John Bellairs Books in Order
Explore John Bellairs books in order, with quick summaries, series guides, and easy starting points for Lewis Barnavelt, Johnny Dixon, and more.
Last updated: June 9, 2026
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Publication Order
27 books
St. Fidgeta And Other Parodies
by John Bellairs
1966
Bellairs's debut is a comic collection of mock saints' lives, church satire, and deadpan religious parody. The title piece invents the wonderfully absurd St. Fidgeta, patron saint of restless children, and sets the tone for the rest.
The Pedant and the Shuffly
by John Bellairs
1968
In this odd little fable, the pompous wizard Snodrog tries to master the world through rules, logic, and traps. Then the cheerful, chaotic Shuffly arrives and ruins every tidy plan he makes.
The Face in the Frost
by John Bellairs
1969
When dark magic starts closing in, the wizards Prospero and Roger Bacon set out to find the enemy behind it. What begins like a quest fantasy turns steadily stranger and more frightening as the danger gets personal.
The House with a Clock in Its Walls
by John Bellairs
1973
Orphaned Lewis Barnavelt moves to Uncle Jonathan's house in New Zebedee and learns the adults around him practice magic. Then he discovers the house hides a deadly clock built by evil sorcerers, and stopping it becomes a race against time.
The Figure in the Shadows
by John Bellairs
1975
Lewis Barnavelt and Rose Rita stumble into a family mystery filled with old secrets and a lurking presence that seems to move just beyond the light. New Zebedee starts feeling far less safe once the shadows begin to follow them home.
The Letter, the Witch and the Ring
by John Bellairs
1976
Rose Rita's dull summer changes fast when she joins Mrs. Zimmermann on a trip tied to a dead relative, a deserted farm, and a missing ring with real power. The deeper they dig, the darker the magic gets.
The Treasure of Alpheus Winterborn
by John Bellairs
1978
Anthony Monday takes a job at the library to help his family and soon finds clues to a hidden fortune left by eccentric millionaire Alpheus Winterborn. A greedy rival is hunting the treasure too, and the search turns dangerous fast.
The Curse of the Blue Figurine
by John Bellairs
1983
Johnny Dixon does not believe the ghost stories about Father Baart until a scroll, a blue figurine, and a mysterious ring drag him into real danger. What starts in a church basement becomes a full-blown supernatural chase.
The Mummy, the Will, and the Crypt
by John Bellairs
1983
Johnny Dixon and Professor Childermass search for the hidden will of an eccentric cereal tycoon. The trail leads to a deserted mansion, buried grudges, and something undead that does not want them leaving with answers.
The Dark Secret of Weatherend
by John Bellairs
1984
After Anthony Monday and Miss Eells explore the crumbling Weatherend estate, violent magical storms begin tearing across the region. To stop them, they have to uncover what the Borkman family left behind.
The Spell of the Sorcerer's Skull
by John Bellairs
1984
An old clock, a vanished professor, and a tiny skull with terrible power send Johnny Dixon into one of his darkest cases. The search pulls him toward an isolated island and an enemy with deep roots in the past.
The Revenge of the Wizard's Ghost
by John Bellairs
1985
Johnny Dixon, Fergie, and Professor Childermass are drawn into a dangerous case involving an old magician, buried secrets, and a ghost that refuses to stay buried. The clues come fast, but so does the danger.
The Eyes of the Killer Robot
by John Bellairs
1986
A scientist named Evaristus Sloane has built a baseball-playing robot, but the machine needs human eyes to work. When Johnny becomes the target, the case turns from weird to horrifying in a hurry.
The Lamp from the Warlock's Tomb
by John Bellairs
1988
A strange antique lamp brings apparitions, a dead watchman, and a trail of occult trouble into Anthony Monday's life. To make things right, Anthony and Miss Eells must learn why the lamp was never meant to be lit.
The Chessmen of Doom
by John Bellairs
1989
A strange will sends Johnny, Fergie, and Professor Childermass to a bleak estate for the summer. Waiting there is a madman, a sinister game, and a plan that could put far more than their own lives at risk.
The Trolley to Yesterday
by John Bellairs
1989
Johnny Dixon and Professor Childermass discover a trolley that does not stay in the present. Their ride sends them back to Constantinople in 1453, where history itself becomes part of the danger.
The Secret of the Underground Room
by John Bellairs
1990
When Father Higgins claims a ghost is trying to contact him, Johnny Dixon and Professor Childermass expect a puzzle. Instead they find possession, an ancient enemy, and a fight that reaches all the way to England.
The Mansion in the Mist
by John Bellairs
1992
A summer trip to a lonely Canadian island turns strange when Anthony Monday and the Eells siblings find a chest that opens the way to another world. Soon they are facing a plot that threatens people back on Earth.
The Ghost in the Mirror
by John Bellairs
1993
Rose Rita and Mrs. Zimmermann head into a family mystery where an old mirror, local rumors, and a long-buried grudge start pointing to real magic. Lewis and Uncle Jonathan join the fight when the haunting turns serious.
The Vengeance of the Witch-Finder
by John Bellairs
1993
Lewis, Rose Rita, and Uncle Jonathan face the return of Malachiah Pruitt, a witch-hunter from centuries past whose ghost brings fear and accusation to New Zebedee. It is a puzzle-filled case with real supernatural teeth.
The Drum, the Doll, and the Zombie
by John Bellairs
1994
Johnny Dixon and Professor Childermass try to save the elderly Dr. Coote, only to find themselves up against a menacing voodoo cult. The case is short, sharp, and full of mounting dread.
The Doom of the Haunted Opera
by John Bellairs
1995
Lewis finds an old opera score that is really an elaborate spell, and the wrong people are determined to perform it. If the music is completed, the dead may rise to serve a villain with plans for New Zebedee and beyond.
The Hand of the Necromancer
by John Bellairs
1996
Johnny Dixon faces another brush with dark magic when a necromancer's shadow falls across his circle of friends. With Fergie and Professor Childermass beside him, he has to stop the dead from becoming somebody else's tools.
The Bell, the Book, and the Spellbinder
by John Bellairs
1997
Fergie steals an enchanted book from the library and slowly falls under the spell of the evil sorcerer Jarmyn Thanatos. Johnny and Professor Childermass have to save him before the magic takes full hold.
The Wrath of the Grinning Ghost
by John Bellairs
1999
Johnny Dixon's father falls into a coma, and Johnny is sure a malevolent force is behind it. With Fergie and Professor Childermass, he has to fight through a weird otherworld to bring him back.
Magic Mirrors
by John Bellairs
2009
This anthology gathers Bellairs's adult fantasy and comic work in one place, including The Face in the Frost, The Dolphin Cross, The Pedant and the Shuffly, and St. Fidgeta. It is a handy map to the stranger, funnier side of his writing.
The Gargoyle in the Dump
by John Bellairs
2015
Three brothers discover a battered gargoyle in a dump, and their ordinary summer tilts into something noisy, magical, and dangerous. The creature can talk, breathe fire, and drag them into an adventure they did not ask for.
Where should I start?
If you want the classic Bellairs starter: The House with a Clock in Its Walls → The Figure in the Shadows → The Letter, the Witch and the Ring
If you like boy-and-mentor mysteries: The Curse of the Blue Figurine → The Mummy, the Will, and the Crypt → The Spell of the Sorcerer's Skull
If you want treasure hunts first, heavier magic later: The Treasure of Alpheus Winterborn → The Dark Secret of Weatherend → The Lamp from the Warlock's Tomb
If you want his adult fantasy side: The Face in the Frost
Author bio
John Bellairs was born in Marshall, Michigan, in 1938, and that small-town Midwestern world never really left his imagination. Big old houses, church basements, odd museums, windy streets, and the feeling that something ancient might be hiding just out of sight all found their way into his books.
Books were his hiding place, and then his toolbox.
He grew up in a strict Catholic household and, for a while, thought he might become a priest. Instead, he went to the University of Notre Dame, then on to the University of Chicago, studying English and filling his head with history, folklore, theology, humor, and all kinds of useful oddments that would later turn up in his fiction.
Before writing full time, Bellairs taught English at several colleges. He spent years in classrooms, but by the early 1970s he had turned fully toward fiction. During a stay in Bristol, England, in the late 1960s, he began work on The Face in the Frost, the strange and unsettling fantasy novel that showed how well he could mix warmth, wit, and real fear.
His first books were not the middle grade gothics he is best known for now. St. Fidgeta and Other Parodies was a comic send-up of Catholic life and language, and The Pedant and the Shuffly was a playful, almost impossible-to-classify fable. Even there, you can see the pattern forming: Bellairs liked old forms, strange lore, and jokes that arrived with a straight face.
Then came The House with a Clock in Its Walls, and everything clicked. That book introduced Lewis Barnavelt, along with Uncle Jonathan and Mrs. Zimmermann, and Bellairs found the voice that made so many readers love him. He went on to build three memorable story worlds around Lewis, Johnny Dixon, and Anthony Monday. Books like The Curse of the Blue Figurine, The Treasure of Alpheus Winterborn, and The Lamp from the Warlock's Tomb gave young readers spooky mysteries without talking down to them.
He knew that childhood fear is real, even when the monster is not.
That is a big part of why his work lasts. His heroes are often lonely, worried, bookish kids who feel out of place. The adults who matter are not perfect, but they are brave, funny, and willing to help. Bellairs liked cursed objects, hidden rooms, bad weather, ancient magic, and ghosts, but he also cared about embarrassment, bullying, jealousy, homesickness, and the comfort of finding your people. Most of his children's books were also paired with memorable illustrations by Edward Gorey, which turned the eerie mood up another notch.
Later in life Bellairs lived in Massachusetts with his wife, Priscilla, and their son, Frank, and wrote full time. He died suddenly at his home in Haverhill in 1991, only fifty-three years old. A few planned books were later completed by Brad Strickland, but Bellairs's own voice is still easy to spot: funny, nervous, cozy, scholarly, and just creepy enough to keep you reading one more chapter.
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