No.13 Books in Order
Part ofGyles Brandreth Books in OrderSee the No.13 books by Gyles Brandreth in order, with spooky-fun summaries, series background, and a quick guide to the best starting point.
Last updated: June 7, 2026
As an Amazon Associate, we earn from qualifying purchases (at no extra cost to you).
Publication Order
6 books
The Ghost at No.13
by Gyles Brandreth
1985
Hamlet discovers that the ghost in his house is not frightening at all, but a useful and rather friendly companion. A comic spooky story about fear, friendship, and a school project that suddenly gets much easier.
The Hiccups at No.13
by Gyles Brandreth
1987
A bout of hiccups throws the Brown household into uproar as accidents pile up and tempers rise. This is one of the most everyday entries in the series, made funny by taking a small problem far too seriously.
Mermaid at No. 13
by Gyles Brandreth
1989
Hamlet Brown's latest problem is not his enormous name but the mermaid sitting in his bath. Brandreth turns that excellent premise into another light supernatural comedy set in the strangest house on the street.
Hullabaloo at No 13
by Gyles Brandreth
1992
Hamlet Brown gets tangled up in a pantomime, and the result is exactly the kind of noise the title promises. This one leans into stage chaos, family muddle, and the comic mayhem of life at No. 13.
The Monsters At No.13
by Gyles Brandreth
1996
A huge one-eyed monster appears at the Browns' front door just as family life is already in chaos. Hamlet must deal with monsters, a cemetery protest, and one very determined mother in this gleefully odd adventure.
The Witch At No. 13
by Gyles Brandreth
1996
Hamlet Brown faces another strange visitor at No. 13, this time a witch. The book keeps the series' mix of comic scares, household muddle, and the sense that home can become magical without warning.
Series background & context
The No.13 books are where Brandreth lets ordinary family life collide with the supernatural in the silliest possible way. The hero is Hamlet Orlando Julius Caesar Brown, which is already a lot for one child to carry around before the ghosts, witches, mermaids, and monsters start appearing. His home address, No. 13, tells you the rest.
This is a series built on the idea that one house can become a magnet for the impossible. In The Ghost at No.13, Hamlet finds that the frightening thing in his room is not frightening at all, but unexpectedly helpful. In The Hiccups at No.13, a very human problem, unstoppable hiccups, causes escalating domestic chaos. In Mermaid at No.13, the absurd arrives in the bathroom. Later books widen the joke with a pantomime mix-up in Hullabaloo at No.13, a witch at the door, and a one-eyed monster causing mayhem in The Monsters at No.13.
What makes the series work is that the setting never stops feeling like a family home. The parents, the sister, the front door, the kitchen, schoolwork, neighbours, all of it stays solidly ordinary even when the plots turn wild. That gives the books a grounding point. Hamlet is not stepping through a portal into a fantasy kingdom. He is dealing with bizarre interruptions to normal life, which is much funnier.
The tone is spooky, but only lightly spooky. These are comic shivers, not horror stories. A ghost may turn up, but it can also become a friend. A monster may appear, but the bigger problem might still be what your family is doing or how you are going to explain the mess. Even when there is a stronger plot, as in The Monsters at No.13, where a cemetery dispute and a monster collide, the series keeps its sense of play.
Hamlet himself is an appealing centre because he is neither fearless nor hopeless. He is curious, exasperated, sometimes overwhelmed, and often stuck trying to make sense of events that adults would not believe even if he explained them well. His long name becomes part of the comedy, but it also fits the books' general mood. Everything here is a bit more than it needs to be, and that is the point.
At heart, these are stories about what happens when home turns magical.
So expect short middle-grade adventures with strong premises, friendly chills, and a lot of household nonsense. They are especially good for readers who like the idea of supernatural visitors but do not want anything too dark or heavy.
Edited by
Software engineer whose passion for tracking book recommendations from podcasts inspired the creation of MRB.
Lead investor at 3one4 Capital whose startup expertise and love for books helped shaped MRB and its growth.




















Comments
Did we miss something? Have feedback?
Help us improve this page by sharing your thoughts