DCI Jericho Books in Order
Part ofDouglas Lindsay Books in OrderFind the DCI Jericho books in order by Douglas Lindsay, with summaries, series background, and where to start with these high-stakes crime thrillers.
Last updated: June 10, 2026
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Publication Order
3 books
We Are The Hanged Man
by Douglas Lindsay
2012
When a justice-themed television show wants an expert police voice, DCI Robert Jericho is pushed into the spotlight. Public attention soon collides with real killing in a thriller about spectacle and punishment.
We Are Death
by Douglas Lindsay
2017
DCI Robert Jericho returns to face a threat that arrives with its own name and legend. As Morlock closes in, the case becomes bigger, darker, and more apocalyptic than a normal murder inquiry.
We Are The Fool
by Douglas Lindsay
2025
Jericho comes back for a final clash with the forces gathering across the series. Public spectacle, big ideas, and fresh killing turn the case into a dangerous endgame.
Series background & context
The DCI Jericho books sit in an interesting space inside Douglas Lindsay's work. They are crime novels, but they lean harder toward public spectacle, big ideas, and thriller momentum than some of his other series. Robert Jericho is an experienced senior detective, sharp and capable, but the world around him is noisy, performative, and full of people who want crime turned into theatre.
That becomes clear straight away. In the first book Jericho is pushed into the media spotlight through a television justice show, and from there the series keeps asking what happens when murder becomes something public, branded, argued over, and consumed. Lindsay is very good at that kind of setup because he understands both institutional pressure and human vanity. The books never forget the victims, but they are also interested in the circus that grows around violent crime.
Jericho is a steadier presence than Thomas Hutton and a more conventional policeman than Barney Thomson will ever be. That makes him useful in a series where the cases themselves often tilt toward the large-scale and the symbolic. Killers here can feel theatrical. Threats arrive with names, reputations, and an air of design. The books have a slightly heightened edge, without losing their procedural roots.
Nothing here stays private for long.
Another thing that sets the Jericho books apart is scope. These stories are willing to look beyond a single murder and ask larger questions about authority, punishment, fear, and the stories people tell themselves about justice. That gives the trilogy a broader, more dramatic feel than a case-by-case police series.
The tone is still recognisably Lindsay. There is sharpness in the dialogue, an eye for hypocrisy, and a refusal to make public institutions look tidier than they are. But the humour is used more sparingly here, and the tension comes less from grotesque absurdity than from the sense that the case is becoming something bigger and harder to contain.
If you like crime fiction that mixes investigation with media pressure, ideological menace, and a slightly stylised sense of threat, DCI Jericho is well worth your time. These books feel built for readers who enjoy a police procedural but want the stakes turned up and the spotlight shining directly into everyone's face.
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