True Hollywood Lies Books in Order
Part ofJosie Brown Books in OrderBrowse the True Hollywood Lies books by Josie Brown in order, with quick summaries, series background, and where to start with her Hollywood satire.
Last updated: June 10, 2026
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Publication Order
2 books
Hollywood Hunk
by Josie Brown
2005
After her actor father's death leaves her broke and angry, Hannah takes a job as assistant to movie star Louis Trollope. He is vain, irresistible, and exactly the sort of Hollywood problem she should know better than to love.
Hollywood Whore
by Josie Brown
2015
A film director's obsession with a phone-sex operator threatens both his movie and his marriage. When a talent agent tries to buy the woman off and falls for her instead, Hollywood becomes a tangle of lust, lies, and damage control.
Series background & context
The True Hollywood Lies books are Brown's backstage pass to the movie business, and she uses it well. These stories care less about red carpet fantasy than about the people who keep the machinery of fame running, assistants, agents, spouses, directors, and the exhausted bystanders who spend their days managing somebody else's ego.
That angle makes the series fun right away.
In Hollywood Hunk, Brown drops readers beside Hannah, a woman who knows the industry better than she wants to because she grew up around it. Grief, money trouble, and a terrible job option push her into working for a star who is handsome, needy, and exactly as dangerous as a famous man with no boundaries should be. In Hollywood Whore, the lens shifts to another corner of the industry, where a director's obsession and a talent agent's bad idea spiral into a mess of desire, secrecy, and reputation management.
The common thread is not a single case or detective. It is Hollywood itself, and the way it turns insecurity into performance. Brown writes about actors, publicists, and dealmakers as people who are always half acting, even in private. Everyone is selling something, a movie, an image, a comeback, a romance, or a lie that sounds close enough to the truth to survive another day.
Los Angeles matters here as much as Hilldale matters in the Housewife books. Sets, trailers, parties, hotel rooms, phones that never stop buzzing, and the dread of public embarrassment all shape the rhythm of the series. This is a glossy world, but not a dreamy one. Brown likes the comedy of public glamour crashing into private panic.
The tone is satirical, romantic, and a little mean in the most useful way. These novels are quick with gossip, vanity, and sharp dialogue, but they do not flatten everyone into monsters. Even the ridiculous people are usually lonely, scared, or scrambling to stay relevant, which gives the stories more heart than the titles first suggest.
If you like stories about what fame does to love, trust, work, and self-respect, this series is a good fit. Expect movie-business chaos, messy attraction, and people making terrible choices under bright lights. The books are lighter on action than Brown's spy fiction, but they scratch a similar itch, fast plots, high emotion, and a sharp eye for how people behave when everyone is watching.
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