Tananarive Due Books in Order
Browse Steven Barnes books written with Tananarive Due in order, with quick summaries, collaboration background, and help choosing where to start.
Last updated: July 5, 2026
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Publication Order
26 books
The Between
by Tananarive Due
1995
Hilton James tries to protect his family as racist threats close in and his nightmares grow more violent and strange. The harder he fights to hold on to reality, the more he fears something supernatural wants his borrowed life back.
My Soul to Keep
by Tananarive Due
1997
Jessica has the husband, daughter, and life she wanted, until a string of violent deaths exposes David's impossible secret. His love is real, but so is the immortal world closing in around their family.
The Black Rose
by Tananarive Due
2000
This historical novel follows Madam C. J. Walker from poverty in the post-Civil War South to wealth, leadership, and fame. Due turns Walker's rise into a vivid story about ambition, race, marriage, and the cost of building something new.
The Living Blood
by Tananarive Due
2001
Jessica Jacobs-Wolde learns that the gift passed to her daughter Fana is older and more dangerous than she imagined. As Fana's powers grow, family grief turns into a supernatural struggle over who will control a child who may change the world.
Freedom in the Family
by Tananarive Due
2003
In alternating voices, Tananarive Due and her mother Patricia Stephens Due tell the story of their family and the civil rights movement that shaped them. It is memoir, movement history, and a close look at how activism lives inside ordinary homes.
The Good House
by Tananarive Due
2003
After the death of her son, Angela Toussaint returns to her grandmother's home in Sacajawea, Washington, determined to learn what really happened there. Her search opens old family secrets and a battle with the evil her grandmother once held back.
Joplin's Ghost
by Tananarive Due
2005
R&B singer Phoenix Smalls is on the edge of stardom when a visit to St. Louis awakens a strange bond with the spirit of Scott Joplin. Fame, desire, and possession start to blur until she has to fight for her own voice.
Casanegra
by Tananarive Due
2007
Actor and ex-gigolo Tennyson Hardwick is barely holding on in Hollywood when his father's stroke and a rapper's murder shove him into the role of suspect and sleuth. Solving the case may be his only path to redemption.
Blood Colony
by Tananarive Due
2008
Teenager Fana Wolde runs from the protected world of her immortal family and into a dangerous underground built around Glow, a healing drug made from immortal blood. Her rebellion sparks a hunt that turns ancient prophecy and modern disease into the same war.
In the Night of the Heat
by Tananarive Due
2008
Tennyson Hardwick tries to stay focused on his acting career until a football star who feared for his life turns up dead. The case pulls Ten back into danger, and his own past starts closing in around him.
The Ancestors
by Tananarive Due
2008
This anthology gathers three horror novellas about ghosts, buried history, and the way the dead keep pressing on the living. Due's contribution, Ghost Summer, sits alongside two other stories shaped by ancestry, reckoning, and fear.
From Cape Town with Love
by Tananarive Due
2010
In Cape Town, Tennyson Hardwick takes a bodyguard job that seems glamorous enough, until a child becomes the center of a much darker mystery. The chase forces him to choose between love, loyalty, and survival.
My Soul to Take
by Tananarive Due
2011
Fana Wolde, born with extraordinary powers, is pulled between love, prophecy, and a violent struggle over the healing force in her blood. As old enemies close in, saving the world may cost her any chance at an ordinary life.
The Lake
by Tananarive Due
2011
Abbie LeFleur comes to Graceville hoping for a clean start, but the lake near her new life has its own pull. What begins as quiet unease turns into a compact horror story about vulnerability, desire, and a threat hiding in plain sight.
Devil's Wake
by Tananarive Due
2012
A strange infection tears civilization apart, and a small band of survivors has to cross a ruined Northwest in a battered school bus. Kendra, Terry, and the others face freaks, raiders, winter, and the harder problem of learning who they can trust.
South by Southeast
by Tananarive Due
2012
While filming in South Beach, Tennyson Hardwick is drawn into a murder case tied to missing women and a relentless killer. Soon the threat turns personal, and he faces an impossible choice involving the people he loves most.
Domino Falls
by Tananarive Due
2013
The survivors from *Devil's Wake* reach a fortified refuge that looks like salvation from the outside. Inside, they find hierarchy, secrets, and proof that human communities can become as frightening as the freaks outside the walls.
Ghost Summer
by Tananarive Due
2015
Due's first story collection ranges from ghost tales and family horror to speculative fiction and near-future dread. Again and again, ordinary people meet the uncanny, and the emotional aftershocks matter as much as the scares.
Incident at Bear Creek Lodge
by Tananarive Due
2022
A young boy visiting his once-famous grandmother at Bear Creek Lodge starts uncovering the pain and bad bargains buried in her past. What begins as an awkward family trip turns into a sharp piece of generational horror.
The Keeper
by Tananarive Due
2022
After losing her parents, young Aisha is sent to Detroit to live with her failing grandmother, who summons a dark spirit to protect her. The protector means well at first, but it can only survive by taking life from others.
The Reformatory
by Tananarive Due
2023
In Jim Crow Florida, twelve-year-old Robbie Stephens Jr. is sent to a brutal boys' reformatory after defending his sister. His gift for seeing ghosts reveals horrors the living would rather keep buried, while his sister fights to bring him home.
The Wishing Pool and Other Stories
by Tananarive Due
2023
This collection moves from haunted small towns to pandemic aftermaths and uneasy futures, mixing horror, science fiction, and suspense. Due keeps the scares sharp, but the stories stay rooted in grief, hope, family, and survival.
Black Panther: Sins of the King
by Tananarive Due
2024
T'Challa tries to lead Wakanda into a more open future when the dead begin returning and the past comes back with them. As old secrets surface, he has to defend both his throne and his father's legacy.
My Long Road to Horror
by Tananarive Due
2025
Jones digs into the pull of horror itself, asking why fear stories matter and why readers keep returning to them. It reads like criticism and personal reflection at the same time.
Battle of the Round House
by Tananarive Due
2026
In 1871, ten-year-old Lucy Freeman reaches a hidden frontier settlement founded by Black women and children after fleeing danger in Kentucky. When bounty hunters close in, her secret gift may be the only thing standing between the community and disaster.
Mazywood
by Tananarive Due
2026
Filmmaker Johnny Washington returns to his grandmother's mountain lodge and walks straight into the family rage and buried magic she left behind. Across generations, a dark wish and an old monster turn a homecoming into something far more dangerous.
Where should I start?
If you want a standalone haunted-house novel: The Good House
If you want her earliest psychological horror: The Between
If you want the big supernatural family saga: My Soul to Keep → The Living Blood → Blood Colony → My Soul to Take
If you want historical horror rooted in family history: The Reformatory
If you want her collaborations first: Devil's Wake → Domino Falls or Casanegra → In the Night of the Heat
Author bio
Tananarive Due was born in Tallahassee, Florida, in 1966 and grew up in Miami in a family where civil rights work was not some distant idea, it was everyday life. Her father, John Dorsey Due Jr., was a lawyer. Her mother, Patricia Stephens Due, was a civil rights activist. That mix of public history and private family life runs through her work from the very beginning.
She wanted to write early. As a child she made her own little books, and after watching Roots in sixth grade she wrote a family history of her own. She later studied journalism at Northwestern, then earned a master's degree in English literature at the University of Leeds, where she focused on Nigerian literature.
She got to fiction by way of newspapers.
Back in Miami, Due worked at the Miami Herald as a feature writer and columnist while writing stories before work and after work. A turning point came in the early 1990s. Hurricane Andrew left South Florida looking nightmarish, and an interview assignment with Anne Rice helped Due see that supernatural fiction could hold big ideas about grief, race, faith, love, and death without shrinking them.
Her 1995 debut, The Between, already showed what she does so well: ordinary family life under extraordinary pressure, psychological dread that keeps slipping toward the supernatural, and settings that feel lived in rather than staged. Then My Soul to Keep opened the African Immortals saga and brought her a wider audience with its mix of marriage, secrecy, ancient power, and moral terror. Its follow-up, The Living Blood, went on to win an American Book Award.
She likes to put real human pain inside scary stories.
That is a big reason readers stay with books like The Good House, Joplin's Ghost, and The Reformatory. The Good House takes grief, family history, and a beloved home in Washington State and turns them into a haunting story about buried evil. Joplin's Ghost ties music, fame, desire, and possession together through a young singer haunted by Scott Joplin. The Reformatory, inspired by a relative killed at the Dozier School for Boys, returns to Jim Crow Florida and shows how institutional cruelty can be every bit as frightening as any ghost.
She has never stayed in one lane. Due wrote The Black Rose, a historical novel about Madam C. J. Walker, and with her mother she co-wrote Freedom in the Family, a memoir about the civil rights movement and the people who lived it day by day. Her short fiction, especially in Ghost Summer and The Wishing Pool and Other Stories, moves easily between horror, science fiction, grief stories, and near-future unease, but always keeps its feet on emotional ground.
That range matters.
These days Due teaches Black Horror and Afrofuturism at UCLA, and she was an executive producer of the documentary Horror Noire: A History of Black Horror. She also writes screen work with her husband, Steven Barnes. Across novels, stories, memoir, and film, her work keeps returning to the same questions: what families protect, what they hide, what history does to the living, and what it costs to survive without losing your soul.
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