New Think Books in Order

Most readers know Gregg Hurwitz for his cinematic action scenes and the relentless pace of the Orphan X novels. But with New Think, he steps away from the blockbuster thriller formula to flex a completely different creative muscle. This is a graphic novel anthology that leans heavily into psychological tension and social satire, trading physical combat for existential dread.

It is often compared to television phenomena like Black Mirror or the classic The Twilight Zone, and the comparison is entirely earned.

The premise is straightforward but unsettling. Instead of building a single continuity with recurring heroes, the series functions as a collection of standalone short stories. Each issue serves as a discrete vignette, exploring a specific aspect of modern dystopia. Because the stories are self-contained, Hurwitz collaborates with a rotating roster of different artists for each entry. This approach keeps the visuals unpredictable and fresh. One story might look hyper-realistic and gritty to match a noir tone, while the next leans into surreal, dreamlike imagery to emphasize a sense of confusion.

The connecting thread here isn't a character, but a feeling.

New Think focuses squarely on the friction of living in the twenty-first century. It takes the anxieties we all feel when we scroll through our news feeds and amplifies them to their breaking point. The stories explore how technology and media have fundamentally rewired human interaction. You will find plots that tackle the dangers of extreme tribalism, where political or social loyalty matters more than basic humanity. Other tales look at the manipulative power of screens, questioning whether we are controlling our devices or if they are slowly programming us to hate our neighbors.

It can be a difficult read, mostly because it refuses to offer easy escapism.

While the settings are technically science fiction or fantasy, they rarely feel far off. A world where popularity determines legal outcomes, or where objective truth has been completely eroded by spin and opinion, doesn't seem like a distant future anymore. It feels like next Tuesday. The series uses these exaggerated setups to hold a mirror up to contemporary America, forcing us to look at the ugly cracks in our culture without the comfort of looking away.

Ultimately, this is a cerebral project. It doesn't rely on jump scares or villains in masks. The horror comes from the realization that the satire is barely an exaggeration. For fans of Hurwitz who appreciate his intelligence and academic background, this series offers a darker, more philosophical look at the human condition. It asks you to stop, look up from your phone, and actually think about what you are seeing.