House of Secrets Books in Order
Part ofCheryl Bradshaw Books in OrderBrowse the House of Secrets books by Cheryl Bradshaw in order, with summaries, eerie series background, and help deciding where to start.
Last updated: June 8, 2026
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Publication Order
3 books
The House on Bleakmoor Hill
by Cheryl Bradshaw
2026
At ninety-two, James Holloway is finally ready to speak about his friendship with convicted serial killer Calvin Rook. The truth he carries may answer what happened to the women whose bodies were never found.
The House on Hollow Hill
by Cheryl Bradshaw
2026
A family gathers for Albert Sinclair's eightieth birthday as a flash flood closes the roads and traps everyone inside. When Albert dies at the dinner table and then seems not to stay dead, the house turns deeply unsettling.
The House on Widow's Hill
by Cheryl Bradshaw
2026
Roxy Sinclair opens her home to her best friend during a bitter divorce, expecting kindness to be enough. Instead, overheard truths and rising tension threaten to destroy the careful life she thought she understood.
Series background & context
The House of Secrets books are gothic suspense novellas built around one strong hook, a troubling house, a buried truth, and the feeling that something is off long before the characters can name what it is. Unlike the Addison Lockhart books, this series is not centered on one investigator. Each story brings in a different cast and lets the house, or the history around it, do much of the heavy lifting.
That gives the series an anthology feel. The House on Bleakmoor Hill starts with an old man finally ready to talk about a notorious serial killer and the bodies that were never found. The House on Hollow Hill traps a family inside during a storm as a birthday dinner turns wrong. The House on Widow's Hill leans into domestic strain, friendship, marriage, and the danger that grows when private tensions stop staying private.
The mood here is darker and more claustrophobic than in Bradshaw's straight mysteries. These books like secrets that fester, rooms that feel wrong, and characters who realize too late that the past is not finished with them.
Because the books are short, Bradshaw keeps the pressure high. You are not here for sprawling world-building. You are here for atmosphere, dread, and a sharp twist of the knife.
If you want eerie stand-alone reads with a gothic edge, start with The House on Bleakmoor Hill. The books are brief, but they aim to linger.
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