Opposite Attract Books in Order
Part ofNancy Martin Books in OrderFind the Opposite Attract books by Nancy Martin in order, with short summaries, series background, and guidance on the best reading order.
Last updated: June 9, 2026
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Publication Order
3 books
The Cop and the Chorus Girl
by Nancy Martin
1995
A nice-guy New York cop is blindsided when a runaway bride in a wedding dress hijacks his motorcycle. The chase that follows turns into a romance neither of them expected to trust.
The Pauper and the Pregnant Princess
by Nancy Martin
1996
Princess Cordelia thinks a shocking match is the perfect way to escape royal duty. Then she meets Crash Craddock, broke, common, and entirely too hard to dismiss, and her carefully reckless plan turns personal.
Cowboy and the Calendar Girl
by Nancy Martin
1998
Calendar publisher Carly Cortazzo goes to South Dakota to meet the rugged cowboy she has been dreaming about. Hank Fowler looks perfect, but the truth about him could wreck the fantasy before it becomes something real.
Series background & context
The Opposite Attract books are category romances built around a simple promise, throw together two people who should not make sense on paper and see what happens when attraction refuses to stay neat. Each book centers on a different couple, so there is no running mystery or long shared cast to keep track of. What ties the series together is Martin's pleasure in contrast, class against class, polish against chaos, fantasy against real life.
In The Pauper and the Pregnant Princess, the mismatch is obvious from the title. Princess Cordelia is trapped by royal duty and looking for a way out, while Crash Craddock is about as far from a proper court-approved match as possible. The book leans into the fun of that setup, but it also asks what happens when a woman raised for ceremony has to think about ordinary life, real responsibility, and love that is not managed for appearances.
The Cop and the Chorus Girl shifts the action to New York and gives the premise more motion. A decent cop and a runaway bride with stage sparkle are not starting from a calm, sensible place, and Martin uses that energy well. There is a chase built into the romance, not just literal movement, but the sense that both people are trying to outrun roles that no longer fit.
Martin likes pairs who should not work on paper.
By the time you get to The Cowboy and the Calendar Girl, the series has settled into what it does best. A woman falls for the image first, then has to deal with the actual man behind it. That tension, between the fantasy somebody sells and the truth that shows up in boots and dust, is a very Martin kind of problem. She is interested in how quickly desire can get ahead of judgment, and in whether trust can catch up.
These books move fast, as category romance usually does, but they are not empty. Martin is already playing with themes she would keep using later, women under pressure, public roles that do not match private needs, and men who are more complicated than their type suggests. The settings change from palace trouble to city chaos to western country, yet the emotional structure stays familiar and satisfying.
If you want a series with ongoing plot threads, this is not that. If you want brisk, high-contrast romances where the hook is built right into the pairing, Opposite Attract does exactly what the name promises. The books stand alone nicely, and you can start with whichever setup sounds most like your kind of trouble.
Edited by
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