Monica Wood Books in Order
This Monica Wood book list shows her novels, memoir, and writing guides in order, with short summaries, publication notes, and where-to-start tips.
Last updated: June 7, 2026
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Publication Order
12 books
Secret Language
by Monica Wood
1993
Faith and Connie Spaulding grew up as the daughters of self-absorbed actors, then drifted into very different adult lives. When the past intrudes, the sisters must test what family still means between them.
Description
by Monica Wood
1995
Wood’s craft guide shows fiction writers how description can reveal character, deepen point of view, and move a story forward. Friendly lessons and practical examples keep the focus on useful detail, not decoration.
12 Multicultural Novels
by Monica Wood
1997
This teaching guide helps English teachers bring twelve diverse novels into the classroom, with chapter synopses, notes, discussion questions, quizzes, and answer keys. It is practical, curriculum-minded support for reading across cultures.
My Only Story
by Monica Wood
2000
Rita Rosario, a hairdresser and tarot reader, follows a strange dream into John Reed’s painful family story. Her effort to reunite him with his orphaned niece soon entangles her own hopes, debts, and loyalties.
Ernie's Ark
by Monica Wood
2002
In Abbott Falls, Maine, a paper-mill strike leaves families scared, angry, and trying to hold together. Pipefitter Ernie Whitten builds an ark for his dying wife, and the gesture ripples through linked town stories.
The Pocket Muse
by Monica Wood
2002
This compact writing companion offers prompts, exercises, short lessons, photographs, and practical nudges for writers who feel stuck. It is built for dipping in whenever a blank page needs a spark.
Any Bitter Thing
by Monica Wood
2005
After a hit-and-run accident, guidance counselor Lizzy Mitchell hears what may be the voice of the priest uncle who raised her. The moment reopens a childhood separation, an old accusation, and a search for truth.
The Pocket Muse 2
by Monica Wood
2006
The second Pocket Muse volume adds more prompts, images, advice, and small assignments for keeping a writing life moving. It is meant as a quick source of encouragement when ideas run thin.
When We Were the Kennedys
by Monica Wood
2012
Wood’s memoir returns to Mexico, Maine, in 1963, when her father’s sudden death shook her close Catholic family. The national grief after President Kennedy’s assassination gives her childhood loss a wider, tender frame.
A Woman in a Million
by Monica Wood
2016
This short prequel introduces Miss Ona Vitkus at one hundred, dodging fuss, practicing for her driving test, and charming people on her own terms. It gives readers an early glimpse of the spirit behind The One-in-a-Million Boy.
The One-in-a-Million Boy
by Monica Wood
2016
An 11-year-old Boy Scout befriends Ona Vitkus, a 104-year-old Lithuanian immigrant with records to chase and secrets to tell. When his father arrives in the boy’s place, grief becomes the start of an unlikely bond.
How to Read a Book
by Monica Wood
2024
Fresh from prison, Violet Powell enters a Portland bookstore and crosses paths with Harriet, her former prison book-club leader, and Frank, the widower connected to her crime. Their uneasy bond becomes a story of guilt, mercy, and books.
Where should I start?
If you want her newest book-club fiction: How to Read a Book → The One-in-a-Million Boy
If you prefer Maine family and community stories: Ernie’s Ark → Any Bitter Thing → My Only Story
If you want the memoir first: When We Were the Kennedys
If you’re a writer looking for craft help: Description → The Pocket Muse → The Pocket Muse 2
Author bio
Monica Wood was born on August 16, 1953, in Mexico, Maine, a paper-mill town in western Maine. She grew up in a large Irish-Catholic family of storytellers, with the mill always nearby and family life shaped by work, faith, music, and talk.
She found words early. At four, she was already writing letters to an older sister away at college, and reading became one of the steady pleasures of her childhood.
Writing took a while to become the job. Before her first novel appeared when she was 40, Wood worked as a nurse aide, an insurance clerk, a club singer, and a high school guidance counselor. She began her writing life with short stories, and that attention to the small turns of ordinary lives still shows in her fiction.
Her first novel, Secret Language, follows two sisters trying to understand the damage and comfort of their shared past. My Only Story brings together a hairdresser, a lonely stranger, and a family secret, while Any Bitter Thing looks at faith, accusation, and the deep pull of childhood memory.
Then came Abbott Falls.
In Ernie’s Ark, Wood created a fictional Maine paper-mill town under pressure from a strike, and the place feels close to the world she knew growing up. Her memoir, When We Were the Kennedys, returned directly to Mexico, Maine, and to 1963, the year her father died suddenly and President Kennedy was assassinated. The book is personal, but it also remembers a town where mill work, Catholic school, neighbors, and family stories were tightly braided together.
Her later novels widened her readership without leaving those core concerns behind. The One-in-a-Million Boy builds a friendship between an 11-year-old Boy Scout, his troubled father, and Ona Vitkus, a 104-year-old Lithuanian immigrant. How to Read a Book follows three people connected by a prison book club, a fatal accident, and an awkward chance meeting in a Portland bookstore. Readers tend to respond to Wood’s care for flawed people who keep reaching for connection even when they don’t know how.
She writes about family, but not only the family we’re born into. Again and again, her books gather people from broken or spare parts: sisters, widowers, former prisoners, mill workers, old friends, priests, children, and strangers who become necessary to one another.
Wood has also written books for writers, including Description, The Pocket Muse, and The Pocket Muse 2, and her plays have been staged at Portland Stage. She lives in Portland, Maine, with her husband, Dan Abbott. When she isn’t writing or meeting readers, she is often birdwatching, which feels just about right for someone who pays such close attention.
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