Brandi Reeds Books in Order
See all Brandi Reeds books in order, with quick summaries, a short bio, Sasha Dawn context, and easy guidance on where to start with her suspense novels.
Last updated: July 13, 2026
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Brandi Reeds books in publication order
4 books
Oak Avenue
by Brandi Reeds
2018
While renovating a crumbling Victorian house, Ana Clementine uncovers an ornate door buried for decades. Soon whispers fill the attic, her husband feels strangely changed, and the house begins to look less like a home than a trap.
Trespassing
by Brandi Reeds
2018
After failed fertility treatments and a disturbing new imaginary friend unsettle her home, Veronica Cavanaugh's husband disappears. As fear and family history close in, she starts to question whether danger is outside the house, or inside her own mind.
Third Party
by Brandi Reeds
2019
A law student's apparent suicide pulls firefighter Jessica Blythe and uneasy suburban mother Kirsten Holloway into the same orbit. As blackmail, betrayal, and hidden connections surface, both women realize Margaux Stritch's death is only the beginning.
The Day I Disappeared
by Brandi Reeds
2020
When Holly Gebhardt was kidnapped at four and returned with no memory, the case shattered her family. Twenty years later, a similar abduction forces Holly and her estranged mother to face the past before another girl is lost.
Where to start with Brandi Reeds
If you want her core adult thrillers: Trespassing → Third Party → The Day I Disappeared
If you want the quickest, creepiest sample: Oak Avenue
If you like missing-person stories most: The Day I Disappeared → Trespassing
If you want her YA suspense as Sasha Dawn: Oblivion → Splinter → Blink → Panic
Brandi Reeds collections, short stories, and related book types
Standalone Brandi Reeds books
Author bio
Brandi Reeds is a Chicago native who has spent her life in northern Illinois. She writes psychological suspense for adults and, under the name Sasha Dawn, thrillers for young adult readers. Her books keep circling the same hard things: missing people, damaged families, and the awful moment when a character realizes they may not be able to trust what they see.
She started early. Reeds has said she was writing creepy stories by the time she was seven, and suspense really clicked for her in high school after a teacher assigned Mary Higgins Clark's Where Are the Children? That book seems to have opened the door. She was hooked, and the pull toward dark, twisty fiction never really went away.
Fear became story fuel.
She has also spoken pretty openly about how fear shaped her imagination. Growing up during a time when kidnappings felt close and frightening, and later living through a turbulent family situation, she came away with a strong sense of survival that now runs through her fiction. Her protagonists are often scared, cornered, or doubted, but they keep moving.
Before publishing novels, Reeds studied English and history at Northern Illinois University and later earned an MA in writing from Seton Hill University. Her working life has never been just one thing. She has taught college English and composition, offered free writing workshops to local schools, and worked in kitchen design and cabinetry. That mix of classroom work, practical design, and storytelling helps explain why her books feel grounded even when the plots turn strange.
As Sasha Dawn, she built a young adult list that includes Oblivion, Splinter, Blink, and Panic. Oblivion was named one of the New York Public Library's best books for teens, and Blink went on to receive an Edgar Award nomination. Those books carry a lot of pressure and danger, but they also make room for teenage voices, messy feelings, and the stubborn instinct to survive.
Then came the adult thrillers.
Writing as Brandi Reeds, she moved into adult suspense with Trespassing, a tense story about Veronica Cavanaugh, failed fertility treatments, a vanished husband, and a mind that may or may not be telling the truth. She followed it with Third Party, which links a firefighter and a betrayed wife to a law student's suspicious death, and then The Day I Disappeared, a mother-daughter thriller built around an old child abduction and the memories it left behind. Even the shorter Oak Avenue hits familiar notes: a home that should feel safe, a family under strain, and a quiet sense that something is badly wrong.
She likes unstable situations and people trying to think clearly inside them.
A few patterns keep turning up across her work. Girls and women often sit at the center. So do disappearances, unreliable relationships, buried trauma, and family secrets that refuse to stay buried. Northern Illinois matters too, not just as scenery, but as a lived-in place of schools, side streets, jobs, and neighbors. Reeds has said she gets ideas from dreams, and she often writes in the very early morning, between two and seven, when the world is quiet. That feels right for these books.
She still lives in northern Illinois with her husband, daughters, and dogs. Off the page, she has mentioned reading, travel, dance, baking, and home improvement as some of the things she enjoys most. It is a grounded life, which may be exactly why her fiction is so good at showing how fast ordinary life can slip into fear.
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