Passover Books in Order
Part ofAndrew M Greeley Books in OrderSee the Passover books in order by Andrew M Greeley, with quick summaries, series background, and simple advice on where to start.
Last updated: June 29, 2026
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Passover books in publication order
3 books
Thy Brother's Wife
by Andrew M Greeley
1982
Two brothers, one a priest and one a senator, are shaped by a father with enormous plans for them. Their shared love for the same woman makes those plans explosive.
Ascent Into Hell
by Andrew M Greeley
1983
The Passover saga grows darker as family ambition, sexual betrayal, and public power drag its characters toward consequences they can no longer dodge.
Lord of the Dance
by Andrew M Greeley
1984
Teenager Noele Farrell sees more than the adults around her, and her strange gifts pull her deep into the buried secrets of her Irish-American family.
Passover books in chronological order
Series background & context
The Passover books are a family saga first and a thriller only in patches. Greeley uses the trilogy to follow powerful Irish-American Catholics whose private passions keep leaking into public life. Priests, politicians, wealthy families, and wounded marriages all crowd the stage, so the books feel big, emotional, and very Chicago even when the action reaches beyond the city.
The series opens with brothers Paul and Scan Cronin, one headed toward the priesthood, the other toward political power, and both bound to the same woman. That setup tells you a lot about what Greeley is after. He likes ambition, desire, jealousy, and religious vocation pressing against each other until nobody can pretend life is neat or holy in a simple way.
Then the family story widens.
Later books bring in younger voices and stranger notes, especially in Lord of the Dance, where the gifted teenager Noele Farrell sees more than the adults around her. Greeley uses her perspective to make the trilogy feel part domestic drama, part spiritual fever dream. The people in these books are tied to old promises, old sins, and the half-spoken rules of Irish-American Catholic families.
That means the real tension is not only about who ends up with whom. It is also about what power does to love, what religion does to family loyalty, and how badly adults can wound one another while still insisting they are serving God, the church, or the common good. Politics and sex are never far apart here, and neither is guilt.
If you come to Passover expecting a straightforward mystery, it is not that. It is a dramatic, messy, often intimate trilogy about families who believe in destiny and still manage to make a wreck of their choices. That blend of Catholic imagination, emotional excess, and Chicago family politics is exactly the point.
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