The Castleton String Quartet Books in Order
Part ofMaddie Evans Books in OrderSee The Castleton String Quartet books by Maddie Evans in order, with quick summaries, series background, reading help, and where to start.
Last updated: July 1, 2026
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The Castleton String Quartet books in publication order
4 books
Faking the Harmony
by Maddie Evans
2020
Rose agrees to bring jazz pianist Declan as her fake date to her ex's wedding, only to discover old humiliation still stings and old chemistry still burns. Pretending is easy at first. Telling the truth is the risky part.
Heart of the Violist
by Maddie Evans
2020
Violist Ashlyn has finally built a stable life with the Castletons when Michael arrives with DNA results that suggest he may be part of the family. Their growing connection deepens a mystery about identity, trust, and where home really is.
Soul of the Cellist
by Maddie Evans
2021
When cellist Hannah discovers her controlling stepfather has been tracking her, her life falls apart in days. With her younger brother depending on her, she turns to old friends and to Enrique, the longtime crush who may finally be worth trusting.
Spirit of the Violinists
by Maddie Evans
2021
First violinist Lindsey is trying to keep her quartet together when disaster and conflict inside the group threaten everything they have built. The music matters, but so do the relationships fraying behind the scenes.
The Castleton String Quartet books in chronological order

Faking the Harmony
by Maddie Evans
2020The Castleton String Quartet, Book 1
Heart of the Violist
by Maddie Evans
2020The Castleton String Quartet, Book 2
Soul of the Cellist
by Maddie Evans
2021The Castleton String Quartet, Book 3
Spirit of the Violinists
by Maddie Evans
2021The Castleton String Quartet, Book 4
Series background & context
This series moves from running trails and seaside streets into rehearsal rooms, concert spaces, and the tightly wound world of chamber music. At its center is the Castleton String Quartet, along with the family and found family gathered around it. These books are still sweet contemporary romances, but they carry a little more emotional weight, because the characters are dealing not just with attraction, but with trust, identity, and the families that shaped them.
Music is not background decoration here.
The quartet matters because it gives the series both its structure and its tension. Rehearsing together means listening closely, holding back when needed, stepping forward when it counts, and learning how one person's instability can throw the whole group off balance. That makes it a natural setting for romance. Evans writes the work of being a musician as real work, with schedules, personalities, loyalties, and pressure all folded in.
Heart of the Violist opens the series with Ashlyn, a violist who was taken in by the Castletons and made part of the family in every way that counts. When Michael appears with DNA evidence that suggests he may be Lindsey Castleton's brother, the story becomes part romance, part family mystery. Soul of the Cellist shifts to Hannah, whose carefully managed life blows apart when her controlling stepfather's surveillance and manipulation come to light. Her bond with Enrique grows in the middle of fear, shame, and the need to protect her younger brother. Spirit of the Violinists turns to Lindsey, the first violinist, as she tries to hold the quartet together when crisis hits and conflict inside the group gets harder to ignore.
These books care deeply about belonging.
That is what links them most clearly. Some characters were abandoned. Some are searching for biological family. Some are learning that the people who should have protected them did not. Again and again, the series asks what makes a family real. Blood? Loyalty? Shared history? Choice? The answer is usually some messy combination of all four.
Even with those heavier themes, the tone stays inviting. The romances are gentle, the dialogue is clear, and the emotional payoffs come from honesty rather than melodrama. If you like stories about artists who are also ordinary people, and romances that sit inside a larger web of family ties and long-standing community relationships, this series has a lot to offer. It is best read in order, because each book adds more context to the quartet, the Hartwell music community, and the people orbiting both.
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