Hidden Cities Books in Order
Part ofTim Lebbon Books in OrderBrowse the Hidden Cities books by Tim Lebbon and Christopher Golden in order, with short summaries, series background, and notes on how the novels connect.
Last updated: July 9, 2026
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Publication Order
4 books
Mind the Gap
by Tim Lebbon
2008
Jazz Towne slips through a crack in the world and into the hidden spaces beneath London. Hunted by killers and family secrets, she has to survive a city inside the city.
The Map of Moments
by Tim Lebbon
2008
Back in post-Katrina New Orleans, Max Corbett is handed a map that might reopen the worst moment of his life. To use it, he must follow the city's magical scars into very dangerous territory.
The Chamber of Ten
by Tim Lebbon
2010
An archaeological discovery in Venice opens the door to one of the city's oldest buried secrets. Geena and Nico are pulled into a feud of black magic, betrayal, and a past still poisoning the present.
The Shadow Men
by Tim Lebbon
2011
This Hidden Cities adventure dives back into the dangerous world beneath familiar streets, where old magic, secret histories, and enemies from the shadows refuse to stay hidden. The stakes are personal, but the mystery keeps widening.
Series background & context
The Hidden Cities books work on one of those urban-fantasy ideas that feels obvious once you hear it. Ordinary cities sit on top of older, stranger versions of themselves. History has not disappeared, it has sunk, folded, or hidden itself, and the wrong person can fall straight through.
That is what happens in Mind the Gap. Jasmine Towne, usually called Jazz, slips through one of the cracks in London and ends up in a hidden underworld threaded through the Underground and the city's forgotten spaces. She is already carrying family secrets, warnings from her mother, and enemies she barely understands. Once she drops below the surface, those mysteries stop being abstract. The city itself becomes a maze of old magic, secret factions, ghosts, and half-buried power.
The Map of Moments keeps the same shared idea but shifts the emotional center. This time the setting is post-Katrina New Orleans, and the story follows Max Corbett, who is given a map that might let him reach the past and change the worst loss of his life. That is a good example of what these books do well. The magic is not random decoration. It is tied to grief, memory, guilt, and the way a city stores what happened to its people.
These books treat cities like haunted machines.
Later books such as The Chamber of Ten and The Shadow Men continue that approach, linking buried history to present danger. Venice, London, and New Orleans do not merely host the stories. They shape them. So the through-line here is not one single cast so much as one idea: every city has a secret body, and entering it means accepting that myths, old crimes, and forgotten doors may all still be active if you know where to look.
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