to Conan Doyle, but it also establishes Copland's own taste for brisk plotting and historical atmosphere.

A powerful trust and the interests behind it give Holmes a case shaped by money and influence. The book blends boardroom maneuvering with classic deduction.

Holmes and Watson leave London for a case set against the Hudson Valley, giving this early pastiche a wider horizon. Travel, suspicion, and a stubborn mystery keep it moving.

A familiar warning turns deadly again as Holmes faces a case of ominous messages and looming violence. It is one of Copland's clearest nods to Conan Doyle.

When a daughter fears that several deaths in her circle may be linked, Holmes takes on a case of family tension and layered suspicion. The story builds its mystery around competing interpretations.

A single odd clue sends Holmes into a case with rural roots and a stubbornly hidden truth. It is one of Copland's earlier, more straightforward Baker Street mysteries.

A practical campaign handbook aimed at conservative candidates and volunteers. Copland focuses on planning, fundraising, organization, and the hard work of getting supporters to the polls.

Jewels and radical politics collide in a case that lets Holmes test slogans against facts. The mystery has both a public dimension and a strong personal stake.

A seemingly minor object becomes the key to a larger puzzle of motive and concealment. Holmes turns a stray clue into a full map of the crime.

A deliberately sharp title introduces a social mystery about fashionable surfaces and vicious undercurrents. Holmes has to cut through cruelty, vanity, and rumor to see what really happened.

Copland gives a familiar Holmes setup a comic nudge, then lets it grow into a real mystery. Family ties and unexpected danger sit beneath the playful title.

A society woman and a public scandal lead Holmes into questions of reputation, courtship, and hidden motives. It's brisk, witty, and grounded in Victorian social pressure.

A bat that seems almost supernatural sets the mood for a case built on fear and misdirection. Holmes, of course, treats the uncanny as something waiting to be explained.

An unusual client and an offbeat title signal a mystery with both wit and danger. Holmes must look past surface oddity to find the real injury at the heart of the case.

This playful twist on a canonical title becomes a racing-world puzzle with a comic edge. Holmes follows the money, the gossip, and the mishandled evidence.

Ritual, secrecy, and death give this Holmes mystery a darker, almost occult mood. Holmes keeps his footing by treating every dramatic flourish as a clue instead of a curse.

In 1882 Kansas City, the Reverend Mister Ezekiel Black and his doctor companion investigate a throat-slashing that opens onto older crimes. It is a western take on Holmesian deduction, with frontier grit and a memorable sleuth.

A small object sparks a surprisingly large mystery as Holmes works out what the cards mean and who wants them hidden. The case has the compact feel of a classic short pastiche.

Reverend Ezekiel Black returns for a western mystery involving gold, family questions, and trouble that reaches across the frontier. The book mixes preacherly calm, sharp reasoning, and Old West danger.

Luxury and leisure hide danger when Holmes is drawn into a case centered on an elegant vessel and the people aboard it. Closed quarters make every suspect matter.

This edition tells the same grimly atmospheric Holmes case of ritualized fear and very human violence. It pairs eerie setup with a rational solution.

A missing young man leads Holmes to Birmingham, then to a wider pattern of killings tied to money and ambition. The financial angle gives the case a hard, modern feel.

An apparently clever title becomes a case about choices, missed chances, and conflicting paths through the evidence. Holmes has to decide which version of events can be trusted.

Holmes faces a case that looks comic on the surface but carries real risk underneath. Copland plays with parody, performance, and the gap between appearances and truth.

This political parody borrows Holmesian form to poke at Trump-era spectacle and scandal. It is lighter, sharper, and more openly satirical than Copland's straight pastiches.

This shorter work follows a line from one famous Holmes case into the larger history around it. It reads like a reflective Sherlockian piece with a strong sense of continuity.

Science and mathematics shape this more cerebral Holmes case, where an apparently abstract problem has deadly real-world consequences. It is one of Copland's more overtly intellectual puzzles.

A case of betrayal and wounded pride turns dangerous in this Holmes pastiche. Domestic humiliation becomes something darker once Holmes starts pulling at the threads.

A clue with Greek associations draws Holmes into a case of translation, identity, and hidden agendas. The title is playful, but the mystery underneath is serious.

Restless political actors and rising pressure give this mystery a tense public backdrop. Holmes has to decide which threats are ideological, which are personal, and which are simply cover for murder.

The day after Queen Victoria dies, a Scotland Yard inspector is found murdered in a locked room across from Holmes's home. Holmes must solve a crime that feels uncomfortably close.

Naval respectability hides scheming and dishonor in this brisk Victorian puzzle. Holmes and Watson navigate official secrets, bluff, and opportunism to uncover the truth.

A sacred relic, several unexplained deaths, and a frightened visitor to Baker Street pull Holmes into an international mystery. The book gives the classic duo a strong mix of history, religion, and danger.

Holmes steps into a case touched by spying, false stories, and people who lie as a matter of habit. The book leans into political scandal while keeping the deduction front and center.

The first volume in a shared Holmes anthology, bringing together modern writers to imagine cases and consequences outside the familiar canon. Copland appears among the contributors.

This second anthology volume continues the shared-project approach, offering more Holmes stories by a range of contemporary pastiche writers. Readers get variety, callbacks, and fresh angles on Baker Street.

The third volume extends the anthology's idea of exploring the spaces around the Canon. Multiple contributors, including Sherlockian regulars, take Holmes and Watson into new but familiar territory.

This slim side project trades murder for wordplay, offering Holmes-inspired limericks and literary jokes. It's a playful break from Copland's longer mysteries.

Three women bring Holmes a case of telegraph blackmail, a vanished archaeologist, and treasure worth killing for. It's a busy, energetic mystery with several threads meeting at once.

A woman begins killing bachelors with shocking violence, and Holmes is asked to stop her. The case has a lurid headline feel, but the motive proves more complicated than madness.

A condemned man claims he was framed for a huge art theft and a murder, and Holmes is his last hope. The race against the gallows gives this pastiche real urgency.

When an elite girls' hockey team vanishes near Dover, Holmes and Watson face a race against time. Missing children, conflicting theories, and growing urgency drive the story forward.

Set against the world of early twentieth-century ballet, this case brings Holmes into a scene of ambition, art, and jealousy. The backstage setting gives the mystery a stylish, uneasy energy.

A clergyman's tale of a banshee on the Isle of Skye draws Holmes far from Baker Street. Gothic atmosphere meets rational detection in this eerie northern mystery.

Copland returns to characters linked to an earlier Holmes adventure and imagines trouble after the wedding bells. A seemingly small theft opens into a larger and more personal case.

A missing spouse case sends Holmes into the uneasy ground between marriage, secrecy, and suspicion. The mystery turns on what husbands and wives hide from each other, and why.

After three Oxford students are accused of murder during a museum break-in, Holmes uncovers a case involving radical ideas and a priceless manuscript. Scholarship and danger make an unusual mix here.

This novel revisits the aftermath of a famous Conan Doyle case and asks what justice really looks like afterward. Holmes faces consequences that the original adventure left unsettled.

A centenary scare and the ghostly shadow of Napoleon give this book a playful, theatrical setup. Holmes must separate legend from conspiracy before old hatreds turn deadly.

A publisher is poisoned at a high-minded literary gathering, leaving Holmes to sort through vanity, intellect, and grudges. It's a clever closed-circle mystery with a bookish edge.

A cluster of killings gives Holmes a case that looks simple only from a distance. As the clues open up, he finds a darker pattern behind the cheerful surface.

After a young nobleman is found dead in London, Holmes is drawn into a case with family tensions and diplomatic overtones. Personal motives and larger political questions keep crossing paths.

Money, confidence, and betrayal drive this tightly wound Holmes mystery. Holmes has to work out who broke faith first, and who is willing to kill to keep the scheme intact.

A bleak title suits a case that turns on lost chances, moral compromise, and a dangerous search for answers. Holmes and Watson press on through a mystery shadowed by despair.

Espionage, seduction, and international maneuvering push Holmes into one of Copland's more openly political adventures. The case plays with wartime intrigue and the uses of charm as a weapon.

A case with an Italian flavor pulls Holmes toward violence that seems wild at first glance and deliberate on second look. Watson helps trace the line between madness, performance, and murder.

A young society woman's collapse opens the door to a case full of status, gossip, and danger. Holmes must decide whether he is chasing illness, poison, or a carefully staged crime.

Holmes investigates wealthy do-gooders whose private lives look much less virtuous than their public image. It's a social mystery about money, desire, and the damage hidden behind respectability.

What begins as an abduction case soon grows stranger and darker as Holmes follows the trail. The stakes are personal, urgent, and very much in the classic Baker Street tradition.

Holmes travels into a community shaped by old grudges and simmering hatred. The small setting gives this mystery a tight, claustrophobic feel as revenge begins to claim new victims.

When trouble breaks out at an elite girls' school in Oxford, Holmes must sort real danger from gossip and panic. The case mixes school politics, predatory behavior, and a steadily darkening mystery.

Holmes and Watson tackle a case built around art, symbolism, and a clue that points to four carved women. The result is a brisk Victorian puzzle with cultural intrigue in the background.

A stubborn adversary, clashing wills, and a case that refuses to behave make this another sharp Holmes pastiche. Holmes has to cut through pride, persistence, and deception to reach the truth.

A grieving father wants justice after his daughter is killed and the authorities dismiss the case too lightly. Holmes digs beneath the official story and finds revenge, grief, and murder tangled together.

Holmes investigates a case of manipulation and misplaced trust, where several people have been made fools of at a cost. The title hints at comedy, but the stakes are real.

A whispered clue leads Holmes and Watson into a murder case built on rumor, fear, and carefully buried secrets. It's a late-series pastiche with a strong sense of menace and a puzzle at its core.

A university student is found dead with his head smashed by a cricket bat, and the obvious suspect may be the wrong one. Holmes looks past jealousy and appearances to find the truth.

This case turns on false testimony, shifting stories, and the difficulty of knowing who is lying first. Holmes has to build certainty out of contradiction.

Art and irritation meet in a mystery where performance, vanity, and injury all matter. Holmes must decide whether the trouble is merely theatrical or genuinely deadly.

Holmes follows a revenge plot concealed behind costume, secrecy, and carefully timed appearances. The book leans into melodrama, then grounds it with solid deduction.

Two murdered women at the newly public Morgan Library pull Dr. Tabitha into a case of doctors, manuscripts, and old resentments. It's a bookish Manhattan mystery with a sharp historical setting.

The bizarre straw-hat riots of 1922 give this historical mystery its hook. When two supposed riot deaths do not look accidental, Dr. Tabitha starts asking dangerous questions.

The Scopes-era fight over evolution and religion becomes deadly when partisans on both sides begin to die. As a scientist and a believer, Dr. Tabitha is pulled into the argument from both directions.

The 1921 World Series becomes the backdrop for murder when victims linked to the Yankees and Giants turn up dead. Dr. Tabitha and Klassen have to move fast before the killer strikes again.

Set around the 1920 Wall Street bombing, this launches the Dr. Tabitha series with a bang. Dr. Tabitha Stancović and Sergeant Johan Klassen face terror, class tension, and murder in roaring New York.

An untold Holmes case begins with the Bishopgate Jewel affair and traces its roots back to the Sepoy rebellion. Revenge, lost jewels, and a barmaid with a past give it a sweeping feel.

A comic-sounding marital scene, complete with flying false teeth, leads Holmes into a lawyer's murder and a web of greed, infidelity, and deceit. The case turns darker the longer he studies it.

Early aviation, air mail money, and the era around Charles Lindbergh's flight drive this Jazz Age mystery. Several bodies tied to the airplane business bring Doc and Sarge into dangerous new territory.

The title signals misdirection from the start, and Holmes has to work out who is fake, who is frightened, and who is profiting. It is an untold-case style mystery with a sly wink.

A case built around apparent death, deception, and performance gives Holmes plenty to untangle. The title suggests one of Copland's more overtly medical and theatrical puzzles.

Holmes takes on a case with maritime and imperial overtones, following a slippery figure through London's shadows. It promises classic adventure with a seafaring edge.

Copland tackles one of the great Sherlockian teasers by imagining the famous untold case. Expect an exotic menace, foggy rumor, and Holmes at work where the Canon left a blank space.

This collection gathers three Holmes adventures built around cases the Canon only hints at or leaves unresolved. It is a good sampler of Copland's taste for filling in Baker Street blanks.