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Ali Smith Books in Order

Browse Ali Smith's books in order, with novel and story summaries, guides to the Seasonal and Gliff series, an author bio, and tips on where to start reading.

Last updated: June 7, 2026

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22 books

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by Ali Smith

1997

Smith's debut novel follows Amy, an apparently rootless single mother living in rural Scotland, and Ash, the actress whose notebook reveals the intense student friendship they once shared in Cambridge. Split into two interlocking halves, the book considers memory, queer desire and the tangled ties between Scotland and England.

Other Stories and other stories

by Ali Smith

1999

These early short stories play with form while staying close to everyday encounters, chance meetings and small acts of miscommunication. Relationships shift, identities blur and language itself becomes part of the drama as people try, and often fail, to reach one another.

Free Love and Other Stories

by Ali Smith

2001

Free Love and Other Stories gathers twelve tales about desire, missteps and sudden possibility, from a teenage girl's trip to Amsterdam to a woman trapped at an uneasy dinner. The collection introduced Smith's quick, surprising style and her interest in how people find connection in dislocated lives.

Hotel World

by Ali Smith

2001

Hotel World links five women whose lives touch a bland chain hotel: a teenage chambermaid who dies in a dumbwaiter accident, her grieving sister, a homeless woman, a receptionist and a bored critic. Moving between their voices, the novel explores money, grief, time and what it means to be briefly alive together.

The Whole Story and Other Stories

by Ali Smith

2003

This collection of twelve stories asks how we can ever know the whole story of a life or event. A bookseller watches a customer buy every copy of a single novel, a bookshop clerk studies her customers, and chance, coincidence and time keep reshaping what characters think they understand.

The Accidental

by Ali Smith

2005

On a summer holiday in Norfolk, a middle class family is unsettled when a stranger called Amber walks into their rented house and simply stays. Seen in turn by each family member, her presence exposes secrets, desires and self deceptions that do not vanish when the holiday ends.

Writ

by Ali Smith

2006

Originally printed as a limited edition, Writ is a single, dazzling short story in which a middle aged woman comes home to find her fourteen year old self in the living room. Their sharp, funny argument about school, poetry and the future becomes a meditation on who we grow into.

Girl Meets Boy

by Ali Smith

2007

Set in Inverness and inspired by an Ovid myth, Girl Meets Boy follows sisters Anthea and Imogen as they work for a bottled water company with dubious ethics. When dreamy Anthea falls for Robin, a genderqueer activist, both sisters are forced to rethink love, work and what counts as a good life.

The First Person and Other Stories

by Ali Smith

2008

These twelve stories showcase Smith's love of voice and structure, from a supermarket shopper who finds a foul mouthed baby in her trolley to a woman arguing with her teenage self. The title piece is a tender, talky portrait of a couple working out how to tell the story of their own meeting.

The Story of Antigone

by Ali Smith

2011

This short retelling of Sophocles' Antigone introduces younger readers to the heroine who defies her uncle's decree to leave her brother unburied. Narrated by a sardonic crow, it turns an ancient tragedy about law, loyalty and conscience into a vivid, accessible story about speaking up.

There but for the

by Ali Smith

2011

When Miles Garth excuses himself from a Greenwich dinner party and locks himself in the spare bedroom, refusing to come out, he becomes an unlikely focus for neighbours, strangers and the media. The novel circles around people who once brushed against Miles, using the locked room to ask what we owe to one another.

Artful

by Ali Smith

2012

Artful grows out of a series of lectures and becomes a hybrid of essay and ghost story. A bereaved narrator is visited by the dead lover who had been writing about time, form and art, creating an intimate conversation about how we keep living alongside what we have lost.

Shire

by Ali Smith

2013

Shire brings together four linked pieces that blur fiction, memoir and biography. Moving between gardens, hospitals and remembered classrooms, Smith writes about illness, the Scottish poet Olive Fraser and academic Helena Mennie Shire, tracing how places and mentors shape a writer's sense of home and of art.

How to Be Both

by Ali Smith

2014

This formally playful novel twines together the voice of George, a grieving teenager in contemporary Cambridge, and that of Renaissance painter Francesco del Cossa. Depending on the edition, their narratives swap places, inviting you to think about gender, looking, art and how stories are always told more than one way.

Public Library and Other Stories

by Ali Smith

2015

In this collection, short stories are threaded with real readers' memories of libraries and reading. The pieces explore how books travel with us, how language shapes experience and what is at stake when public libraries are closed or neglected.

Autumn

by Ali Smith

2016

Autumn begins Ali Smith's Seasonal quartet with the friendship between Daniel Gluck, a centenarian former songwriter, and Elisabeth Demand, an art loving lecturer who first met him as a child. In the unsettled months after the Brexit vote, their conversations about memory and pop art rub up against queues, fences and fear.

Winter

by Ali Smith

2017

Set around a brittle family Christmas in Cornwall, Winter brings together business focused Sophia, her radical sister Iris, her son Art and a young woman hired to pose as his girlfriend. Old quarrels, protest histories and strange visions crowd the house as the season exposes what they would rather keep hidden.

In the Spirit of Spark

by Ali Smith

2018

Drawn from a lecture given for the Muriel Spark centenary, this short book is Ali Smith's spirited tribute to another Scottish novelist. It meditates on Spark's fiction, on truth, power and comedy, and on why storytelling still matters in difficult times.

Spring

by Ali Smith

2019

An aging television director drifting north on a train and a weary detention centre guard both cross paths with Florence, a sharp eyed child who seems to step through every barrier. Their meeting turns a bleak story of immigration control into one that searches for solidarity and hope.

Summer

by Ali Smith

2020

As Britain moves through Brexit, climate anxiety and the first months of COVID, teenage siblings Sacha and Robert clash with each other and their distracted parents. Their story of protest, mischief and care gradually connects with figures from earlier Seasonal novels and with older histories of internment and resistance.

Companion Piece

by Ali Smith

2022

During lockdown, a solitary writer is detained without explanation by border officials, then contacted by an old acquaintance with a strange riddle that will not leave her alone. The mystery links her father's illness, a fugitive teenager and a long ago girl blacksmith.

Gliff

by Ali Smith

2025

In a tightly controlled near future, siblings Briar and Rose are labeled "unverifiable" by the authorities and risk being removed to a re education centre. When their mother disappears, they set out with a grey horse they name Gliff, testing the painted boundaries of their world and the systems that try to fix who they are.

Where should I start?

If you want to follow her big political sequence: AutumnWinterSpringSummer.
If you prefer a single stand alone novel: How to Be BothThe Accidental.
If you love inventive short fiction: Free Love and Other StoriesOther Stories and other storiesThe Whole Story and Other StoriesThe First Person and Other Stories.
If you like myth and retellings: Girl Meets BoyThe Story of Antigone.
If you want her most recent take on our present: Companion PieceGliff.

Author bio

Ali Smith was born in Inverness, in the Scottish Highlands, in 1962 and grew up the youngest of five in a working class family in a council house. Words, stories and the voices around her were a way of making sense of a place that could feel both ordinary and quietly strange.

At school she was drawn to English and drama, writing poems, trying out plays and reading whatever she could find in local libraries. She went on to study English language and literature at the University of Aberdeen, where she won prizes for her poetry and graduated at the top of her year.

After Aberdeen she moved to Newnham College, Cambridge, to begin a PhD in American and Irish modernism. The doctorate never quite happened. While she was meant to be writing criticism she was also writing plays, some of which were staged in Cambridge and at the Edinburgh Fringe, and discovering that she preferred the live energy of fiction and drama to academic life.

In the early 1990s she lived in Edinburgh and taught Scottish, English and American literature at the University of Strathclyde. Around thirty she became seriously ill with chronic fatigue syndrome, had to leave the job and moved back to Cambridge to recover. Illness slowed everything down, but it also gave her time to see that writing was what she wanted to do next.

From then on, she wrote.

Her first book, the story collection Free Love and Other Stories, appeared in 1995 and won several Scottish awards. Further collections, including Other Stories and other stories and The Whole Story and Other Stories, showed her interest in short forms, quick shifts of point of view and characters whose lives keep tilting between the everyday and the unexpected.

Novels followed. Like braided together the lives of two women linked by the past and by the routes between Scotland and Cambridge. Hotel World used five interlocking female voices, including a ghost, around a generic hotel. The Accidental tracked a family on holiday whose routines are disrupted by a stranger called Amber. With Girl Meets Boy she reworked an Ovid myth as a love story between two young women in Inverness and a sharp look at bottled water marketing.

Later books keep that playfulness while taking on bigger canvases. There but for the begins when a man locks himself in a spare room during a suburban dinner party and refuses to come out. How to Be Both follows a modern teenager and a Renaissance painter in alternating, reshuffled narratives. The Seasonal quartet, Autumn, Winter, Spring and Summer, was written fast in response to the years around the Brexit referendum and the early months of the pandemic, mixing art, politics and intimate family stories.

Alongside the fiction she has written hybrid works such as Artful and Shire, the story collections The First Person and Other Stories and Public Library and Other Stories, the pandemic era novel Companion Piece and the near future tale Gliff. Her essays and lectures often celebrate other artists and writers, from Muriel Spark in In the Spirit of Spark to the poet Olive Fraser, and return to her recurring themes of time, queerness, friendship and the importance of public spaces and shared stories.

Stories, for her, are a way of keeping the door open.

Smith lives in Cambridge with her partner, filmmaker and artist Sarah Wood, to whom she dedicates her books. She has been elected a fellow of the Royal Society of Literature and appointed a Commander of the Order of the British Empire for services to literature, but she tends to describe writing less as a career than as an ongoing conversation, a way of staying alert to other people and to the world.

Edited by

Richard Reis

Software engineer whose passion for tracking book recommendations from podcasts inspired the creation of MRB.

Anurag Ramdasan

Lead investor at 3one4 Capital whose startup expertise and love for books helped shaped MRB and its growth.

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All 22 Ali Smith Books in Order (Complete List 2026)