Logan & Brogan Crime Novels Books in Order

The Logan & Brogan Crime Novels sit on the tougher, more practical end of Gil Jackman's fiction. The series begins with LOGAN, and even from that starting point the tone is pretty clear. These are crime books built less around neat clues and drawing-room puzzles, and more around pressure, experience, and the feeling that bad situations can turn violent very quickly.

At the center are Logan and Brogan. Brogan is a name Jackman readers may already know from La Vie de Paris and Cruise, where he appears not as a classic detective but as a working journalist, observer, and man who keeps finding himself close to danger. In the crime series, the pairing with Logan suggests a more direct two-man setup. That matters, because Jackman's interest is usually in capable adults dealing with real problems, not gifted amateurs stumbling into a case by accident.

These books feel lived in.

Jackman's own background helps explain why. He served in the military, worked in policing, and later spent years in cruise ship security, and his fiction often carries that sense of hard-earned detail. When he writes about risk, professional habits, or the need to read a room fast, it tends to feel grounded. The Logan and Brogan books fit that same mold. Expect criminal trouble that has weight, decisions made under pressure, and characters who understand that the wrong call can cost more than pride.

The setting style matters too. Jackman's work is not tied to one cozy village or one small police station. His stories often move through ports, cities, travel routes, ships, and places where people are working rather than sightseeing. Earlier Brogan books show how flexible that can be. In La Vie de Paris, he is sent to track down a vanished journalist and ends up recording a whole lost world of memory. In Cruise, he is caught up in modern piracy and forced into an uneasy alliance with Riordan, a man he once knew as an enemy. That wider background gives the Logan and Brogan strand a slightly broader horizon than a standard local mystery.

The tone is direct, grown-up, and unflashy. Jackman tends to prefer competence over gimmicks. His characters are often older, tested, and carrying some private history with them. The tension comes from what they know, what they have survived, and what they still might lose.

If you are coming to this series fresh, start with LOGAN. If you end up wanting more of Brogan, it makes sense to circle back to La Vie de Paris and Cruise next. Together they give a good sense of the kind of man Jackman likes to write about, alert, weathered, curious, and never fully insulated from trouble. That is the real promise of these books.